Directed by
| Paulo Morelli | ||
Writing Credits (in alphabetical order)
| Márcio Alemão | ... | (writer) |
| Paulo Morelli | ... | (story) |
Cast (in credits order)
| Vivianne Pasmanter | ... | Mari | |
| Betty Gofman | ... | Déia | |
| Dan Stulbach | ... | Duda | |
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Graziella Moretto | ... | Karina |
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Luciano Chirolli | ... | Abílio |
| Kiko Mascarenhas | ... | Flavinho | |
| Fábio Herford | ... | Monstro | |
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Otávio Martins | ... | Alicate |
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Genésio de Barros | ... | Francisco (as Genézio de Barros) |
| Paulo Gorgulho | ... | Policial 1 | |
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Ernani Moraes | ... | Policial 2 |
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Supla | ... | Sávio |
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Armando Filho | ... | Garçom Manoel |
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Carla Fioroni | ... | Ivone |
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Denis Staut | ... | Filho do Francisco |
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Eduardo Estrela | ... | Vendedor de Panos |
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Jair Assumpção | ... | Décio (Doleiro) |
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Joelson Medeiros | ... | Gerente do Banco |
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Paulo Porto | ... | Taxista |
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Plínio Soares | ... | Ladrão de Banco |
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Priscila Luz | ... | Ladra |
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Zuzu Abu | ... | Colega de Trabalho |
Produced by
| Andrea Barata Ribeiro | ... | producer |
| Bel Berlinck | ... | executive producer |
| Daniel Filho | ... | associate producer |
| Paulo Morelli | ... | producer |
| Carlos Eduardo Rodrigues | ... | associate producer |
| Ricardo Pinto e Silva | ... | executive producer |
Music by
| Paul Mounsey | ||
Cinematography by
| Luís Branquinho | ||
Editing by
| Paulo Morelli | ||
Casting By
| Renata Medeiros | ||
Art Direction by
| Claudia Briza | ||
Costume Design by
| David Parizotti | ||
Makeup Department
| Luiz Camargo | ... | hair stylist / makeup artist |
Production Management
| Edson Cowboy | ... | production manager: plate unit |
| Antonio Irivan de Souza | ... | production manager: second unit (as Antônio Irivan de Souza) |
| Érica Ferreira | ... | production manager |
| Ade Muri | ... | post-production manager |
Second Unit Director or Assistant Director
| Marcelo Guimarães | ... | first assistant director |
| Diogo Sallum | ... | second assistant director |
Sound Department
| Cauê Custódio | ... | sound effects editor |
| Silvio Da-Rin | ... | sound |
| Helena Duarte | ... | sound editor |
| Beto Ferraz | ... | sound designer |
| Paulo Gama | ... | sound assistant |
| Betto Nogueira | ... | boom operator |
| Nathalia Rabczuk | ... | dialogue editor |
| Armando Torres Jr. | ... | re-recording mixer |
Special Effects by
| Marcelo Siqueira | ... | special effects supervisor |
Visual Effects by
| Marcello P. Carvalho | ... | visual effects |
| Vanessa Mariano | ... | visual effects |
| Eduardo Menezes | ... | visual effects artist |
| Eduardo Sallas | ... | lead digital compositor |
| Robson Sartori | ... | digital effects artist |
| Karina Vanes | ... | post production assistant |
| Ariel Wollinger | ... | digital compositor / film recording supervisor |
Camera and Electrical Department
| Marcos Camargo | ... | still photographer |
| Eduardo Fressato Spuldaro | ... | electrician |
| Leo Hallal | ... | second assistant camera |
| Ulisses Malta Jr. | ... | electrician |
Casting Department
| Rita Fernandes | ... | casting producer |
| Cecília Homem de Mello | ... | casting producer |
Editorial Department
| Daniel Rezende | ... | editing collaborator |
| Ariel Wollinger | ... | on-line editor |
Script and Continuity Department
| Elisabeth Marina de Oliveira | ... | continuity (as Elizabeth Marino) |
Additional Crew
| Cláudia Dalla Verde | ... | collaboration to screenplay |
Thanks
| Andrea Barata Ribeiro | ... | special thanks |
| Philippe Barcinski | ... | special thanks |
| Carlos Betti | ... | special thanks |
| Maria Clara Fernandes | ... | special thanks |
| Celia Regina Ferreira | ... | special thanks (as Célia Regina Ferreira) |
| Fernando Meirelles | ... | special thanks |
| Marcia Briza Morelli | ... | special thanks |
| Marina Briza Morelli | ... | special thanks |
| Pedro Morelli | ... | special thanks (as Pedro Briza Morelli) |
| Nando Olival | ... | special thanks |
| Renato Rossi | ... | special thanks |
