Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
CIA analyst Jack Ryan must thwart the plans of a terrorist faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter's old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father's persona as The New Goblin, and Peter must also capture Uncle Ben's real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter's suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter's personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also...himself. Written by
Series Trademark: [song] During the celebration scene the band plays an alternate rendition of the Spider-Man (1967) TV show theme while Spider-Man ascends to the stage. However, the song is absent from the closing credits for the first time in this series. See more »
After the crane first crashes into the building, Gwen helps one of the other models up. The model is then seen standing next to the photographer several feet away, and then is once more behind Gwen in the next shot. See more »
It's me! Peter Parker! Your friendly neighborhood... You know. I've come a long way from becoming the boy who was bitten by a spider. Back then, nothing seemed to go right for me, and now...
Kid in Times Square:
[pointing at a giant screen in Times Square]
Hey look, it's Spider-Man!
People really like me.
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During the opening credits, snippets from the first two films can be seen. Also, some of the filmmaker's names appear and then blow away, as if made of sand. The black symbiote also makes a brief appearance. See more »
There are some things that work really well, like the goofy comedy that's also present in the other movies. The movie starts off nicely with a great looking action sequence that implies how great the rest of it could be. The special effects are fantastic. Unfortunately, the movie is so convoluted that anything like a coherent plot is lost, as well as any significant character development further than Harry, Mary Jane or Peter himself.
Peter's "transformation" into a darker self when he dons the dark suit is laughable. You're not sure whether you're watching a comedy, a drama, or a purposefully ridiculous B movie. Peter's actions are so over the top that you just want to laugh at the script rather than WITH it.
The main villains get only a short amount of screen time, and by the "big" ending you're just wondering when Dawson's Creek is going to end and when Spiderman 3 will begin. 90% of the film consists of Peter Parker walking around, crying, and making a fool of himself in various over-the-top ways. Perhaps I went in with too many expectations, such as the possibility of an atmosphere to the film that would fit with what was happening.
As a fan of the old cartoon, and a real fan of Venom, I was incredibly let down by the amount of time spent on his character, as well as the fact that Topher Grace is essentially Eric from That 70's Show, and I don't mean that it's the same actor. He's the same scrawny, sarcastic joker that he always plays, which, if you're familiar with the comic or the cartoon, Eddie Brock was NOT. Even if you've never heard of Venom or aren't a big fan, the villain has a total of about fifteen minutes on screen and isn't very exciting, nor is anything about him explained. He's simply suddenly THERE, as if thrown into the movie only to get butts in the seats. So feels the entire movie. It all seems like filler, even as the end credits start.
There was a point about halfway through the movie that I simply gave up trying to justify the movie, and realized that it was just plain bad. They tried to do too much, and by having so many villains, weren't able to make a single one very deep. And the whole "inner conflict" theme is a joke. Literally. Peter's "dark side" is more comedy than anything else.
I recommend waiting for this to come out on video and giving it a rent if you're really that much of a fan. Overall, it's a big let down considering the expectations and hype surrounding it.
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