A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
Three stories - one each from the past, present, and future - about men in pursuit of eternity with their love. A conquistador in Mayan country searches for the tree of life to free his captive queen; a medical researcher, working with various trees, looks for a cure that will save his dying wife; a space traveler, traveling with an aged tree encapsulated within a bubble, moves toward a dying star that's wrapped in a nebula; he seeks eternity with his love. The stories intersect and parallel; the quests fail and succeed. Written by
The movie ends with a white out, which represents the Big Bang or creation of the Universe. Following that, the white areas behind the credits condense, which correlates with the condensation of matter and ultimate large sale structure of the universe. These devolve to black screen, the early "opaque" stage of the universe, when early particle were forming. From this, stars begin to form, one by one until the credits end with a universe full of stars and the story of our universe to the present, told behind the credits. See more »
It's all done except the last chapter. I want you to help me. FINISH IT...
"TheFountain" is a story tackling three different time periods. Tomas (Hugh Jackman) is a 16th century Conquistador on a bloody hunt though a hidden Mayan temple to retrieve sap from the mythical Tree of Life for his queen (Rachel Weisz), who is desperate for immortality. In 2005, Tom (Jackman) is a doctor frenetically searching for the cure to cancer to save the life of his wife Izzi (Weisz), who is in the final throes of her battle with death. Five hundred years later, Tom travels through space on a quest to reach the place of tranquility that Izzi spoke fondly of, using the Tree as a device to get him to the answers he needs to rest his weary mind....
In performances that can only be described as exquisite, Jackman and Weisz assist their director in opening up this knotty story through their soulful and romantic interpretations of desperation and peace. Essentially playing one lost soul, Jackman foams with remarkable anguish as he performs three separate interpretations of duty, handing in career-defining work. Weisz is the face of love in "The Fountain," lending the film a flowering emotional core of the film.
The Fountain" is masterful on so many unique levels, presenting a demanding filmgoing experience that should elicit a grand sense of awe on an emotional and spiritual level unlike anything you've seen this year.
Aronofsky has out done himself again....
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