A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same ... See full summary »
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Three stories - one each from the past, present, and future - about men in pursuit of eternity with their love. A conquistador in Mayan country searches for the tree of life to free his captive queen; a medical researcher, working with various trees, looks for a cure that will save his dying wife; a space traveler, traveling with an aged tree encapsulated within a bubble, moves toward a dying star that's wrapped in a nebula; he seeks eternity with his love. The stories intersect and parallel; the quests fail and succeed. Written by
The movie ends with a white out, which represents the Big Bang or creation of the Universe. Following that, the white areas behind the credits condense, which correlates with the condensation of matter and ultimate large sale structure of the universe. These devolve to black screen, the early "opaque" stage of the universe, when early particle were forming. From this, stars begin to form, one by one until the credits end with a universe full of stars and the story of our universe to the present, told behind the credits. See more »
Fantastic in every sense. This film is indeed poetry, and a beautiful testament to love and the cycle of life, and the impermanence of death. Wow. The script is tight, and the non-linear presentation works very well. The scene compositions were exquisite. The score enhanced without being overbearing, which is so often the case in contemporary film.
The acting is absolutely superb, but then it's got Hugh Jackman and Rachel Weisz. I can't imagine Brad Pitt doing any sort of justice to this film. Darren Aronofsky lucked out in the long run by getting someone who has the range to portray the vast emotions required for Tomas/Tommy/Tom. Weisz has the depth for regal intrigue and spirited grace. Their chemistry makes their stories even more entrancing.
This film does require a thinking brain to be appreciated.
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