| Konkona Sen Sharma | ... | Kaju "Amu" | |
| Yashpal Sharma | ... | Gobind | |
| Brinda Karat | ... | Keya | |
| Ankur Khanna | ... | Kabir | |
| Chaiti Ghosh | ... | Tuki | |
| Aparna Roy | ... | Grandmother | |
| Ashish Ghosh | ... | Uncle | |
| Ruma Ghosh | ... | Aunt | |
| Loveleen Mishra | ... | Leelavati | |
| Brajesh Mishra | ... | Chachaji | |
| Bharat Kapoor | ... | Arun Sehgal | |
| Lushin Dubey | ... | Meera Sehgal | |
| Rajendra Gupta | ... | KK | |
| Ganeve Rajkotia | ... | Shanno Kaur | |
| Kuljit Singh | ... | Gurbachan Singh | |
| Ekta Sood | ... | Amu | |
| Harshit Sood | ... | Arjun | |
| Mohini Mathur | ... | Durga | |
| Kirandeep Sharma | ... | Shanti Kumar | |
| Amita Udgata | ... | Widow | |
| Kusum Haidar | ... | Widow | |
| Avijit Dutt | ... | Neel | |
| Subhashini Ali | ... | Lalitha | |
| Susmit Sarkar | ... | Siddharth | |
| Lara Ahsan Chandni | ... | Stephanian | |
| Maxwell Chhetry | ... | Stephanian | |
| Subhashish Mukherjee | ... | Stephanian | |
| Sanjay Kumar | ... | Pappu |
Directed by | |||
| Shonali Bose | |||
Writing credits(in alphabetical order) | ||
| Shonali Bose | writer | |
Produced by | |||
| Sanjay Bhattacharjee | .... | line producer | |
| Atiya Bose | .... | co-producer | |
| Shonali Bose | .... | producer | |
| Aidan Hill | .... | co-producer | |
| Gurdip Malik | .... | executive producer | |
| Bedabrata Pain | .... | executive producer | |
| Vibhu Srivastava | .... | co-line producer: Los Angeles | |
Original Music by | |||
| Nandlal Nayak | |||
Cinematography by | |||
| Lourdes Ambrose | |||
Film Editing by | |||
| Bob Brooks | |||
Production Design by | |||
| Ayesha Punvani | |||
Second Unit Director or Assistant Director | |||
| Vibhu Srivastava | .... | third assistant director | |
Art Department | |||
| Ali Abbas Zafar | .... | set designer | |
Sound Department | |||
| David Kitchens | .... | sound supervisor | |
| Nicole Lazaroff | .... | boom operator | |
| Resul Pookutty | .... | sound designer | |
| Resul Pookutty | .... | sound | |
| Amala Popuri | .... | utility sound | |
| Eric Reuveni | .... | sound re-recording mixer | |
| Ben Zarai | .... | supervising sound editor | |
Camera and Electrical Department | |||
| Kartik Vijay | .... | assistant camera | |
Editorial Department | |||
| Nerina Penzhorn | .... | first assistant editor: film | |
Other crew | |||
| Mia Trachinger | .... | creative consultant | |
| Aldo Velasco | .... | creative consultant | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb India section | Add this title to MyMovies |
I like "Amu the movie" tremendously. The movie has so many layers that it is difficult for me to pinpoint to a single reason for its impact. As a passive observer of compelling and authentic portrayal of a journey of a Girl finding her true identity, I had suspended my reality and enjoyed the experience. As an agitated follower of the injustice highlighted in the movie, I was incensed by the implication of tacit support . Yet as an observer of slow revelation of plot line, I was enthralled. The acting, the directing, the photography and the editing/music were totally endearing. The fact that there some people in the audience crying and others sat in silence after the movie had finished, showed that the movie had indeed touched all of us. It is hard to believe that Shonali is a first time director, who captured on celluloid a slice of life that was actually manufactured. Konkona Sen was spectacular but Lovleen Mishra, Brinda Karat, Chaiti Ghosh, Ashish Ghosh, Aparna Roy were all fantastic.
Finally, I would like to say, that in South Africa a unique experiment is taking place, the Truth and Reconciliation Commision. In India too, the wounds of destructive, ethnic cleansing violence go deep and are tremendously complex. It is indeed a bold step of shining the light on a dark period of recent history but "Amu the Movie" , is the step is taken in the right direction.
I look in great anticipation to others all over the world following in this film's footsteps and making more creative and more bold choices as Shonali has done in "Amu". I also look forward to many more viewers enjoying the tremendous journey of "Amu".
Berkeley