When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
After Peter Parker is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to solve the mystery of his parent's mysterious death.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
The X-Men band together to find a mutant assassin who has made an attempt on the President's life, while the Mutant Academy is attacked by military forces.
Bruce Banner, a scientist on the run from the U.S. Government, must find a cure for the monster he emerges whenever he loses his temper. However, Banner then must fight a soldier whom unleashes himself as a threat stronger than he.
With the world now aware of his identity as Iron Man, Tony Stark must contend with both his declining health and a vengeful mad man with ties to his father's legacy.
Director:
Jon Favreau
Stars:
Robert Downey Jr.,
Mickey Rourke,
Gwyneth Paltrow
Jack Sparrow races to recover the heart of Davy Jones to avoid enslaving his soul to Jones' service, as other friends and foes seek the heart for their own agenda as well.
Director:
Gore Verbinski
Stars:
Johnny Depp,
Orlando Bloom,
Keira Knightley
Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter's old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father's persona as The New Goblin, and Peter must also capture Uncle Ben's real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter's suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter's personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also...himself. Written by
Dark-Spidey
Composer Danny Elfman does not return to provide the musical score for this film, citing creative differences with director Sam Raimi during Spider-Man 2 (2004). Instead, Christopher Young composes the film's score. In December 2006, however, producer Grant Curtis announced that Elfman had begun collaborating with Young on the film's score music. Interestingly, Elfman turned down this film for Charlotte's Web (2006), which is about a spider who uses her talents to do good. Raimi and Elfman reunited for Oz the Great and Powerful (2013). See more »
Goofs
When Harry and Peter meet in the coffee shop, just over Peter's left shoulder, the same three extras (two women together with winter scarves and a man holding a cup) loop to and from the counter several times over the course of the scene. See more »
Quotes
[first lines]
Peter Parker:
[Narrating]
It's me! Peter Parker! Your friendly neighborhood... You know. I've come a long way from becoming the boy who was bitten by a spider. Back then, nothing seemed to go right for me, and now...
Kid in Times Square:
[pointing at a giant screen in Times Square]
Hey look, it's Spider-Man!
Peter Parker:
[Narrating]
People really like me.
See more »
Crazy Credits
During the opening credits, snippets from the first two films can be seen. Also, some of the filmmaker's names appear and then blow away, as if made of sand. The black symbiote also makes a brief appearance. See more »
Third entry has Peter Parker and alter ego Spider-Man fighting what could possibly be the greatest battle of his life. The intrepid Parker is on top of the world as N.Y.C. citizens have finally come to appreciate all of his heroic deeds, but more importantly he's found a stable relationship with Mary Jane Watson. His seemingly perfect existence comes to an abrupt halt when he learns that his uncle's real killer is still at large, he acquires a rival at the Daily Bugle, and best friend-turned-bitter adversary Harry Osborn comes seeking revenge. Peter also bonds with an unusual black symbiote that unleashes a darker side of him and threatens to destroy everything he holds dear. Some effective moments of intense, exciting action and superior special effects are undermined by overlength, and juxtaposed against moments of corny, unintentionally funny human drama. The ingredients for a success are there, including a good cast and some interesting subplots, but they can't overcome a leaden script which chooses to revel in its mawkish material rather than flesh out its characters or tell a coherent story. Watchable, but never as engaging or spectacular as its predecessors. **½
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Third entry has Peter Parker and alter ego Spider-Man fighting what could possibly be the greatest battle of his life. The intrepid Parker is on top of the world as N.Y.C. citizens have finally come to appreciate all of his heroic deeds, but more importantly he's found a stable relationship with Mary Jane Watson. His seemingly perfect existence comes to an abrupt halt when he learns that his uncle's real killer is still at large, he acquires a rival at the Daily Bugle, and best friend-turned-bitter adversary Harry Osborn comes seeking revenge. Peter also bonds with an unusual black symbiote that unleashes a darker side of him and threatens to destroy everything he holds dear. Some effective moments of intense, exciting action and superior special effects are undermined by overlength, and juxtaposed against moments of corny, unintentionally funny human drama. The ingredients for a success are there, including a good cast and some interesting subplots, but they can't overcome a leaden script which chooses to revel in its mawkish material rather than flesh out its characters or tell a coherent story. Watchable, but never as engaging or spectacular as its predecessors. **½