When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
Manny, Sid, and Diego discover that the ice age is coming to an end, and join everybody for a journey to higher ground. On the trip, they discover that Manny, in fact, is not the last of the woolly mammoths.
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
When Fiona's father and King of Far Far Away passes away, the clumsy Shrek becomes the immediate successor of the throne. However, Shrek decides to find the legitimate heir Artie in a distant kingdom with his friends Donkey and Puss in Boots to be able return to his beloved house in the swamp with the pregnant Fiona. Meanwhile, the envious and ambitious Prince Charming joins the villains of the fairytales plotting a coup d'état to become the new king. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During the first attack by the villains, Fiona, the queen and the princesses are wanting to escape into the sewers. Fiona goes to a wall where there is a three-panel bas-relief of a frog, a princess and a horse. The frog has its lips extended to kiss the princess and the princess is leaning down to kiss the frog. As Fiona pushes on the horse the center panel moves back into the wall and the right panel moves to the left so that it ends up with the frog kissing the rear end of the horse. See more »
When the boat crashes on the rocks, Shrek, Donkey, Puss and Artie end up on a beach. In all the wide shots before and after Artie walks away, there is clearly nothing on the ground around Shrek. Moments later, when Donkey tells him he should change his tactics, Shrek picks up a piece of wood on his left that wasn't there before. See more »
Onward, Chauncey! To the highest room of the tallest tower, where my princess awaits rescue by the handsome Prince Charming!
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During the beginning of the credits, Donkey and Puss dance and sing "Thank You (Falletin Me Be Mice Elf Again)" while they and the ogre triplets interact with the actors' names, which are in the shape of sticks, stitched onto stuffed animals, hung from a mobile, etc. See more »
Paul McCartney is a great songwriter. Let me just get that out of the way. But he isn't perfect. Take for example the song, "Live and Let Die", a song he wrote in the '70s for a Bond movie of the same name. The song is used briefly in Dreamworks' latest outing for everyone's favorite Scots ogre. In the song he actually wrote this line: "But if in this ever changing world in which we live in". "In which we live in"? Was he kidding? A great talent, but that is some lazy songwriting. I figure he was either exhausted, or under contract, as opposed to being inspired.
And that's the problem with this entire movie. The writing is simply not up to par. The story is loaded down with so many different elements that it is impossible to develop any of them. You can almost see the writers thinking, "Okay, now we've got a bunch of stuff for Shrek, Donkey, and Puss to do. Let's put in some stuff for Fiona and Lillian here..." The result is that there's a script, but no real story. And the dialog with some exceptions, is full of the clichés they so happily lampooned in earlier Shreks. The result comes across as a 3rd or 4th draft.
Andrew Adamson directed the previous two Shreks and has one of the writing credits here, but he did not direct it. I guess the franchise is so important now that it must be handled by two directors, neither of whom has Adamson's knack for timing. At various points in the evening, the pace was surprisingly ponderous.
It's not unpleasant, as movies go. It's just disappointing when such an average film continues a series of such good ones.
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