A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same ... See full summary »
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Three stories - one each from the past, present, and future - about men in pursuit of eternity with their love. A conquistador in Mayan country searches for the tree of life to free his captive queen; a medical researcher, working with various trees, looks for a cure that will save his dying wife; a space traveler, traveling with an aged tree encapsulated within a bubble, moves toward a dying star that's wrapped in a nebula; he seeks eternity with his love. The stories intersect and parallel; the quests fail and succeed. Written by
A piano and vocal interpretation of Clint Mansell's "Stay With Me" theme was originally recorded for the end credits, with Justin Skomarovsky on piano and Antony Hegarty (of the group Antony and the Johnsons) on vocal. Director Darren Aronofsky, though satisfied with the piano arrangement, didn't feel that Antony's lyrics consummately reflected the film's message and narrative. Ultimately, Aronofsky discarded the song and opted instead to record Skomarovsky's piano arrangement with veteran Hollywood pianist Randy Kerber. See more »
There was no 'Kingdom of Spain' in the 16th century. Isabella of Castile created a dynastic union by Ferdinand of Aragon. It did not become a coherent single kingdom till much later. See more »
I do not know how to sum this movie up in this review, and to try to would be an injustice to Darren Aronofsky's genius. So I will just state the facts. I saw this film at the Chicago International Film Festival. I was blown away. This movie is so original and so breath taking. There is only one word that I can use to describe it: BEAUTIFUL. Darren Aronofsky is a genius and the greatest film-maker of our time. He is a visionary, and one of the greatest script writers. Hugh Jackman's performance ranks among the greatest male screen performances in cinema history. Rachel Weisv is amazing, as is Ellen Burnstyn, and Sean Patrick Thomas. Clint Mansell teams up with The Kronos Quartet and the Scottish rock band Mogwai to bring us some of the most beautiful and epic music I have ever heard. Matthew Libatique's cinematography is breath taking. It is so simple, yet so effective and so amazing. Jay Robinowitz deserves special mention here because the movie is so well put together it flows, and as an editor myself, I can understand how hard that must have been. The three time lines weave in and out of each other flawlessly. This movie is so good I need to see it again in order to catch all of it, but this taste will be enough to sustain me for another month, when I will surely see it four or five times. This movie is about themes bigger than you can possibly imagine, and it will take some thinking, and it is genius. In my opinion, the best movie I have ever seen.
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