Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
CIA analyst Jack Ryan must thwart the plans of a terrorist faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter's old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father's persona as The New Goblin, and Peter must also capture Uncle Ben's real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter's suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter's personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also...himself. Written by
the conductor and the guy standing next to the piano player at Mary Jane Watson's rehearsal scene. See more »
When Spider-man shows up for the main fight scene, a lady holding a girl says "look!" and everyone turns around to see him. But the lady and girl are facing the other direction, so she couldn't have seen Spider-man coming. See more »
It's me! Peter Parker! Your friendly neighborhood... You know. I've come a long way from becoming the boy who was bitten by a spider. Back then, nothing seemed to go right for me, and now...
Kid in Times Square:
[pointing at a giant screen in Times Square]
Hey look, it's Spider-Man!
People really like me.
See more »
During the opening credits, snippets from the first two films can be seen. Also, some of the filmmaker's names appear and then blow away, as if made of sand. The black symbiote also makes a brief appearance. See more »
Third entry has Peter Parker and alter ego Spider-Man fighting what could possibly be the greatest battle of his life. The intrepid Parker is on top of the world as N.Y.C. citizens have finally come to appreciate all of his heroic deeds, but more importantly he's found a stable relationship with Mary Jane Watson. His seemingly perfect existence comes to an abrupt halt when he learns that his uncle's real killer is still at large, he acquires a rival at the Daily Bugle, and best friend-turned-bitter adversary Harry Osborn comes seeking revenge. Peter also bonds with an unusual black symbiote that unleashes a darker side of him and threatens to destroy everything he holds dear. Some effective moments of intense, exciting action and superior special effects are undermined by overlength, and juxtaposed against moments of corny, unintentionally funny human drama. The ingredients for a success are there, including a good cast and some interesting subplots, but they can't overcome a leaden script which chooses to revel in its mawkish material rather than flesh out its characters or tell a coherent story. Watchable, but never as engaging or spectacular as its predecessors. **½
204 of 333 people found this review helpful.
Was this review helpful to you?