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Brideshead Revisited (2008)

PG-13  |   |  Drama, Romance  |  25 July 2008 (USA)
6.7
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Ratings: 6.7/10 from 9,079 users   Metascore: 64/100
Reviews: 92 user | 129 critic | 32 from Metacritic.com

A poignant story of forbidden love and the loss of innocence set in England prior to the Second World War.

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Title: Brideshead Revisited (2008)

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Cast

Cast overview, first billed only:
...
Thomas Morrison ...
David Barrass ...
Ship's Barber
...
...
Lady Guest
Stephen Carlile ...
English Lord
Peter Barnes ...
American Professor
...
...
Richard Teverson ...
...
...
Roger Walker ...
...
Mark Edel-Hunt ...
Oxford Student
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Storyline

WWII. Charles Ryder, in his civilian life, rose out of his middle class London background, which includes being an atheist and having a distant relationship with his eccentric father, to become an up and coming artist. He is currently an army officer, who is stationed at a makeshift camp set up at Brideshead estate before imminently getting shipped into battle. The locale, which is not unfamiliar to him, makes him reminisce about what ended up being his doomed relationship with Brideshead's owners, the Flytes, an ostentatiously wealthy family. Charles first met Sebastian Flyte when they both were students at Oxford, where Sebastian surprisingly welcomed Charles into his circle of equally wealthy, somewhat stuck up and flamboyant friends. Charles ended up getting caught up in Sebastian's family struggles, where Sebastian used excessive alcohol to deal with the pain resulting from his family relationships. Although Charles and Sebastian were more than just friends, Charles ultimately ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Love is not ours to control See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

| | | |

Release Date:

25 July 2008 (USA)  »

Also Known As:

Regreso a Brideshead  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

£375,270 (UK) (3 October 2008)

Gross:

£874,658 (UK) (10 October 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Filmed in summer 2007, one of the rainiest summers on record in England. The crew suffered rainfall at nearly every location, and even had to contend with rain while on location in Venice. See more »

Goofs

In Lord Marchmain's deathbed scene, Fr. Mackay imparts absolution while Charles Ryder and members of the family are in attendance. Absolution is never imparted in public in this way. The others would have been asked to step out. Moreover, the Latin form of the absolution given, although it is the correct traditional one, is badly mispronounced and contains several errors in the details of the Latin text. See more »

Quotes

Lady Marchmain: Happiness in this life is irrelevant. All that matters, the only thing of consequence, is the life hereafter.
See more »

Connections

Featured in Siskel & Ebert: Episode dated 26 July 2008 (2008) See more »

Soundtracks

With the Rumba Playing
Music & Lyrics by Terry Davies
Violin by Chris Garrick
Guitar by John Etheridge
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Brideshead . . . Revised? Brideshead . . . Reviled? Definitely NOT Brideshead Revisited
7 August 2008 | by (Albuquerque, NM) – See all my reviews

Here is the ultimate definition of cowardice. Mr. Jarrold apparently wanted to make a period piece but didn't have the courage to actually write his own stuff from scratch, so he stole character names and isolated scenes from Evelyn Waugh's classic, then superimposed his own much less interesting, much more banal story. The crime is that the Waugh estate allowed this piece of tripe to be released under the name "Brideshead Revisited."

How far does this thing go from the original? Well, let's see. Waugh wrote a profound meditation on the power of memory, the inevitable tragedies of life and love, and the mystery of faith. Jarrold gives us a not-very-titillating bisexual love triangle with a pasted on last reel reveal of the main character's shallow motivation. Waugh's characters were rich, multi-layered creations. Jarrold's are plasticine clichés with no depth, no recognizable motivation, and no growth . . . hell, they don't even age. In the 15 or so years in which Jarrold sets his story his characters look EXACTLY the same at the end as they did at the beginning.

One has to wonder what Jarrold was thinking If he didn't want to make something even remotely resembling Waugh's work, why use its title and steal a handful of its scenes? Was it just that he didn't think he could sell "Last Love Triangle in 1920s Venice?"


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