When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter's old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father's persona as The New Goblin, and Peter must also capture Uncle Ben's real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter's suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter's personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also...himself. Written by
To prepare for his role as the Sandman, Thomas Haden Church worked out for 16 months, losing ten pounds of fat and gaining 28 pounds of muscle. He based his performance on misunderstood monsters, like the Golem from The Golem (1920), Frankenstein (1931)'s monster, and King Kong (1933). See more »
When Eddie dashes through the doors to Jameson's office, Miss Brant picks up the phone. In the very next shot she is in the background looking at Eddie and Jameson, but is no longer holding the phone. See more »
It's me! Peter Parker! Your friendly neighborhood... You know. I've come a long way from becoming the boy who was bitten by a spider. Back then, nothing seemed to go right for me, and now...
Kid in Times Square:
[pointing at a giant screen in Times Square]
Hey look, it's Spider-Man!
People really like me.
See more »
During the opening credits, snippets from the first two films can be seen. Also, some of the filmmaker's names appear and then blow away, as if made of sand. The black symbiote also makes a brief appearance. See more »
Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement
Written by Sergei Rachmaninoff
Performed by Polish National Symphony Orchestra
Bernd Glemser, piano
Courtesy of Naxos
By Arrangement with Source/Q See more »
There are some things that work really well, like the goofy comedy that's also present in the other movies. The movie starts off nicely with a great looking action sequence that implies how great the rest of it could be. The special effects are fantastic. Unfortunately, the movie is so convoluted that anything like a coherent plot is lost, as well as any significant character development further than Harry, Mary Jane or Peter himself.
Peter's "transformation" into a darker self when he dons the dark suit is laughable. You're not sure whether you're watching a comedy, a drama, or a purposefully ridiculous B movie. Peter's actions are so over the top that you just want to laugh at the script rather than WITH it.
The main villains get only a short amount of screen time, and by the "big" ending you're just wondering when Dawson's Creek is going to end and when Spiderman 3 will begin. 90% of the film consists of Peter Parker walking around, crying, and making a fool of himself in various over-the-top ways. Perhaps I went in with too many expectations, such as the possibility of an atmosphere to the film that would fit with what was happening.
As a fan of the old cartoon, and a real fan of Venom, I was incredibly let down by the amount of time spent on his character, as well as the fact that Topher Grace is essentially Eric from That 70's Show, and I don't mean that it's the same actor. He's the same scrawny, sarcastic joker that he always plays, which, if you're familiar with the comic or the cartoon, Eddie Brock was NOT. Even if you've never heard of Venom or aren't a big fan, the villain has a total of about fifteen minutes on screen and isn't very exciting, nor is anything about him explained. He's simply suddenly THERE, as if thrown into the movie only to get butts in the seats. So feels the entire movie. It all seems like filler, even as the end credits start.
There was a point about halfway through the movie that I simply gave up trying to justify the movie, and realized that it was just plain bad. They tried to do too much, and by having so many villains, weren't able to make a single one very deep. And the whole "inner conflict" theme is a joke. Literally. Peter's "dark side" is more comedy than anything else.
I recommend waiting for this to come out on video and giving it a rent if you're really that much of a fan. Overall, it's a big let down considering the expectations and hype surrounding it.
784 of 1,374 people found this review helpful.
Was this review helpful to you?