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Directed by | |||
| Julian Jarrold | |||
Writing credits | ||
| Andrew Davies | (written by) and | |
| Jeremy Brock | (written by) | |
| Evelyn Waugh | (novel) | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Jess Hall | (director of photography) | ||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Alice Normington | |||
Art Direction by | |||
| Thomas Brown | |||
| Lynne Huitson | (supervising art director) | ||
| Ben Munro | |||
Set Decoration by | |||
| Caroline Smith | |||
Costume Design by | |||
| Eimer Ni Mhaoldomhnaigh | |||
Production Management | |||
| Zakaria Alaoui | .... | production supervisor: Marrakesh | |
| Enrico Ballarin | .... | production supervisor: Venice | |
| Finlay Bradbury | .... | unit manager (as Finlay Pile) | |
| Laura Cappato | .... | production manager: Venice | |
| Daniel Gulliver | .... | unit manager (as Danny Gulliver) | |
| Alistair Hopkins | .... | post-production supervisor | |
| Stefano Dalla Lana | .... | unit set manager: Venice | |
| John Watson | .... | production manager | |
| Hamid Zoughi | .... | production manager: Marrakesh | |
| Sean Cooney | .... | post-production executive (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jamal Belmejdoub | .... | first assistant director: Marrakesh (as Jamal Belmajdoub) | |
| Jonny Benson | .... | second assistant director | |
| Juri Biasiato | .... | third assistant director: Venice | |
| Consuelo Bidorini | .... | second assistant director: Venice | |
| Dan Channing-Williams | .... | third assistant director | |
| Lucy Egerton | .... | second assistant director: crowd | |
| Chris Gill | .... | second unit director | |
| Karim Kahkhani | .... | second assistant director: Marrakesh | |
| Sandrine Loisy | .... | third assistant director: crowd | |
| Barrie McCulloch | .... | first assistant director | |
| Alistair Ramsden | .... | third assistant director: second unit (as Alastair Ramsden) | |
| Kenneth Thompson Marchesi | .... | third assistant director: crowd | |
| John Watson | .... | first assistant director: second unit | |
| Dan Channing-Williams | .... | first assistant director: additional photography (uncredited) | |
| Dominic Threlfall | .... | additional third assistant director (uncredited) | |
Art Department | |||
| Daniel Bacciu | .... | stand-by props: Venice | |
| Ian Bee | .... | supervising carpenter | |
| Flavio Bertini | .... | set dresser: Venice | |
| Adam Betts | .... | prop hand | |
| Michael Betts | .... | prop hand | |
| Abdellatif Bilouch | .... | painter: Marrakesh | |
| Abdallah Bougtifa | .... | additional set dresser: Marrakesh (as Abdellah Bougtifa) | |
| Ahmed Bougtifa | .... | prop hand: Marrakesh | |
| Anthony Brady | .... | stand-by carpenter | |
| Rob Brown | .... | construction manager | |
| Alfie Burgess | .... | stand-by props | |
| Craig Carpenter | .... | painter | |
| Nicholas Clayton | .... | carpenter | |
| Susanna Codognato | .... | art director: Venice | |
| Sean Cunningham | .... | scenic painter | |
| Billy Edwards | .... | stand-by props | |
| Glyn Evans | .... | painter | |
| Richard Ford | .... | painter | |
| Holly Franklyn | .... | art department trainee | |
| James Gemmill | .... | scenic painter (as James Geminill) | |
| Annie Gilhooly | .... | production buyer | |
| Darren Hayward | .... | carpenter (as Daren Heyward) | |
| David Horsman | .... | carpenter | |
| Michelle Horton | .... | painter | |
| Thomas Ibbotson | .... | painter | |
| Tara Ilsley | .... | art department assistant | |
| Gisella Ingrassia | .... | stand-by painter: Venice | |
| Marino Ingrassia | .... | set dresser: Venice | |
| Ermanno Kerstich | .... | stand-by props assistant: Venice | |
| Steven Leadbitter | .... | carpenter | |
| Michael Leonard | .... | painter | |
| John Malham | .... | painter | |
| Aziz Mhand | .... | prop hand: Marrakesh | |
| Patrick Mosley | .... | prop hand | |
| Omar Mouharib | .... | plasterer: Marrakesh | |
| Russel Oxley | .... | scenic painter (as Russell Oxley) | |
| Massimo Pauletto | .... | assistant art director: Venice | |
| Dominic Pike | .... | construction manager | |
| Amin Rharda | .... | prop buyer: Marrakesh (as Armine Rharda) | |
| Amin Rharda | .... | set dresser: Marrakesh | |
| Matthew Robinson | .... | draughtsman (as Matt Robinson) | |
| Cosmo Sarson | .... | artist | |
| Mary Pat Sheahan | .... | stand-by painter (as Mary-Pat Sheahan) | |
| Keith Slote | .... | draughtsman | |
| Fabrice Spelta | .... | assistant art director | |
| Terry Stinson | .... | prop hand | |
| Pete Taylor | .... | carpenter | |
| Alberto Tommasini | .... | stand-by carpenter: Venice | |
| Barry Tracey | .... | painter | |
| Kevin Waite | .... | carpenter | |
| Stuart Watson | .... | construction manager | |
| Terry Woods | .... | property master (as Terry Wood) | |
| Matteo Bertelli | .... | art department: Italy (uncredited) | |
| Philip Clark | .... | picture researcher (uncredited) | |
| Lucy Eyre | .... | assistant set decorator (uncredited) | |
| Colin Fox | .... | drapes master (uncredited) | |
| Sophie Phillips | .... | assistant set decorator (uncredited) | |
| Amin Rharda | .... | assistant art director (uncredited) | |
| Christopher Wyatt | .... | draughtsman (uncredited) | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Martin Beresford | .... | sound playback operator | |
| Andrew Caller | .... | sound mix technician (as Andy Caller) | |
| Dan Dewsnap | .... | second boom operator | |
| Gillian Dodders | .... | dialogue editor (as Gillian Doders) | |
| Danny Freemantle | .... | assistant sound editor | |
| Glenn Freemantle | .... | sound supervisor | |
| Danny Hambrook | .... | sound recordist | |
| Alex Hudd | .... | sound consultant: dolby | |
| Simon Jones | .... | sound re-recording mixer | |
| Craig Kyllonen | .... | adr recordist | |
| Adam Laschinger | .... | sound maintenance | |
| Diego Piotto | .... | sound assistant: Venice | |
| Mike Prestwood Smith | .... | sound re-recording mixer | |
| Tom Sayers | .... | sound designer | |
| Tom Sharp | .... | sound trainee | |
| Andrew Wilkinson | .... | sound effects editor | |
| Nourdine Zaoui | .... | boom operator: Marrakesh | |
| Howard Bevan | .... | sound assistant: dailies (uncredited) | |
| Sandy Buchanan | .... | adr recordist (uncredited) | |
| Tom Deane | .... | adr mixer (uncredited) | |
| Jonathan Rimas | .... | adr mixer (uncredited) | |
| Lionel Strutt | .... | adr coordinator (uncredited) | |
Special Effects by | |||
| Mark Holt | .... | special effects supervisor | |
| Ian Rowley | .... | special effects supervisor | |
| Rob Rowley | .... | special effects technician | |
| James Davis III | .... | special effects senior technician (uncredited) | |
| Hugh Goodbody | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Danielle Brooks | .... | CG artist | |
| Adam Gascoyne | .... | visual effects supervisor (as Adam Gascoigne) | |
| Sally Goldberg | .... | cg artist | |
| Simon Hughes | .... | lead compositor | |
| Sean Lewkiw | .... | technical head of cg | |
| Hugh Macdonald | .... | senior digital compositor: Rainmaker | |
| Collette Nunes | .... | visual effects editor | |
| Roma O'Connor | .... | visual effects executive producer | |
| Jonathan Opgenhaffen | .... | CG artist | |
| Miso Ristov | .... | lead matchmove artist | |
| Becky Roberts | .... | visual effects line producer | |
| Lazar Trenchev | .... | roto artist | |
| David Wahlberg | .... | digital compositor: Rainmaker UK | |
Stunts | |||
| Stuart St. Paul | .... | stunt coordinator | |
Casting Department | |||
| Mourad Barouche | .... | casting assistant: Marrakesh | |
| Sarah Finn | .... | casting director: US (as Sarah Halley Finn) | |
| Orla Maxwell | .... | casting associate (uncredited) | |
| Kevin Riddle | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Annette Allen | .... | stand-by costumer | |
| Alice Anselmi | .... | set costumer | |
| Abderrahim Benkhayi | .... | costume dresser: Marrakesh | |
| Cristiana Bertini | .... | costume assistant: Venice | |
| Karina Andrea Bomrad Saez | .... | seamstress: Venice | |
| Morgan Clough | .... | costume trainee | |
| Zineb El Idrissi | .... | costume dresser: Marrakesh | |
| Silvana Galota | .... | costume assistant: Venice | |
| Latifa Joumane | .... | costume dresser: Marrakesh | |
| Anna Lombardi | .... | costume supervisor: Venice | |
| Debbie Millington | .... | assistant costume designer | |
| Jessica O'Leary | .... | costume supervisor | |
| Ombra Renzini | .... | costume assistant: Venice | |
| Katia Scarpa | .... | costume assistant: Venice | |
| Faical Tamiri | .... | costume dresser: Marrakesh | |
| Paul Yeowell | .... | stand-by costumer | |
| Mimouni Youssef | .... | costume dresser: Marrakesh (as Youseff Mimouni) | |
| Lizzie Craig | .... | costume assistant (uncredited) | |
| Fiona Greaves | .... | costume daily (uncredited) | |
Editorial Department | |||
| Greg Barrett | .... | digital intermediate producer | |
| Ben Bradley | .... | online editor | |
| Rebecca Budds | .... | digital intermediate coordinator | |
| John Claude | .... | digital intermediate colorist | |
| Emanuele Giraldo | .... | first assistant editor | |
| Tina Richardson | .... | second assistant editor | |
| Paul Shore | .... | on-line editor | |
Music Department | |||
| Chris Barrett | .... | assistant score recording engineer | |
| BBC Philharmonic | .... | musicians: score performers (as The BBC Philharmonic) | |
| Sophie Cornet | .... | music editor | |
| Rupert Coulson | .... | score recordist | |
| Terry Davies | .... | composer: additional music | |
| Terry Davies | .... | conductor | |
| Terry Davies | .... | orchestrator | |
| Peter Dixon | .... | musician: cello soloist | |
| John Etheridge | .... | musician: guitar | |
| David Firman | .... | orchestrator | |
| Chris Garrick | .... | musician: violin | |
| Isobel Griffiths | .... | musicians contractor | |
| Mike Horner | .... | assistant score recording engineer | |
| Mike Hornett | .... | music preparation: score & parts | |
| Jake Jackson | .... | assistant score recording engineer | |
| Adrian Johnston | .... | orchestrator | |
| Catherine Manners | .... | music score coordinator | |
| Colin Rae | .... | music preparation: score & parts | |
| Jonathan Scott | .... | musician: piano soloist | |
| Yuri Torchinsky | .... | orchestra leader | |
| Roger Turner | .... | music preparation: score & parts | |
| Nick Wollage | .... | score mixer: songs & music | |
Transportation Department | |||
| Matteo Gottardis | .... | transportation coordinator: Venice | |
| Steve Heath | .... | unit driver | |
| Kaz Khan | .... | unit driver | |
| Ian Kitchin | .... | driver: camera truck | |
| Jean Lafont | .... | driver: minibus | |
| Ian Malcolm | .... | unit driver | |
| Mick McKenna | .... | driver: minibus | |
| Sid Medlam | .... | driver: minibus | |
| Trish O'Connell | .... | driver: minibus | |
| Pete Post | .... | driver: minibus | |
| Steve Rogers | .... | unit driver | |
| John Scott | .... | driver: minibus | |
| Laurence Turner | .... | unit driver (as Laurence 'Loz' Turner) | |
| Lewis Wakefield | .... | driver: minibus | |
| Bill Walker | .... | unit driver | |
| Vic Wynne | .... | driver: make-up truck | |
| Marco Zanon | .... | transportation coordinator: Venice (as Marco 'Bobo' Zanon) | |
| Alan Emanuel | .... | driver: cast (uncredited) | |
Other crew | |||
| Abdou Ait Abdellah | .... | production accountant: Marrakesh | |
| Adil Abdelwahab | .... | location manager: Marrakesh | |
| Russell Agro | .... | runner | |
| Russell Agro | .... | stand-in | |
| Ellen Archer | .... | runner | |
| Ellen Archer | .... | stand-in | |
| Rachel Arundal | .... | floor runner | |
| David Atkinson | .... | chef assistant | |
| Geraldine Atlee | .... | legal & business affairs: BBC Films | |
| Matthew Baker | .... | development executive: HanWay Films | |
| Alessandro Barbato | .... | floor runner: Venice | |
| Michael Bartol | .... | staff production coordinator: Miramax Films | |
| Hamid Belmejdoub | .... | assistant accountant: Marrakesh (as Hamid Belmajdoub) | |
| Bouchra Bentayeb | .... | production secretary: Marrakesh | |
| Flavio Bettin | .... | facility manager: Venice | |
| David Blank | .... | first assistant accountant | |
| Jonathan Blyth | .... | head of independents: 2 Entertain | |
| Andy Booth | .... | unit medic | |
| Nabil Boushib | .... | assistant location manager: Marrakesh | |
| Mark Bunce | .... | chef | |
| Romano Cannavacciuolo | .... | payroll: Venice (as Romano Cannavacciolo) | |
| Sally Caplan | .... | head of premiere fund: UK Film Council | |
| Fabrizio Cerato | .... | location manager: Venice | |
| Deborah Cesana | .... | location assistant: Venice | |
| Rebecca Chambers | .... | assistant location manager | |
| Jago Cherubini | .... | set production assistant: Venice | |
| Joseph Churchill | .... | runner (as Joseph F. Churchill) | |
| Joseph Churchill | .... | stand-in (as Joseph F. Churchill) | |
| Adam Cocker | .... | production runner | |
| Chris Cullum | .... | health & safety officer | |
| Matt Curtis | .... | title designer | |
| Maxine Davis | .... | production accountant | |
| Emilio De Filippo | .... | facility laborer: Venice | |
| Matt Delargy | .... | development executive: Ecosse Films | |
| Simonetta Di Fresco | .... | assistant coordinator: Venice | |
| Linda Duncan | .... | legal services: 2 Entertain | |
| Jeanine East | .... | financial controller: Ecosse Films | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Vladimir Feltzman | .... | catholic adviser (as Father Vladimir Feltzman) | |
| Jess Firth | .... | rushes runner | |
| Mauro Fornea | .... | location assistant: Venice (as Maura Fornea) | |
| Daniela Foà | .... | extras coordinator: Venice (as Daniela Foa) | |
| Fiona Garland | .... | travel and accommodation coordinator | |
| Cora Gianolla | .... | extras coordinator: Venice | |
| Jane Gibson | .... | choreographer | |
| Richard Green | .... | chief executive: 2 Entertain | |
| Anna Green-Armytage | .... | assistant: Robert Bernstein & Douglas Rae | |
| Nardia Hall | .... | production runner | |
| Rouzie Hassanova | .... | sales coordinator: HanWay Films | |
| Jane Hawley | .... | production executive: BBC Films | |
| Rob Hill | .... | rushes runner | |
| Anna Holbek | .... | assistant to director | |
| Vince Holden | .... | head of production finance: UK Film Council | |
| Bella Howard | .... | runner | |
| Bella Howard | .... | stand-in | |
| Kate Hudson | .... | unit publicist | |
| Steve Joberns | .... | auditor: Shipleys | |
| Medwyn Jones | .... | production lawyer: Harbottle & Lewis | |
| Nazha Kajja | .... | production coordinator: Marrakesh | |
| Bridget Kenningham | .... | assistant location manager | |
| Carlo La Melia | .... | cashier: Venice | |
| Jude Lamott | .... | unit medic | |
| Sergio Dalla Lana | .... | facility laborer: Venice | |
| Jamie Laurenson | .... | development producer: BBC Films | |
| Gabby Le Rasle | .... | production coordinator | |
| Sam Liefer | .... | latin adviser | |
| Jonathan Lynch-Staunton | .... | director of marketing: HanWay Films | |
| Richard Mansell | .... | business and legal affairs: HanWay Films | |
| Izzie Martin | .... | production runner | |
| Charles McDonald | .... | unit publicist | |
| Veronica Mechi | .... | location assistant: Venice | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Hicham Moukhliss | .... | assistant location manager: Marrakesh | |
| Khalid Mousadak | .... | production runner: Marrakesh | |
| Faye Newton | .... | location assistant | |
| Jamie Newton | .... | epk director | |
| Kane Nichol | .... | chef assistant | |
| Clive Noakes | .... | laboratory contact | |
| Ozzy O'Neill | .... | runner | |
| Ozzy O'Neill | .... | stand-in | |
| Stefano Pagin | .... | choreographer: Venice | |
| Lewis Partovi | .... | assistant production coordinator | |
| Andreina Pavon | .... | unit nurse: Venice | |
| Nick Pearson | .... | unit medic | |
| Alistair Ramsden | .... | floor runner (as Alastair Ramsden) | |
| Oliver Reeve | .... | runner | |
| David Roberts | .... | financial services: 2 Entertain | |
| Martin Roberts | .... | location assistant | |
| Abbe Robinson | .... | assistant to director | |
| Sophie Roche | .... | production trainee | |
| Jennifer Schaumburg | .... | office production assistant: Venice | |
| Thorsten Schumacher | .... | director of sales: HanWay Films | |
| Janice Schumm | .... | script supervisor | |
| Viola Sechi | .... | floor runner: Venice | |
| Stuart Snaith | .... | managing director: 2 Entertain | |
| Jane Soans | .... | location manager | |
| Jan Spielhoff | .... | director of business affairs: HanWay Films | |
| Nicola Stean | .... | business affairs assistant: Ecosse Films | |
| Diana Syrat | .... | assistant choreographer | |
| Agostino Taboga | .... | dancer: Venice | |
| Dario Tamiazzo | .... | dancer: Venice | |
| Anita Tomaselli | .... | production coordinator: Venice | |
| Marco Vianello | .... | set production assistant: Venice | |
| Matthew Vizard | .... | production & delivery coordinator: BBC Films | |
| Brigitte Ward-Holmes | .... | assistant accountant | |
| Luke Warner | .... | chef assistant | |
| Katie Williams | .... | epk director | |
| Lisa Williams | .... | assistant to producer | |
| Chris Williamson | .... | chef | |
| Julia Wilson Dickson | .... | voice coach (as Julia Wilson-Dickson) | |
| Mark Woolley | .... | finance and commercial director: Ecosse Films | |
| Charlotte Wright | .... | location assistant | |
| Carla Zacchia | .... | production accountant: Venice (as Carla Zacchia Legall) | |
| Mohamed Benhmamane | .... | location manager (uncredited) | |
| Oliver Butler | .... | crowd runner (uncredited) | |
Thanks | |||
| Paul Ritchie | .... | very special thanks | |
| Lucas Webb | .... | special thanks | |
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| Becoming Jane | The Libertine | The Duchess | Peter's Friends | The Witnesses |
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| Full cast and crew | Company credits | External reviews |
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It's attributed to just about everybody - from Ginger Rogers to Milan Kundera - and it sounds so right: "There are no small parts, only small actors."
If you want proof and a real understanding of the adage, revisit "Brideshead Revisited," and behold the miracle of Emma Thompson's Lady Marchmain, sucking the life out of anything and anybody she touches, and Michael Gambon's delightfully dissolute Lord Marchmain. She has about 10 minutes on the screen, he perhaps four, and yet their characters will follow you out of the theater, and stay with you at length.
Thompson's work is especially dazzling because the mean, sanctimonious character is so clearly alien to the actress (in fact, I suspected miscasting when I first heard of her assignment) and also as the character is so exaggerated, almost a caricature. And yet, Thompson gives the challenge her all, and walks away with it; the performance has Best Supporting Actress written all over it.
It's difficult to believe that the man you see as Marchmain is the same actor who was the "Singing Detective" (of the superb BBC series, not the Robert Downey Jr. mishap). Gambon has a range as wide as all outdoors, and you never ever see effort in the performance. His amiable Marchmain - subtly hinting at a complex character under the surface - has a physical similarity to Gambon's Uncle Vanya on the London stage, but otherwise, it's a unique creation.
What else is there to this new "edition" of "Brideshead"? A great deal, but only if you're among those who missed both Evelyn Waugh's novel and the wonderful Granada TV realization 27 long years ago - Irons! Gielgud! Olivier! - how can you compete with that? So, if it's a first-time visit, see the movie by all means; if you can recite lines from the book or the TV series, you can survive without the new version.
In 135 minutes, the film is handling well what the TV series did so completely in - yes - 13 HOURS. Obviously, except for the basic story line (script by Jeremy Brock, of "The Last King of Scotland"), this is a different kind of animal, still "leisurely" enough, but unable to luxuriate in the smallest details as the series did. The director is Julian Jarrold, and he is doing far better than in his recent "Becoming Jane," keeps the story moving in a smooth fashion.
As to the leading roles in the film, they are all well acted, but without great impact. Matthew Goode is Charles Ryder, the focal character; Ben Whishaw is the slightly over-flamboyant Sebastian Flyte (who needs understating more than exaggerating - Anthony Andrews' performance in the TV series was exactly right); Hayley Atwell is Sebastian's sister (and rival for Charles' affection).
One amazing thing about "Brideshead" is how this story from a different time, about characters from a different world, remains interesting and meaningful. It's almost as if Waugh's work was bulletproof - not that these filmmakers were less than respectful to the author. A better test would be a Eurotrash opera version, heaven forfend.