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Brideshead Revisited (2008)

PG-13 | | Drama, Romance | 15 August 2008 (USA)
A poignant story of forbidden love and the loss of innocence set in England prior to the Second World War.

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Cast

Cast overview, first billed only:
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Thomas Morrison ...
David Barrass ...
Ship's Barber
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Lady Guest
Stephen Carlile ...
English Lord
Peter Barnes ...
American Professor
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Roger Walker ...
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Mark Edel-Hunt ...
Oxford Student
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Storyline

WWII. Charles Ryder, in his civilian life, rose out of his middle class London background, which includes being an atheist and having a distant relationship with his eccentric father, to become an up and coming artist. He is currently an army officer, who is stationed at a makeshift camp set up at Brideshead estate before imminently getting shipped into battle. The locale, which is not unfamiliar to him, makes him reminisce about what ended up being his doomed relationship with Brideshead's owners, the Flytes, an ostentatiously wealthy family. Charles first met Sebastian Flyte when they both were students at Oxford, where Sebastian surprisingly welcomed Charles into his circle of equally wealthy, somewhat stuck up and flamboyant friends. Charles ended up getting caught up in Sebastian's family struggles, where Sebastian used excessive alcohol to deal with the pain resulting from his family relationships. Although Charles and Sebastian were more than just friends, Charles ultimately ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Every temptation has its price. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

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Language:

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Release Date:

15 August 2008 (USA)  »

Also Known As:

Regreso a Brideshead  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$339,616 (USA) (25 July 2008)

Gross:

$6,414,563 (USA) (19 September 2008)
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Company Credits

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Technical Specs

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

For the Oxford scenes, real Oxford students were recruited to play their 1920's counterparts. For the scene where Charles and Sebastian first meet, real members of the exclusive Bullingdon Club can be seen behind him wearing their traditional blazers. A few of them can also be seen in the luncheon scene that takes place the next day. See more »

Goofs

The water taxi that Charles, Sebastian and Julia take to Lord Marchmain's palazzo in Venice was built post-1960s. All Venetian water taxis before this were of solid wood construction, but the one used for filming is clearly of "cold-molded" construction, as one can readily see by the diagonal strips of veneer on the hull; something unknown before the advent of resin laid-up veneer hulls in the 1970s. See more »

Quotes

Sebastian Flyte: Charles! You're to come away at once. I've got a basket of strawberries and a bottle of Chateau Peyraguey, which isn't a wine you've ever tasted so don't pretend.
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Connections

Version of Brideshead Revisited (1981) See more »

Soundtracks

With the Rumba Playing
Music & Lyrics by Terry Davies
Violin by Chris Garrick
Guitar by John Etheridge
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Brideshead . . . Revised? Brideshead . . . Reviled? Definitely NOT Brideshead Revisited
7 August 2008 | by (Albuquerque, NM) – See all my reviews

Here is the ultimate definition of cowardice. Mr. Jarrold apparently wanted to make a period piece but didn't have the courage to actually write his own stuff from scratch, so he stole character names and isolated scenes from Evelyn Waugh's classic, then superimposed his own much less interesting, much more banal story. The crime is that the Waugh estate allowed this piece of tripe to be released under the name "Brideshead Revisited."

How far does this thing go from the original? Well, let's see. Waugh wrote a profound meditation on the power of memory, the inevitable tragedies of life and love, and the mystery of faith. Jarrold gives us a not-very-titillating bisexual love triangle with a pasted on last reel reveal of the main character's shallow motivation. Waugh's characters were rich, multi-layered creations. Jarrold's are plasticine clichés with no depth, no recognizable motivation, and no growth . . . hell, they don't even age. In the 15 or so years in which Jarrold sets his story his characters look EXACTLY the same at the end as they did at the beginning.

One has to wonder what Jarrold was thinking If he didn't want to make something even remotely resembling Waugh's work, why use its title and steal a handful of its scenes? Was it just that he didn't think he could sell "Last Love Triangle in 1920s Venice?"


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