This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the ... See full summary »
The idea is simple: A married woman and a single man meet. They love, they argue, fists fly. A dog strays between town and country. The seasons pass. The man and woman meet again. The dog ... See full summary »
Visiting her two sisters and brother, singer Petey Brown lands a job at small-time-hood Nicky Toresca's nightclub. While evading the sleazy Toresca's heavy-handed passes at her, she falls ... See full summary »
Poetical tale of Anne-Marie Stretter, the wife of a French diplomat in India in the 1930s. At 18 she had married a French colonial administrator and went with him on posting to Savannakhet,... See full summary »
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
Three sisters live alone in a small village family house in the high mountains of the Yunan region. Their parents are nowhere to be seen. The three little girls send their days working in ... See full summary »
Organized mostly chronologically, the film presents the 40-year career of Henri Langlois (1914-1977), film's first archivist, and the creator of the Cinémathèque Française and Musée du Cinéma. Talking heads, film clips and stills, and archival interviews with Langlois trace his life from 1935, when he starts the Circle of Cinema film club. He begins to buy films, saving many from destruction. During World War II, he finds places to hide them. By mid-1944, the Cinémathèque has 50,000 films. He runs afoul of bureaucrats, but the New Wave comes to his defense. The museum opens in 1972. The film celebrates his philosophy and beliefs, personality and dedication, and his vision. Written by
There are cinéphiles and cinéphages. Truffaut is a cinéphile. A cinéphage - a film nerd - sits in the front row and writes down the credits. But if you ask him whether it's good, he'll say something sharp. But that's not the point of movies: to love cinema is to love life, to really look at this window on the universe. It's incompatible with note-taking!
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Brilliant and heartbreaking film about a true genius
I'm actually too emotional to be writing this at this moment, having just seen the film. It is clear that without the extraordinary efforts of Henri Langlois, many of the great achievements in cinema would never have survived. Though he was a genius, he always had to deal with the Sisyphean struggle against pettiness and institutional lameness, but especially a lack of, ironically, VISION, to understand the importance of preserving films as a legacy for the future. It is a must-see for anyone who is passionate about film, but it is heartbreaking to experience the struggle. One cannot fathom how it is possible that although he had remarkable support from some of the most important film makers of SEVERAL generations, in the end, the struggle was too much to bear. It is a lesson/warning: When someone of such immense passion and drive subordinates everything for something greater than himself, we, in society, must pay attention. It's not as though he was a great painter who never sold a painting in his lifetime and died never knowing how he may have affected people through his work. Langlois did have champions, but that just wasn't enough because his task was so enormous. This film deserves a better comment. It is at once exhilarating and crushing.
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