Burglar Maurice Faugel has just finished his sentence. He murders Gilbert Vanovre, a receiver, and steals the loot of a break-in. He is also preparing a house-breaking, and his friend ... See full summary »
Anna has just left Paul who, annihilated by the separation, moves back with his father in Paris. His younger brother Jonathan, a casual student, still lives in his father's apartment and ... See full summary »
Gustave Minda, better known as Gu, a dangerous gangster, escapes from jail. He goes to Paris to join Manouche and other friends, and get involved in a gangland killing. Before leaving the ... See full summary »
On an empty road, an old man is walking with his son. They meet a crow that can speak. They are changed into monks and Saint Francois sent them to preach for hawks and sparrows. A reflexion... See full summary »
Igor and his father, Roger, are making a decent living renting apartments to illegal immigrants and sometimes working them illegally (among other scams). But when the building inspector ... See full summary »
Organized mostly chronologically, the film presents the 40-year career of Henri Langlois (1914-1977), film's first archivist, and the creator of the Cinémathèque Française and Musée du Cinéma. Talking heads, film clips and stills, and archival interviews with Langlois trace his life from 1935, when he starts the Circle of Cinema film club. He begins to buy films, saving many from destruction. During World War II, he finds places to hide them. By mid-1944, the Cinémathèque has 50,000 films. He runs afoul of bureaucrats, but the New Wave comes to his defense. The museum opens in 1972. The film celebrates his philosophy and beliefs, personality and dedication, and his vision. Written by
I'd say the Langlois Museum's major significance is that we see, for the first time, unfolded in one place, the whole glorious history of cinema. Proving how international, how huge and elaborate the saga is. He showed us film history in all its complexity. Before the 1960s it was standard to say, "Film history begins with the Lumière Brothers in France and Edison in the U.S." The central fight was over who really invented movies. But the museum goes back centuries before: Chinese shadow ...
See more »
Brilliant and heartbreaking film about a true genius
I'm actually too emotional to be writing this at this moment, having just seen the film. It is clear that without the extraordinary efforts of Henri Langlois, many of the great achievements in cinema would never have survived. Though he was a genius, he always had to deal with the Sisyphean struggle against pettiness and institutional lameness, but especially a lack of, ironically, VISION, to understand the importance of preserving films as a legacy for the future. It is a must-see for anyone who is passionate about film, but it is heartbreaking to experience the struggle. One cannot fathom how it is possible that although he had remarkable support from some of the most important film makers of SEVERAL generations, in the end, the struggle was too much to bear. It is a lesson/warning: When someone of such immense passion and drive subordinates everything for something greater than himself, we, in society, must pay attention. It's not as though he was a great painter who never sold a painting in his lifetime and died never knowing how he may have affected people through his work. Langlois did have champions, but that just wasn't enough because his task was so enormous. This film deserves a better comment. It is at once exhilarating and crushing.
2 of 3 people found this review helpful.
Was this review helpful to you?