When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Peter Parker finds a clue that might help him understand why his parents disappeared when he was young. His path puts him on a collision course with his father's former partner, Dr. Curt Connors/The Lizard.
Bruce Banner, a scientist on the run from the U.S. Government must find a cure for the monster he emerges whenever he loses his temper. However, Banner then must fight a soldier whom unleashes himself as a threat stronger than he.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter's old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father's persona as The New Goblin, and Peter must also capture Uncle Ben's real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter's suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter's personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also...himself. Written by
The jazz bar scene took approximately 2 weeks to film. See more »
Whenever Spider-Man removes his mask, his costume (both red and black versions) has a turtleneck collar that goes up to the middle of his neck. Whenever his costume is shown underneath his clothes, the collar is much lower. See more »
It's me! Peter Parker! Your friendly neighborhood... You know. I've come a long way from becoming the boy who was bitten by a spider. Back then, nothing seemed to go right for me, and now...
Kid in Times Square:
[pointing at a giant screen in Times Square]
Hey look, it's Spider-Man!
People really like me.
See more »
During the opening credits, snippets from the first two films can be seen. Also, some of the filmmaker's names appear and then blow away, as if made of sand. The black symbiote also makes a brief appearance. See more »
Pleased to Meet You
Written by Andrew Stockdale
Produced by D. Sardy
Performed by Wolfmother
Wolfmother appears courtesy of Modular Recordings Pty. Ltd.
(played during Gwen's brief modeling gig) See more »
Big-Budget Special-Effects Extravaganza, Out Of Focus
"Spider-Man 3" comes really close to being as difficult to follow as an "X-Men" movie. Well, maybe not that close since an "X-Men" movie requires the viewer to try to follow the lives of at least a dozen different characters. But I think it was a mistake for the makers to have Spidey contend with three different villains in one film. Unlike the two superior predecessors, it felt like they were trying to cram three movies into one with "Spider-Man 3".
I was most disappointed with the use, or misuse, of the Harry Osborne/Green Goblin character. We know that Harry must become the Green Goblin if he is going to have the ability to take on his super hero nemesis Peter Parker/Spider-Man. The makers of "Spider-Man 3" waste no time in picking up where "Spider-Man 2" left off. Not only does the movie not allow the viewer to observe Harry's transformation into the Green Goblin, but Harry doesn't even dress appropriately for his role. He wears a black uniform and never becomes the public menace his father did. I was looking forward to the Daily Bugle covers about the return of the menace of the Green Goblin. Instead Harry's campaign of revenge against Peter is quickly side tracked by a bout with amnesia after suffering a blow to the head in a fall during his first fight with Peter. After all, the film needs to introduce two more villains, Sandman and Venom, before it ends.
Whereas, in the first two films the viewer really gets to know the Norman Osborn and Otto Octavius characters, in "Spider-Man 3" the length of time devoted to the villains amounts to a movie short. Along the way Peter Parker must also contend with his dark side and his troubles in his relationship with his love Mary Jane Watson. Meanwhile, the landlord's daughter, Ursula, is back to amuse viewers once again with her adolescent crush on Pete. Add to all this the time needed to develop the Sandman and Venom villains, plus Gwen Stacy, and I was left wondering exactly what the movie is about.
"Spider-Man 3" is big budget extravaganza that is out of focus in the areas of character and plot development. While it has its laugh inducing comic moments and the best special effects sequences money can buy, it has little else to offer. While I really wanted to see the first two movies again, because I enjoyed the transformation of the main characters into super heroes and villains, it feels like the only reason to see "Spider-Man 3" is to check out the special effects again. If there are more Spider-Man films made, and there is no reason to believe there won't be given the money involved in releasing another film, then I would hope that the makers would simplify the story once again and do what made the first two films so enjoyable to watch.
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