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12 out of 14 people found the following review useful:
Small-scale production tells large-scale story, 3 March 2005
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Author:
Libretio
D-DAY 6.6.1944
Aspect ratio: 1.78:1
Sound format: Dolby Stereo
The BBC's contribution to an international 60th anniversary
commemoration of the D-Day landings takes most of its cues from the
success of SAVING PRIVATE RYAN (1998) and BAND OF BROTHERS (2001),
though Richard Dale's ambitious film rings the changes by combining
documentary interviews with veterans of the conflict and dramatized
reconstructions of events surrounding the Normandy landings. Andrew
Bampfield's script emphasizes the petty bureaucracy which frustrated
the efforts of front-line Germans, all of whom anticipated a
large-scale invasion but were unable to equip themselves against such
an eventuality because of Hitler's obsession with the ongoing conflict
in Russia. Much is also made of a clever subterfuge in which the Allies
managed to convince German authorities that the initial D-Day landings
were little more than a diversion, the precursor of a much larger
invasion.
The testimony of real-life survivors adds poignancy to the drama,
especially during the film's closing stretch, when the toll on all
sides becomes vividly clear. Few of the battle scenes are as visceral
as those depicted in SAVING PRIVATE RYAN, but Dale and his production
team work small miracles on a tenth of that film's budget, merging CGI
and in-camera effects with near-seamless integrity. The documentary
footage is directed by Kim Bour, Pamela Gordon and Sally Weale.
(English, German and French soundtrack)
4 out of 4 people found the following review useful:
D-DAY 6.6.44 a Semi Documentary Movies, 24 February 2005
Author:
Pura Krisnamurti (pura@melsa.net.id) from Indonesia
D-DAY, the greatest and famous military invasion during the World War
II, is still a great story to tell. There's so many movies,
documentary, literature, have been made to honor the men and women who
sacrifice their life, for the name of freedom. D-Day tells the epic
story of the preparation and execution of the Allied invasion of
Normandy. It tells the story of the defense of the Western Front by the
forces of the German Empire, and of the complex and deadly secret war
fought by the men and women of France and mainland Europe. D-Day brings
to life the dramatic and astounding tales of courage and sacrifice, joy
and despair, love and betrayal.
D-DAY 6.6.44 brilliantly produced By Richard Dale (The Human Body,
Walking with Cavemen, Teachers). Narrated by Ian Holmes, this semi
documentary movies, trying to dramatic the preparations, and the
execution itself. If you see this set of DVD, it will remain you the
format of "Band of Brothers" mini series. There are stories that tell
by a few old man/woman, which actually lived as a real actor on the
D-DAY.
The war scene is good enough, if you don't compare them with "Saving
Private Ryan" and "Band of Brothers", to describe and tells what
happened on the hours of the D-DAY. The actors are really well chosen,
e.g Rommel actors is very look a like the real person.
Maybe a little cons for the story is, it's only mention the landing of
the troopers at the beaches, and lack of story which paratroopers who
parachutes, and dramatically scattered on landing, in all over the
Normandy area, where no one has the right point landing at the early
morning of D-DAY. The portion for this story is very little, which only
mentioned the British 9th parachutes regiment. There're no story about
the famous US 101 Airbourne paratrooper landing.
But above the all, if you a World War II histories lovers, this DVD set
is a must to you. This is another well done D-DAY story.
Redeemed by Interviews, 3 May 2011
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Author:
Guy from UK
*** This review may contain spoilers ***
D-DAY 6.6.44 is a big-budget docu-drama by the BBC. The film mixes
archive, dramatic scenes and interviews to tell the story of the
Normandy Landings. There are two great problems with this docu-drama.
The first is that it isn't very good. The second is that the history on
display is very thin.
Docu-dramas are extremely difficult to get right. The dramatic scenes
usually suffer from a paucity of money whilst the documentary aspect
usually ends up being rather basic. This is precisely what happens
here. The CGI is cheap and often quite obvious. The actors are mostly
hammy and uniformly fail to get the small details about clothes, hair
and voice right. The history is an extremely basic narrative that
ignores the last two decades of academic research in favour of
highlighting a few moments (Omaha, Merville, Operation Tiger) in order
to dramatise them. The dramatic scenes are generally uninteresting,
acting as expensive wallpaper.
The problem is that decent drama builds up character and narrative. A
docu- drama like this has to juggle numerous narratives and lacks the
time to really build up characters to make them compelling. A lack of
cash means that the technical aspects also fail to be compelling. So
the docu-drama fails dramatically against the hyper- technical combat
scenes of BAND OF BROTHERS or the emotional impact of a film like
ATTACK. Yet at the same time it lacks the historical knowledge to be a
decent documentary. Instead it becomes an over-long hodge-podge. The
only redeeming factor are the interviews, several of which are
excellent. The researchers also deserve credit for finding a number of
rare interviewees.
P.S. If you want how a docu-drama should be made then have a look at
Peter Watkin's THE WAR GAME.
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