Two in the Wave is the story of a friendship. Jean-Luc Godard was born in 1930; Francois Truffaut two years later. Love of movies brings them together. They write in the same magazines, ... See full summary »
Isild Le Besco,
Anna has just left Paul who, annihilated by the separation, moves back with his father in Paris. His younger brother Jonathan, a casual student, still lives in his father's apartment and ... See full summary »
Burglar Maurice Faugel has just finished his sentence. He murders Gilbert Vanovre, a receiver, and steals the loot of a break-in. He is also preparing a house-breaking, and his friend ... See full summary »
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
In winter in the south of France, a young woman is found frozen in a ditch. She's unkempt, a vagabond. Through flashbacks and brief interviews, we trace her final weeks as she camps alone ... See full summary »
This movie shows us Cléo, a French singer, who is afraid of getting the result of a test from her doctor. She believes that she has cancer and will die of the disease. We follow her for two... See full summary »
Igor and his father, Roger, are making a decent living renting apartments to illegal immigrants and sometimes working them illegally (among other scams). But when the building inspector ... See full summary »
Organized mostly chronologically, the film presents the 40-year career of Henri Langlois (1914-1977), film's first archivist, and the creator of the Cinémathèque Française and Musée du Cinéma. Talking heads, film clips and stills, and archival interviews with Langlois trace his life from 1935, when he starts the Circle of Cinema film club. He begins to buy films, saving many from destruction. During World War II, he finds places to hide them. By mid-1944, the Cinémathèque has 50,000 films. He runs afoul of bureaucrats, but the New Wave comes to his defense. The museum opens in 1972. The film celebrates his philosophy and beliefs, personality and dedication, and his vision. Written by
There are cinéphiles and cinéphages. Truffaut is a cinéphile. A cinéphage - a film nerd - sits in the front row and writes down the credits. But if you ask him whether it's good, he'll say something sharp. But that's not the point of movies: to love cinema is to love life, to really look at this window on the universe. It's incompatible with note-taking!
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I had the chance to check out this fantastic documentary some time back at one of our local art cinemas (unfortunately the U.S. cut). After films about films (Day For Night, anyone?), I love documentaries about films. Make no mistake about it, this is a cinematic love letter to one of French cinema's patron saints. The film features scads of interviews with those who knew & loved (or hated) Langlois. As I watched it, I tried to imagine what it must have been liked to have attended a film at the Cinematic Francais,back in the day (with the likes of Truffaut,Goddard & Rivette sitting just inches away from you). This is a film that any/all serious film fanatics should be going out of their way to see. Perhaps one of these days, we may even get to see the 210 minute French cut of the film one of these days.
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