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Brideshead Revisited (2008)

 -  Drama | Romance  -  25 July 2008 (USA)
6.7
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Ratings: 6.7/10 from 8,449 users   Metascore: 64/100
Reviews: 90 user | 130 critic | 32 from Metacritic.com

A poignant story of forbidden love and the loss of innocence set in England prior to the Second World War.

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Title: Brideshead Revisited (2008)

Brideshead Revisited (2008) on IMDb 6.7/10

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Cast

Cast overview, first billed only:
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Thomas Morrison ...
David Barrass ...
Ship's Barber
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Sarah Crowden ...
Lady Guest
Stephen Carlile ...
English Lord
Peter Barnes ...
American Professor
...
...
...
...
...
Roger Walker ...
...
Mark Edel-Hunt ...
Oxford Student
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Storyline

The memoirs of Captain Charles Ryder who is stationed at Brideshead Castle during WWII and remembers his involvement with the owners of the Brideshead estate: the aristocratic yet Catholic Flyte family and in particular brother and sister Sebastian and Julia. Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

painter | oxford | heir | england | catholic | See more »

Taglines:

Love is not ours to control See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

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Release Date:

25 July 2008 (USA)  »

Also Known As:

Regreso a Brideshead  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

£375,270 (UK) (3 October 2008)

Gross:

£874,658 (UK) (10 October 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

David Yates was set to direct this film, but had to step aside from the director's chair to direct Harry Potter and the Order of the Phoenix (2007) instead. While Yates was attached, Paul Bettany, Jennifer Connelly and Jude Law were cast in the roles of Charles, Julia and Sebastian respectively. It was also announced that Chatsworth House in Derbyshire would be used as Brideshead. See more »

Goofs

The Venetian drummers have instruments fitted with Mylar drumheads (Remo Pinstripes) that were not manufactured before WWII. Calfskin heads or ones that resembled calfskin would have been more appropriate for the time. See more »

Quotes

Sebastian Flyte: It was my fault for bringing you to Brideshead. Run away. Run far away and don't ever look back.
See more »

Connections

Featured in Siskel & Ebert: Episode dated 26 July 2008 (2008) See more »

Soundtracks

With the Rumba Playing
Music & Lyrics by Terry Davies
Violin by Chris Garrick
Guitar by John Etheridge
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Once More, Into Brideshead
1 August 2008 | by (San Francisco) – See all my reviews

It's attributed to just about everybody - from Ginger Rogers to Milan Kundera - and it sounds so right: "There are no small parts, only small actors."

If you want proof and a real understanding of the adage, revisit "Brideshead Revisited," and behold the miracle of Emma Thompson's Lady Marchmain, sucking the life out of anything and anybody she touches, and Michael Gambon's delightfully dissolute Lord Marchmain. She has about 10 minutes on the screen, he perhaps four, and yet their characters will follow you out of the theater, and stay with you at length.

Thompson's work is especially dazzling because the mean, sanctimonious character is so clearly alien to the actress (in fact, I suspected miscasting when I first heard of her assignment) and also as the character is so exaggerated, almost a caricature. And yet, Thompson gives the challenge her all, and walks away with it; the performance has Best Supporting Actress written all over it.

It's difficult to believe that the man you see as Marchmain is the same actor who was the "Singing Detective" (of the superb BBC series, not the Robert Downey Jr. mishap). Gambon has a range as wide as all outdoors, and you never ever see effort in the performance. His amiable Marchmain - subtly hinting at a complex character under the surface - has a physical similarity to Gambon's Uncle Vanya on the London stage, but otherwise, it's a unique creation.

What else is there to this new "edition" of "Brideshead"? A great deal, but only if you're among those who missed both Evelyn Waugh's novel and the wonderful Granada TV realization 27 long years ago - Irons! Gielgud! Olivier! - how can you compete with that? So, if it's a first-time visit, see the movie by all means; if you can recite lines from the book or the TV series, you can survive without the new version.

In 135 minutes, the film is handling well what the TV series did so completely in - yes - 13 HOURS. Obviously, except for the basic story line (script by Jeremy Brock, of "The Last King of Scotland"), this is a different kind of animal, still "leisurely" enough, but unable to luxuriate in the smallest details as the series did. The director is Julian Jarrold, and he is doing far better than in his recent "Becoming Jane," keeps the story moving in a smooth fashion.

As to the leading roles in the film, they are all well acted, but without great impact. Matthew Goode is Charles Ryder, the focal character; Ben Whishaw is the slightly over-flamboyant Sebastian Flyte (who needs understating more than exaggerating - Anthony Andrews' performance in the TV series was exactly right); Hayley Atwell is Sebastian's sister (and rival for Charles' affection).

One amazing thing about "Brideshead" is how this story from a different time, about characters from a different world, remains interesting and meaningful. It's almost as if Waugh's work was bulletproof - not that these filmmakers were less than respectful to the author. A better test would be a Eurotrash opera version, heaven forfend.


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