Delirious (2006)

An offbeat drama focused on a homeless youth, a pop music siren and a member of the paparazzi.

Director:

Tom DiCillo

Writer:

Tom DiCillo

Stars:

Steve Buscemi, Michael Pitt, Alison Lohman

5 wins & 1 nomination.

Cast

Cast overview, first billed only:
Steve Buscemi	...	Les Galantine
Michael Pitt	...	Toby Grace
Alison Lohman	...	K'Harma Leeds
Gina Gershon	...	Dana
Callie Thorne	...	Gabi
Kevin Corrigan	...	Ricco
Richard Short	...	Jace Hipley
Elvis Costello	...	Elvis Costello
David Wain	...	Byron
Mel Gorham	...	Tish
Peter Appel	...	Feldman
Cinqué Lee	...	Corey
Kevin Phillips	...	Blaine
Rodrigo Lopresti	...	Demo
Melissa Rauch	...	Megan

Storyline

Les, a small-time celebrity photographer desperate to make it big, befriends Toby, a homeless young man with no direction except a vague desire to become an actor. When by chance Toby becomes romantically involved with K'Harma Leeds, the hottest pop star of the moment, Les grows jealous and plots revenge.

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Plot Keywords:

actor | photographer | paparazzi | pop star | celebrity | 

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Taglines:

Everybody deserves their shot

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Genres:

Comedy | Drama | Romance

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Details

Official Sites:

Memento Films [fr] Official site

Country:

USA

Language:

English

Release Date:

18 May 2007 (Spain)

Also Known As:

Delírios

Filming Locations:

New York City, New York, USA

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$19,030 (USA) (17 August 2007)

Gross:

$85,976 (USA) (5 October 2007)

Company Credits

Production Co:

Peace Arch Entertainment Group, Thema Production, Artina Films

Technical Specs

Runtime:

107 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Goofs

After Toby stabs Blaine while filming "A Slice of Life", the director calls for a "reset" of the scene, so they may do a retake. Blaine completely removes his blue running jacket, and when the camera cuts to another angle, Blaine is seen to be removing his jacket again.

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Crazy Credits

After the end credits have finished rolling, there is a short 'epilogue' segment featuring Steve Buscemi's character.

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Soundtracks

"Hey now now"
Written by J. Stuart
Performed by The Cloud Room

User Reviews

a light touch helps from time to time, but it mostly works just enough thanks to the actors

Tom DiCillo is a cool New York-based independent filmmaker, and he's made some good stuff in the past (most notably as DP for Jim Jarmusch, and as the director of sleepers like the great Living in Oblivion), and I wish him the best of luck on anything he does. But on Delirious, he only gets it right some of the time. He's out to, at first it seems, make a satire on media hype and celebrity and the inanities of shallow attention given to people who don't do much to deserve it (if you need proof of that, watch the Soup on E!).

But then it goes a little in a different direction, which I respected and wanted to go along with, as a fable/fairy-tale where Toby (Michael Pitt) is just about the nicest, most generous and fish-out-of-dumpster homeless kid who somehow becomes an 'assistant' to fledgling photographer Les (Steve Buscemi), who shows him the ropes and introduces him to a casting director (Gina Gershon), and eventually- accidentally of course- falls into the company of a pop star (Alison Lohman) as the two all but fall in love on first sight.

Good premise, and scenes between Buscemi and Pitt most often work the best, and funniest, as one sees subtle layers peeled by Les's pathetic paparazzi who just doesn't admit he's not ambitious enough to be marginalized as a photographer. There's even some good comedy thrown around, the kind that is that strange absurdity that we also saw in 'Oblivion'. But, somehow, it just didn't all click for me after a while.

There's a very bitter pill being sent out in, often, very corny and ill-shot scenes (the latter of which I could accept, but for one brief instant, as Toby walks back to Les's place the morning after he's had that whirlwind night with Lohman, I was shocked at how cheesy a scene it turned into). The problem, also, is that it's difficult to mix such a delicate romantic/fable angle while also working in some mockery at the entertainment business. It's all in good amusement to see the "reality serial-killer" show being directed for "realism", but it all doesn't lead up to anything significant to say past some shallow messages.

Maybe I didn't see what others have been; it's become a minor little hit with most, and I'm sure if you have any desire to see actors like Buscemi and Pitt and Lohman (who is also very good) and Gershon (and hey, there's even a really hip and hilarious cameo from Elvis Costello) you'll seek it out anyway. However, it's not the best, or least obvious, game in town despite its solid indie cred.