Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
The protagonist Elizabeth Bennett is a witty, sarcastic, somewhat stubborn young lady who really has an opinion about quite a lot including why she would not marry simply because of it is expected of her. Mr. Guy Darcy is a shy, rich, man who defiantly believes there is such a thing as superior birth. Written by
At the beginning of the movie, Elizabeth is shown reading a novel titled "First Impressions" - this was Jane Austen's original title of her novel before she altered it to "Pride and Prejudice". Additionally the text of the visible pages is readable when paused; it is the last chapter of Pride and Prejudice, with names changed. See more »
On the green outside the Collin's Rectory is a cenotaph of a type which did not come into use until the 20th Century. See more »
Jane Austen's tale of love and economics reaches us once more with the energy of a thorough novelty. "Pride and Prejudice" has been a favorite novel of mine since I first read it and I've seen Laurence Olivier and Greer Garson, Colin Firth and Jennifer Ehle and now Matthew MacFadyen and Kiera Knightly. Amazingly enough I've never been disappointed. The material seems to be full proof. Colin Firth's Darcy, in many ways, is the Darcy I've always imagined. He's been an actor I've followed feverishly since his glorious Adrian LeDuc in "Apartment Zero", Matthew MacFadyen was totally new to me but he managed to create that sense of longing that makes that final pay off so satisfying. Kiera Knightly is a ravishing revelation. I must confess, I didn't remotely imagined that she was capable of the powerful range she brilliantly shows here. The other big surprise is Joe Wright, the director, in his feature film debut which is more than promising, it's extraordinary. The photography, the art direction and the spectacular supporting cast, in particular Donald Sutherland and Brenda Blethyn, makes this new version of a perennial classic a memorable evening at the movies
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