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When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
After Peter Parker is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to solve the mystery of his parent's mysterious death.
Bruce Banner, a scientist on the run from the U.S. Government must find a cure for the monster he emerges whenever he loses his temper. However, Banner then must fight a soldier whom unleashes himself as a threat stronger than he.
The X-Men band together to find a mutant assassin who has made an attempt on the President's life, while the Mutant Academy is attacked by military forces.
With the world now aware of his identity as Iron Man, Tony Stark must contend with both his declining health and a vengeful mad man with ties to his father's legacy.
Directors:
Jon Favreau,
Kenneth Branagh
Stars:
Robert Downey Jr.,
Mickey Rourke,
Gwyneth Paltrow
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
The story of moneyed industrialist Tony Stark is put on an impacted course against a materialistic dictator. Secret weapon? An iron-clad armor made to fight present evil and for future battles.
Director:
Jon Favreau
Stars:
Robert Downey Jr.,
Gwyneth Paltrow,
Terrence Howard
The powerful but arrogant god Thor is cast out of Asgard to live amongst humans in Midgard (Earth), where he soon becomes one of their finest defenders.
Director:
Kenneth Branagh
Stars:
Chris Hemsworth,
Anthony Hopkins,
Natalie Portman
Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter's old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father's persona as The New Goblin, and Peter must also capture Uncle Ben's real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter's suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter's personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also...himself. Written by
Dark-Spidey
The main camera Eddie shoots on is a Nikon D50, which is a digital SLR (the LCD screen of the camera complete with "Nikon" logo at the bottom is also visible for a short time in one scene). Although it's a digital camera, it makes a distinct sound, like a mechanical film feed. In fact this is the sound of the reflex mirror moving for each shot, which all SLR cameras (digital or not) make. See more »
Quotes
[first lines]
Peter Parker:
[Narrating]
It's me! Peter Parker! Your friendly neighborhood... You know. I've come a long way from becoming the boy who was bitten by a spider. Back then, nothing seemed to go right for me, and now...
Kid in Times Square:
[pointing at a giant screen in Times Square]
Hey look, it's Spider-Man!
Peter Parker:
[Narrating]
People really like me.
See more »
Crazy Credits
During the opening credits, snippets from the first two films can be seen. Also, some of the filmmaker's names appear and then blow away, as if made of sand. The black symbiote also makes a brief appearance. See more »
Spiderman 3 reworks these three epic story arcs into a single feature length film. Impossible? Well... some of the reviewers here on IMDb seem to agree. I, however, do not. I went into this film with some trepidation and reasonable expectations. The Venom saga has been, since it first appeared in print, one of my all-time favorite multiple issue story arcs in comics. How this story could be made into a film following in the somewhat less weighty footsteps of Spiderman and Spiderman 2 was hard to imagine. The film did justice to the story-line
keeping almost all of its dark thematic content, while modifying its
plot points and reducing its heavy depressive tone in order to keep the film entertaining and fast-paced. But don't expect this to be the same lengthy exploration that the comics provide.
Sam and Ivan Raimi can add this to their long list of satisfying films.
Briefly, Spiderman is having his normal share of growing pains. His love for MJ is now matched by his self-absorption and his addiction to heroism. Of course Harry still wants to kill him to avenge his father's death, and somewhere out there is his uncle's killer - who is about to become The Sandman. Just as things really start to fall apart, his costume turns black and develops a sinister aspect. He becomes more powerful, more ruthless, and a more conflicted being than the hero he had been. And Peter even dons black eye liner and a decidedly emo haircut. Unlike most recent comic book adaptations on the big screen, the story (to this point) offers plenty of room for humor, which Raimi could never pass up. J. J. Jameson and Bruce Campbell's excellent cameo are pure comedic relief from the somewhat heavy subject matter that seems immanent throughout this film. You'll laugh... you'll cry... You'll fall in love, if you can handle a new take on the classic Venom tale, with some worthwhile additions.
Things go from bad but kind of funny to worse and pretty serious. The film explores emotions more than any superhero film I have thus far seen - with the possible exception of the original Punisher. It nicely studies Spidey's humanity, ego, fallibility, and his previously unexplored dark side, and forces our hero to confront all three both symbolically and physically in order to redeem himself.
Tobey Maguire turns in his best Spidey performance yet, and is excellently supported by Kirsten Dunst and Rosemary Harris. James Franco turns in a great interpretation of Harry - much needed for this story-line. This cinematography is more wide-open and hyperbolic than the previous Raimi Spiderman films - as one would expect given the storyline. It is not surprising that the film went a little beyond the pale in terms of special effects - again unavoidable given the subject matter. But the CGI did become a little distracting towards the end.
I have read a lot of disappointed reviews of this film, but honestly, I found much to praise and very little to complain about. Highly recommended especially for Venom fans.
166 of 282 people found this review helpful.
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Venom, Green Goblin 3 and Sandman.
Spiderman 3 reworks these three epic story arcs into a single feature length film. Impossible? Well... some of the reviewers here on IMDb seem to agree. I, however, do not. I went into this film with some trepidation and reasonable expectations. The Venom saga has been, since it first appeared in print, one of my all-time favorite multiple issue story arcs in comics. How this story could be made into a film following in the somewhat less weighty footsteps of Spiderman and Spiderman 2 was hard to imagine. The film did justice to the story-line
- keeping almost all of its dark thematic content, while modifying its
plot points and reducing its heavy depressive tone in order to keep the film entertaining and fast-paced. But don't expect this to be the same lengthy exploration that the comics provide.Sam and Ivan Raimi can add this to their long list of satisfying films.
Briefly, Spiderman is having his normal share of growing pains. His love for MJ is now matched by his self-absorption and his addiction to heroism. Of course Harry still wants to kill him to avenge his father's death, and somewhere out there is his uncle's killer - who is about to become The Sandman. Just as things really start to fall apart, his costume turns black and develops a sinister aspect. He becomes more powerful, more ruthless, and a more conflicted being than the hero he had been. And Peter even dons black eye liner and a decidedly emo haircut. Unlike most recent comic book adaptations on the big screen, the story (to this point) offers plenty of room for humor, which Raimi could never pass up. J. J. Jameson and Bruce Campbell's excellent cameo are pure comedic relief from the somewhat heavy subject matter that seems immanent throughout this film. You'll laugh... you'll cry... You'll fall in love, if you can handle a new take on the classic Venom tale, with some worthwhile additions.
Things go from bad but kind of funny to worse and pretty serious. The film explores emotions more than any superhero film I have thus far seen - with the possible exception of the original Punisher. It nicely studies Spidey's humanity, ego, fallibility, and his previously unexplored dark side, and forces our hero to confront all three both symbolically and physically in order to redeem himself.
Tobey Maguire turns in his best Spidey performance yet, and is excellently supported by Kirsten Dunst and Rosemary Harris. James Franco turns in a great interpretation of Harry - much needed for this story-line. This cinematography is more wide-open and hyperbolic than the previous Raimi Spiderman films - as one would expect given the storyline. It is not surprising that the film went a little beyond the pale in terms of special effects - again unavoidable given the subject matter. But the CGI did become a little distracting towards the end.
I have read a lot of disappointed reviews of this film, but honestly, I found much to praise and very little to complain about. Highly recommended especially for Venom fans.