| Richie Ren | ... | Yuen (as Richie Jen) | |
| Kelly Chen | ... | Commissioner Rebecca Fong | |
| Nick Cheung | ... | Inspector Cheung | |
| Siu-Fai Cheung | ... | Eric Yeung (as Cheung Siu Fai) | |
| Shiu Hung Hui | ... | Hoi (as Hui Siu Hung) | |
| Suet Lam | ... | Yip (as Lam Suet) | |
| Yong You | ... | Chun (as You Yong) | |
| Haifeng Ding | ... | Long (as Ding Hai Feng) | |
| Haitao Li | ... | Chung (as Li Hai Tao) | |
| Simon Yam | ... | Asst. Commissioner C.K. Wong | |
| Maggie Siu | ... | Grace Chow (as Maggie Shiu) | |
| rest of cast listed alphabetically: | |||
| Yuk-Keung Kwok | ... | Policeman | |
| Chi Wai Wong | ... | Wong | |
| Wah Wo Wong | ... | White Hair | |
Directed by | |||
| Johnnie To | |||
Writing credits | ||
| Hing-Ka Chan | (written by) (as Chan Hing Kai) & | |
| Tin-Shing Yip | (written by) (as Ip Tin Shing) | |
Produced by | |||
| Biao Cao | .... | producer | |
| Catherine Chan | .... | associate producer | |
| John Chong | .... | executive producer | |
| Elos Gallo | .... | consultant producer | |
| Sanping Han | .... | associate executive producer (as Han Sanping) | |
| Tao Jiang | .... | administrative producer (as Jiang Tao) | |
| Shirley Lau | .... | associate producer | |
| Johnnie To | .... | producer | |
| Buting Yang | .... | executive producer (as Yang Bu Ting) | |
Original Music by | |||
| Ben Cheung | |||
| Chi Wing Chung | (as Ching Chi Wing) | ||
Cinematography by | |||
| Siu-keung Cheng | (director of photography) (as Cheng Siu Keung) | ||
Film Editing by | |||
| David M. Richardson | (as David Richardson) | ||
Production Design by | |||
| Bruce Yu | |||
Art Direction by | |||
| Raymond Chan | |||
Costume Design by | |||
| Steven Tsang | |||
Makeup Department | |||
| Kit Ling Chan | .... | on-set dresser (as Chan Kit Ling) | |
| Miko Chu | .... | makeup artist (as Mico Chu) | |
| Rachel Kong | .... | hair stylist (as Rachel Kwong) | |
Production Management | |||
| Elaine Chu | .... | project manager | |
| Jackson Ha | .... | production manager | |
| Eric Huen | .... | assistant production manager | |
| Dong-ming Shi | .... | production in charge (as Shi Dong Ming) | |
Second Unit Director or Assistant Director | |||
| Wai Chu Chan | .... | second assistant director (as Chan Wai Chu) | |
| Wai Hung Chan | .... | first assistant director (as Chan Wai Hung) | |
| Derick Lau | .... | second assistant director | |
| Wing-cheong Law | .... | associate director (as Law Wing Cheong) | |
Art Department | |||
| Joey Chan | .... | assistant art director | |
| Wai Kin Lam | .... | property master (as Lam Wai Kin) | |
Sound Department | |||
| Chun Wang Au | .... | foley artist (as Au Chun Wang) | |
| King Fai Choy | .... | foley artist (as Choy King Fai) | |
| Wing Hong Fung | .... | foley artist (as Fung Wing Hung) | |
| Shek Key Kwong | .... | foley artist (as Kwong Shek Key) | |
| Hon Chiu Lam | .... | foley artist (as Lam Hon Chiu) | |
| Wai Lun Lam | .... | dialogue recordist (as Lam Wai Lun) | |
| Sin-kwok Lee | .... | sound recordist (as Lee Sin Kwok) | |
| Charlie Lo | .... | sound editor | |
| Charlie Lo | .... | sound | |
| May Mok | .... | dialogue recordist | |
| May Mok | .... | sound mixer | |
| May Mok | .... | sound | |
| Kwok Fai Ng | .... | boom operator (as Ng Kwok Fai) | |
| Kwong Heung Yam | .... | foley artist (as Yam Kwong Heung) | |
| Chi Man Yu | .... | foley artist (as Yu Chi Man) | |
| Tomy Yu | .... | foley artist | |
Special Effects by | |||
| Peony Lam | .... | special effects coordinator | |
Visual Effects by | |||
| Ping Hin Kong | .... | CGI animator (as Kong Ping Hin) | |
| Pak Chung Kwan | .... | CGI animator (as Kwan Pak Chung) | |
| Sui Lun Leung | .... | CGI animator (as Leung Siu Lun) | |
| Stephen Ma | .... | visual effects supervisor | |
Stunts | |||
| Bun Yuen | .... | stunt coordinator (as Yuen Bun) | |
Camera and Electrical Department | |||
| Ting Fung Kwong | .... | best boy (as Kwong Ting Fong) | |
| Hirotake Okazaki | .... | still photographer | |
| Hung Mo To | .... | cinematographer: second unit (as To Hung Mo) | |
| Kwok Chiu Wu | .... | gaffer (as Wu Kwok Chiu) | |
Costume and Wardrobe Department | |||
| Kitty Chau | .... | assistant costume designer | |
Editorial Department | |||
| Christy Chan | .... | post-production coordinator | |
| Simon Fung | .... | assistant editor | |
| Aaron Lau | .... | assistant editor | |
| Calmen Lui | .... | post-production executive | |
Other crew | |||
| Kenneth Cheung | .... | continuity | |
| Chi-Shing Chiu | .... | location manager (as Chiu Chi Shing) | |
| Yuin Shan Ding | .... | film coordinator (as Ding Yuin Shan) | |
| Yuin Shan Ding | .... | translation consultant: English subtitles (as Ding Yuin Shan) | |
| Ching Ting Law | .... | set runner (as Lu Ching Ting) | |
| Wing-cheong Law | .... | associate director (as Law Wing Cheong) | |
| Maggie Lee | .... | translator: English subtitles | |
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| The Dark Knight | The Departed | Live Free or Die Hard | 15 Minutes | The Black Widow |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Hong Kong section |
After a shoot out goes wrong and the police are made to look like fools the brass resolve to catch the bandits while using the media to fix their busted reputation. However things don't go quite as expected for anyone and what was a simple manhunt becomes a hostage situation with all of Hong Kong watching.
This is an odd film. The plot is a bit too complex for its 90 minute running time, with gunfire exploding often when you least expect it. It starts off with a huge shoot out and then changes feels and tones several times as it goes. And there are a couple of moments where I swear I missed some plot point or other, but found I was simply carried along with the momentum and didn't care for long..
It clearly wants to make a commentary on the use of media by organizations to look good, and it mostly succeeds. (I'm also certain that the parallels to how the US Government is doing a similar thing in Iraq was probably unintentional even if it does make you think.)
This is a very good, and very off beat film that moves to its own beat. Definitely worth seeing, especially if you like action.
8 out of 10