A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Three stories - one each from the past, present, and future - about men in pursuit of eternity with their love. A conquistador in Mayan country searches for the tree of life to free his captive queen; a medical researcher, working with various trees, looks for a cure that will save his dying wife; a space traveler, traveling with an aged tree encapsulated within a bubble, moves toward a dying star that's wrapped in a nebula; he seeks eternity with his love. The stories intersect and parallel; the quests fail and succeed. Written by
A piano and vocal interpretation of Clint Mansell's "Stay with Me" theme was originally recorded for the end credits, with Justin Skomarovsky on piano and Antony Hegarty (of the group Antony and the Johnsons) on vocal. Director Darren Aronofsky, though satisfied with the piano arrangement, didn't feel that Antony's lyrics consummately reflected the film's message and narrative. Ultimately, Aronofsky discarded the song and opted instead to record Skomarovsky's piano arrangement with veteran Hollywood pianist Randy Kerber. See more »
Tikal is mentioned by the queen's priest, however, it wasn't discovered until the mid 19th century, and the name Tikal ("place of voices") was applied only in the early 20th century by archaeologists. This scene is a novel-within-the-film written by Izzi Creo, whose research may not be perfect. See more »
The movie ends with a white out, which represents the Big Bang or creation of the Universe. Following that, the white areas behind the credits condense, which correlates with the condensation of matter and ultimate large sale structure of the universe. These devolve to black screen, the early "opaque" stage of the universe, when early particle were forming. From this, stars begin to form, one by one until the credits end with a universe full of stars and the story of our universe to the present, told behind the credits. See more »
Fantastic in every sense. This film is indeed poetry, and a beautiful testament to love and the cycle of life, and the impermanence of death. Wow. The script is tight, and the non-linear presentation works very well. The scene compositions were exquisite. The score enhanced without being overbearing, which is so often the case in contemporary film.
The acting is absolutely superb, but then it's got Hugh Jackman and Rachel Weisz. I can't imagine Brad Pitt doing any sort of justice to this film. Darren Aronofsky lucked out in the long run by getting someone who has the range to portray the vast emotions required for Tomas/Tommy/Tom. Weisz has the depth for regal intrigue and spirited grace. Their chemistry makes their stories even more entrancing.
This film does require a thinking brain to be appreciated.
939 of 1,223 people found this review helpful.
Was this review helpful to you?