| Photos (see all 11 | slideshow) | Videos |
| Cyril Raffaelli | ... | Capt. Damien Tomaso | |
| David Belle | ... | Leïto | |
| Tony D'Amario | ... | K2 | |
| Bibi Naceri | ... | Taha Bemamud (as Larbi Naceri) | |
| Dany Verissimo | ... | Lola | |
| François Chattot | ... | Krüger | |
| Nicolas Woirion | ... | Corsini | |
| Patrick Olivier | ... | Le colonel | |
| Samir Guesmi | ... | Jamel | |
| Jérôme Gadner | ... | K2 boy 1 | |
| Tarik Boucekhine | ... | Yoyo (para 1) | |
| Grégory Jean | ... | Para 2 | |
| Warren Zavatta | ... | Para 3 | |
| Dominique Dorol | ... | Cerbère Taha | |
| Ludovic Berthillot | ... | Le gros mercenaire | |
| Azad | ... | Tarik | |
| Turan Bagci | ... | Gorille entrée Marronniers | |
| Gilles Gambino | ... | Garde 1 | |
| Chamsi Charlesia | ... | Garde 2 | |
| Nicolas Wan Park | ... | Le Chinois | |
| Alain Rimoux | ... | Le commissaire | |
| Marc Andréoni | ... | Carlos Montoya | |
| Roberto Gil | ... | Pedro | |
| Patrick Médioni | ... | Le caissier | |
| Bernard Grenet | ... | M. Keijman | |
| Lyes Salem | ... | Samy | |
| Christophe Maratier | ... | Le chef des SWAT | |
| Philippe Soutan | ... | Le conducteur du fourgon | |
| Michel Estrade | ... | Maton 1 | |
| Jean-Marc Bellu | ... | Maton 2 | |
| MC Jean Gab'1 | ... | Nico | |
| Louis-Philippe Manuel | ... | Poursuivant 2 | |
| Olivier Lobe | ... | Poursuivant 1 | |
| Jeffrey Zade Rudom | ... | Le yéti | |
| Jérôme Paquatte | ... | Garde yéti | |
| rest of cast listed alphabetically: | |||
| Jeff Rudom | ... | Yeti | |
| Stephane Vigroux | ... | K2 Boy | |
| Arnaud Klein | ... | Policier / Policeman (uncredited) | |
Directed by | |||
| Pierre Morel | |||
Writing credits(in alphabetical order) | ||
| Luc Besson | writer | |
| Bibi Naceri | writer | |
Produced by | |||
| Luc Besson | .... | producer | |
| Bernard Grenet | .... | executive producer | |
| Mehdi Sayah | .... | assistant producer | |
Original Music by | |||
| Bastide Donny | |||
| Da Octopuss | |||
| Damien Roques | |||
Cinematography by | |||
| Manuel Teran | |||
Film Editing by | |||
| Stéphanie Gaurier | |||
| Frédéric Thoraval | |||
Casting by | |||
| Swan Pham | |||
Production Design by | |||
| Hugues Tissandier | |||
Art Direction by | |||
| Vraciu Eduard Daniel | |||
Set Decoration by | |||
| Gérard Marcireau | |||
Costume Design by | |||
| Martine Rapin | |||
| Alexandre Rossi | |||
Makeup Department | |||
| Frédérique Arguello | .... | key hair stylist | |
| Florence Batteault | .... | makeup artist | |
| Solange Beauvineau | .... | makeup artist | |
| Guillaume Bellu | .... | makeup artist | |
| Andreea Dardea | .... | makeup artist: Romania | |
| Mathieu Gueracague | .... | hair stylist | |
| Myriam Hottois | .... | key makeup artist | |
Production Management | |||
| Eric Bassoff | .... | post-production supervisor | |
| Sonia Duclos | .... | unit manager | |
| Calin Furtunescu | .... | unit production manager | |
| Ismaël Gaïla | .... | assistant unit manager | |
| Marc Guidetti | .... | unit manager | |
| Thierry Guilmard | .... | production manager | |
| Judicaël Noïa | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Fotea Alex | .... | third assistant director | |
| Mathilde Cavillan | .... | second assistant director | |
| Roger Delattre | .... | second assistant director | |
| Claire Galloy | .... | location assistant director | |
| Stéphane Gluck | .... | first assistant director | |
| Theodor Halacu-Nicon | .... | first assistant director: Romania | |
| Rodolphe Kriegel | .... | second assistant director | |
| Sébastien Marziniak | .... | trainee assistant director | |
| Virgil Nicolaescu | .... | second assistant director | |
| Christian Peritore | .... | third assistant director | |
| Jérôme Raffaelli | .... | second assistant director | |
| Lucie Wagner | .... | trainee assistant director | |
Art Department | |||
| Pierre Bandini | .... | props | |
| Jean-Michel Bar | .... | props | |
| Jean-Louis Bergougnoux | .... | props | |
| Jean-Roch Bonnin | .... | property master | |
| Sébastien Borie | .... | property master | |
| Jean-Jacques Chapelle | .... | construction manager | |
| Bertrand Clerq-Roques | .... | first assistant production designer | |
| Zamfir Cornel | .... | props | |
| Daniel Crociati | .... | painter | |
| Hubert Devinck | .... | props | |
| Thierry Doerflinger | .... | plasterer | |
| Gerard Drolon | .... | first assistant production designer | |
| Yvan Dupont | .... | painter | |
| Acacio Francisco | .... | painter | |
| Jean-Louis Frere | .... | painter | |
| Yvan Hart | .... | plasterer | |
| Alexis Jorand | .... | painter | |
| Jérémie Lemoine | .... | property master | |
| Françoise Malaplate | .... | head painter | |
| Gérard Marcireau | .... | set dresser | |
| Régis Mayot | .... | props | |
| Eugen Pisau | .... | property master | |
| Per-Olof Renard | .... | second assistant production designer | |
| Jean Marc Sanchez | .... | second assistant production designer (as Jean-Marc Sanchez) | |
| Monica Sorescu | .... | set dresser | |
Sound Department | |||
| Christophe Bourreau | .... | foley artist | |
| Franck Cartaut | .... | assistant sound | |
| Franck Cartaut | .... | boom operator | |
| Yves Coméliau | .... | assistant sound | |
| Pierre Dachery | .... | boom operator | |
| Matthieu Dallaporta | .... | sound re-recording assistant | |
| Eric Ferret | .... | sound recordist | |
| Loïc Gourbe | .... | sound recordist | |
| Alexandre Hernandez | .... | sound editor | |
| Christophe Leroy | .... | adr editor | |
| Christophe Leroy | .... | dialogue editor | |
| Maud Lombart | .... | sound editor | |
| Didier Lozahic | .... | foley mixer | |
| Didier Lozahic | .... | sound re-recording mixer | |
| Fred Mays | .... | post-synchronization | |
| Vincent Milner | .... | assistant foley artist | |
| Frédéric Ullmann | .... | sound | |
Special Effects by | |||
| Philippe Hubin | .... | special effects supervisor | |
| Denis Le Doyen | .... | special effects | |
| Jean-Christophe Magnaud | .... | special effects coordinator | |
Visual Effects by | |||
| Virginie Allal | .... | visual effects assistant | |
| Odile Beraud | .... | scan and shoot | |
| Pierre Blain | .... | digital artist | |
| Gisèle Courcoux | .... | scan and shoot | |
| Claire Cuinier | .... | digital artist | |
| Stéphanie Dargent | .... | matte painter | |
| Olivier Debert | .... | digital artist | |
| Thibault Deloof | .... | digital artist | |
| Jacques Delzescaux | .... | digital artist | |
| Antoine Douadi | .... | Flame artist | |
| Fabien Eigen | .... | scan and shoot | |
| Roxane Fechner | .... | visual effects supervisor | |
| François Gilguy | .... | digital artist | |
| Luc Guénard | .... | calibration | |
| Sébastien Guyot | .... | scan and shoot | |
| Jérémy Justice | .... | digital artist | |
| Christophe Keichinger | .... | scan and shoot | |
| Robert Kfoury | .... | scan and shoot | |
| Marc Latil | .... | digital artist | |
| Francis Lenoir | .... | digital artist | |
| Joyce Menger | .... | visual effects producer | |
| David Montoya | .... | scan and shoot | |
| Frederic Moreau | .... | visual effects producer | |
| Jean-René Nébot | .... | digital color grader | |
| Aude Nguyen-Ngoc | .... | visual effects artist | |
| Thierry Noblet | .... | digital artist | |
| Ugo Pierantoni | .... | digital artist | |
| Isabelle Ramnou | .... | matte painter | |
| Laetitia Roure | .... | digital grading post-production coordinator | |
| Christophe Sabre | .... | scan and shoot | |
| Gérard Soirant | .... | scan and shoot | |
| Melodie Stevens | .... | digital artist (as Mélodie Stevens) | |
| Morgan Varona | .... | digital artist | |
Casting Department | |||
| Domnica Circiumaru | .... | extras casting: Romania | |
| Brigitte Fourcade | .... | extras casting | |
Costume and Wardrobe Department | |||
| Marie Bouvier | .... | costumer | |
| François-Louis Delfolie | .... | costumer | |
| Aurélie Kerbiquet | .... | costumer | |
| Olivier Ligen | .... | costumer | |
| Amalia Misaila | .... | costumer: Romania | |
| Sophie Mollier | .... | costumer | |
| Jean-Marc Pion | .... | costumer | |
| Annie Thiellement | .... | head costumer | |
Editorial Department | |||
| Susana Antunes | .... | post-production assistant | |
| Nicolas Criqui | .... | digital conformation | |
| Sylvie Lager | .... | assistant editor | |
| Jean-René Nébot | .... | digital color timer | |
| Stéphanie Pedelacq | .... | assistant editor | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Clara Vincienne | .... | post-production assistant | |
Music Department | |||
| Lohengrin Braconnier | .... | assistant music mixer | |
| Jérôme Devoise | .... | score mixer | |
| Jérôme Lateur | .... | music supervisor | |
| Vincent Lebegue | .... | music legal coordinator | |
| Elise Luguern | .... | music production supervisor | |
| Da Octopuss | .... | music producer | |
| Da Octopuss | .... | musician | |
| Samuel Potin | .... | music editor | |
| Mehdi Sayah | .... | assistant music supervisor | |
Transportation Department | |||
| Andrei Sendrea | .... | driver | |
| Olivier Suffert | .... | picture cars | |
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| Live Free or Die Hard | The Godfather | Rush Hour 2 | Cidade de Deus | Lethal Weapon |
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It's erroneous to interpret "A Film By Luc Besson" that the marketing folks slap on the movie posters these days. Besson has of late been lending his name for that purpose on many movies, but nope, he's not the director. Usually involved in another capacity, like writer, or producer.
District 13 is one such movie. This is not a film by Luc Besson, although it is written by, and produced by him. This movie is directed by Pierre Morel, who was the cinematographer for another Besson-involved film, Jet Li's Unleashed. You'll see some familiar stylistic elements from Unleashed in this movie, although this one was made in 2004, and shown here earlier as the movie used to launch Cathay's new halls 10-12 at cineleisure.
Set in Paris 2010, troubled districts get walled in by the authorities. Literally. And District 13 is one of the most notorious amongst all. We get introduced to Leito first, a resident of District 13, but as it turns out, despite his mean tattoo covered demeanor, he has a heart of gold, and fantastic springs for legs, borrowed from the Yamakasi folks. Played by David Belle, he actually is a co-founder of a sport known as Parkour, which is demonstrated in the movie as a very free form of martial arts cross bred with the Yamakasi spirit. Leito is a character who's jaded by authority-like figures, as he gets betrayed by the police, and has his sister given up as collateral.
The other protagonist is Damien, an ace undercover cop, played by stuntman Cyril Raffaelli. Accomplishing his latest mission doesn't buy him rest, as he gets thrust unwillingly into a new assignment of having to locate a neutron bomb stolen and brought into District 13. Given only 24 hours before the bomb explodes and kills everyone in an eight kilometer radius, he has to enlist the help of Leito to serve as a guide inside the notorious district.
As you would already expect, it's reluctant hero meeting another reluctant hero, both with huge egos and their own agendas - one to save lives, the other to save his sister. Both share a common enemy, so that makes it easier somewhat to find common ground to cooperate. However, the movie's a tad short to explore these buddy themes, as you get into the action thick and fast.
It's adrenalin pumping action against an edgy hard hitting soundtrack. You'll initially be wowed at Leito's Parkour scenes, which brings back some memories of Jackie Chan movies with his acrobatic maneuvers into confined spaces, and of leaping from building to building, window ledge to window ledge, and rooftop to rooftop. However, after a while, you tend to get jaded because it's basically the same thing, repeated over and over again. The initial novelty wore out, and it didn't help that action scenes thereafter relied on the same techniques.
Also, despite being billed as a non-stop action flick, the action actually pauses for long moments to force a discussion on the ridding of the downtrodden, of taking extreme measures to round up troubled districts by physically segregating them from the rest using high walls and barbed wires. and of extreme methods of getting rid of such folks deemed as troublemakers.
There're also more style-than-substance scenes, not that I'm complaining, but some shots were pretty to look at, at the expense of the story. As with most action movies, you'll also have to suspend belief that while bullets can make nasty holes in metal, they will never find a way to penetrate wood or human flesh, at least when the heroes are concerned.
While the ending's pretty neat, you can't help but wonder that this movie is yet another victim of the cool trailer syndrome - having almost all the best bits of the movie condensed into the trailer, leaving nothing much in the movie itself.