The Fountain (2006)

Director:

Darren Aronofsky

Writers (WGA):

Darren Aronofsky (screenplay)
Darren Aronofsky (story) ...

Release Date:

22 November 2006 (USA)

Genre:

Drama | Romance | Sci-Fi

Tagline:

What If You Could Live Forever?

Plot:

Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.

Plot Keywords:

Tree | Love | Queen | Tree Of Life | Conquistador

Awards:

Nominated for Golden Globe. Another 6 wins & 14 nominations

Cast

Hugh Jackman	...	Tomas / Tommy / Tom Creo
Rachel Weisz	...	Isabel / Izzi Creo
Ellen Burstyn	...	Dr. Lillian Guzetti
Mark Margolis	...	Father Avila
Stephen McHattie	...	Grand Inquisitor Silecio
Fernando Hernandez	...	Lord of Xibalba
Cliff Curtis	...	Captain Ariel
Sean Patrick Thomas	...	Antonio
Donna Murphy	...	Betty
Ethan Suplee	...	Manny
Richard McMillan	...	Henry
Lorne Brass	...	Dr. Alan Lipper
Abraham Aronofsky	...	Lab Technician
Renee Asofsky	...	Lab Technician
Anish Majumdar	...	Dr. Spencer

Also Known As:

The Last Man (USA) (original script title)

MPAA:

Rated PG-13 for some intense sequences of violent action, some sensuality and language. (edited for re-rating; originally R)

Runtime:

96 min

Country:

USA

Language:

English | Maya

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

UK:15 (original rating) | Ireland:15A | Australia:M | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:12A (edited for re-rating) | USA:R (original rating) | Singapore:PG | France:U | Germany:12 | Hong Kong:IIA | Argentina:13 | Netherlands:16 | Sweden:11 | Finland:K-13 | Portugal:M/12 | South Korea:15 | Peru:14 | USA:PG-13 (edited for re-rating) (certificate #41776) | Brazil:14 | New Zealand:M

Filming Locations:

Cité du Cinéma, Montréal, Québec, Canada

Company:

Warner Bros. Pictures

Trivia:

The group of stars that appear at movie is the Orion constellation, and the Xibalba Nebula is knew in astronomy jargon as Messier 42, M42, NGC 1976 or Orion Nebula, located at 1270 light-years approximately from the Earth.

Goofs:

Anachronisms: Tikal is mentioned by the queen's priest, however, it wasn't completely discovered until the mid XIX century. Also the name Tikal, which means "place of voices" was invented at the beginnings of the XX century by archaeologists.

Quotes:

Tom Creo: All these years, all these memories, there was you. You pull me through time.

Movie Connections:

Featured in The 64th Annual Golden Globe Awards (2007) (TV)

The Path to Life

I had the immense pleasure of viewing this film for its second screening ever, when it was showcased at Chicago's International Film Festival. Fans of Aronofsky who enjoyed the intensity of 'PI' and 'REQUIEM FOR A DREAM' will find that Darren's primary thematic focus has shifted yet again from the mind and gut ('PI' and 'REQUIEM', respectively) to the heart. However, don't take this to mean that 'THE FOUNTAIN' isn't intellectually engaging or visceral in its impact.

In a word, this film is warm. Aronofsky's palette for his third feature is a swirling miasma of golden yellows, and it sets the tone for the work. 'THE FOUNTAIN' is a life-affirming treatise on the eternity of love. Cynical hacks might decry this as a mawkish, facile rumination of saccharine proportions, but despite the sentimental themes, the film is never cloying, opting instead for a (sur)realistic portrayal of the nuances of one of life's most powerful emotions.

The casting was superb: Rachel Weisz and Hugh Jackman are outstanding in their roles, with both offering utterly believable performances. Weisz reveals the same depths she did in 'THE CONSTANT GARDENER', portraying myriad subtleties in a role that could've easily been misplayed, starring as Jackman's love throughout time. For those who've only seen Jackman in action-oriented mutant movies, his command of his character's strengths AND frailties is a welcome surprise. The supporting cast was excellent as well, with Ellen Burstyn standing out in particular.

Special effects were phenomenal, even without taking the film's halved budget into consideration. I won't spoil the surprise, but when you find out how Aronofsky and Co. achieved some of the extraordinary images, you're sure to be impressed (and reminded of a film classic from over 25 years ago). This is not a film to rely on FX, though. In fact, the segment (not scene; the story is split across three time periods) using the bulk of the effects is probably the shortest.

Aronofsky ambitiously tackles heavy themes and concepts and he does it in a little over 90 minutes. I didn't realize how short the film was until it was over. However, 'THE FOUNTAIN's brevity could also be perceived as an extension of one of its themes: learning to appreciate the world and its beauty in whatever time we are allotted.