| Photos (see all 24 | slideshow) | Videos (see all 3) |
Directed by | |||
| Roger Donaldson | |||
Writing credits(in alphabetical order) | ||
| Roger Donaldson | written by | |
Original Music by | |||
| J. Peter Robinson | |||
Cinematography by | |||
| David Gribble | |||
Film Editing by | |||
| John Gilbert | |||
Casting by | |||
| Dianne Crittenden | |||
| Jeff Johnson | |||
| Diana Rowan | |||
Production Design by | |||
| Robert Gillies | |||
| J. Dennis Washington | |||
Art Direction by | |||
| Roger Guise | |||
| Mark Hofeling | |||
Set Decoration by | |||
| Jackie Gilmore | |||
| Ken Kirchner | |||
Costume Design by | |||
| Nancy Cavallaro | |||
| Jane Holland | |||
Makeup Department | |||
| Hayley Atherton | .... | hair stylist: New Zealand | |
| Hayley Atherton | .... | makeup artist: New Zealand | |
| Debra East | .... | makeup supervisor: New Zealand | |
| Jenna Kilgrow | .... | assistant hair stylist: New Zealand | |
| Anne Neilson | .... | key makeup artist: New Zealand | |
| Robin Michelle Patrick | .... | hair designer: Utah | |
| Robin Michelle Patrick | .... | makeup designer: Utah | |
| Claire Rutledge | .... | crowd makeup artist: New Zealand | |
| Lisa Shearer | .... | assistant makeup artist: New Zealand | |
| Paula Shepherd | .... | key hair stylist: Utah | |
| Tara Starling | .... | assistant makeup artist: Utah (as Tara St. Farling) | |
Production Management | |||
| Nikki Baigent | .... | production manager | |
| Rosemary Dority | .... | post-production supervisor | |
| John J. Kelly | .... | unit production manager | |
Sound Department | |||
| Ray Beentjes | .... | supervising dialogue editor | |
| Douglas Cameron | .... | production sound mixer | |
| Gethin Creagh | .... | sound re-recording mixer | |
| Fred Enholmer | .... | boom operator | |
| Joseph L. Garrard | .... | boom operator | |
| Melanie Graham | .... | sound effects editor | |
| Michael Hedges | .... | sound re-recording mixer | |
| Gilbert Lake | .... | assistant sound re-recording mixer | |
| Matthew Lambourn | .... | sound effects editor | |
| Robyn McFarlane | .... | foley recordist | |
| Polly McKinnon | .... | dialogue editor | |
| Carolyn McLaughlin | .... | foley artist | |
| Tim Prebble | .... | supervising sound editor | |
| John Simpson | .... | foley artist | |
| Tom Smythe | .... | sound trainee | |
| Chris Todd | .... | dialogue editor | |
| Justin Webster | .... | assistant dialogue editor | |
| Mike Westgate | .... | sound mixer | |
| Dave Whitehead | .... | sound effects editor | |
Special Effects by | |||
| John Cluff | .... | special effects crew | |
| Phil Cory | .... | special effects coordinator (as Philip Cory) | |
| Ged Slaven | .... | special effects assistant | |
| Grant van Hide | .... | special effects assistant | |
Visual Effects by | |||
| Dan Ashton | .... | scanning and recording technician: Weta Digital | |
| Nick Booth | .... | scanning and recording supervisor: Weta Digital | |
| Adam Bradley | .... | digital artist: Weta Digital | |
| Enid Dalkoff | .... | digital artist | |
| David Hampton | .... | scanning and recording technician: Weta Digital | |
| G.G. Heitmann Demers | .... | digital compositor: Weta Digital | |
| Quentin Hema | .... | paint & rotoscoping supervisor | |
| Kent Houston | .... | visual effects supervisor | |
| Wolfgang Niedermeier | .... | matchmover | |
| Terron Pratt | .... | visual effects coordinator: Digiscope | |
| Hamish Schumacher | .... | senior paint artist: Weta Digital LTD | |
| Christopher Stack | .... | colorist: Digiscope | |
| Mary Stuart-Welch | .... | visual effects producer | |
| Pete Williams | .... | digital imaging manager: Weta Digital | |
| Travis Baumann | .... | lead Inferno artist (uncredited) | |
Stunts | |||
| Ted Barba | .... | stunts | |
| Kathy Jarvis | .... | stunt driver | |
| Brad Jessey | .... | stunt driver | |
| Myke Schwartz | .... | stunt camera vehicles | |
| Myke Schwartz | .... | stunt double | |
| Paul E. Short | .... | stunts | |
| Lou Simon | .... | stunt double | |
Casting Department | |||
| Katherine Coffield | .... | extras casting assistant | |
| Riwia Fox | .... | casting assistant | |
| Shawn Mehling | .... | casting assistant | |
| Shawn Mehling | .... | extras casting coordinator | |
| Michael V. Nicolo | .... | casting associate | |
Costume and Wardrobe Department | |||
| Cecile Bridgford | .... | costume stand-by assistant | |
| Sian Evans | .... | costume supervisor | |
| Amy Fegely | .... | costume supervisor | |
| Barbara Nelson | .... | costumer | |
| Melody Newton | .... | assistant costume stand-by | |
| Natalie Pascual | .... | costume assistant | |
| Amy Jean Roberts | .... | costumer | |
| Kacie Seamons | .... | costumer | |
| Brooke Westberg | .... | costumer | |
| Joan Wilson | .... | costume stand-by | |
Editorial Department | |||
| Bridgette Fahey-Goldsmith | .... | first assistant editor | |
| Colin Harrison | .... | digital intermediate colorist | |
| Shanon Moratti | .... | digital intermediate on-line editor | |
| Cara Poulson | .... | assistant editor | |
| Jon Rush | .... | telecine colourist: dailies | |
| Peter Skarratt | .... | first assistant editor | |
| Simon Ward | .... | telecine assistant | |
| Billy Wychgel | .... | digital intermediate support | |
Music Department | |||
| Paul Buckmaster | .... | orchestrator | |
| Robert Fernandez | .... | scoring mixer | |
| Jon Kull | .... | orchestrator | |
| Dennis McCarthy | .... | orchestrator | |
| Larry Rench | .... | additional orchestrator | |
| Lise Richardson | .... | music editor | |
| J. Peter Robinson | .... | conductor | |
| J. Peter Robinson | .... | orchestrator | |
| J. Peter Robinson | .... | score producer | |
| Steven L. Smith | .... | music preparation | |
| Peter Tomashek | .... | additional orchestrator | |
Transportation Department | |||
| Mike Law | .... | driver | |
| Stephen Rippey | .... | driver: maxi-van | |
| Glenn Shaw | .... | transportation manager | |
Thanks | |||
| Peter Jackson | .... | thanks | |
|
|
|
|
|
| Big Fish | The Majestic | Across the Universe | The Aviator | The Kite Runner |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb New Zealand section |
| Add this title to MyMovies |
A true story with a nice mix of emotion and motorcycles.
At a sneak preview of this movie in Burt Munro 's hometown - Invercargill, I noticed at the end that many of the men had moist eyes -not that the film is weepy or sycophantic in any way - it's simply inspirational.
The hero/underdog here is a social misfit, a self-confessed dirty old man but a lovable one. He loves the ladies and he loves speeding on his vintage Indian Scout "modified somewhat" along the open beach of Invercargill in Southern New Zealand.
Until recently, beach bike racers contested the Burt Munro Trophy and Burt's 1967 record at Bonneville still stands. There is talk of restarting these races soon.
Anthony Hopkins manages to master the problematic Kiwi accent to deliver a touching, funny and realistic depiction of Burt in his quest to be the fastest thing on two wheels. Sir Anthony said that it's the best thing he's ever done and it's hard to disagree based on his laconic and lovable portrayal.
Outstanding cameos by the likes of Annie Whittle and Diane Ladd simply add depth and verisimilitude to the film.
Complete and convincing performances that warm the heart and show true humanity shining through.
The cinematography is clear and precise, the action scenes are mercifully free of special effects.
A new classic from Roger Donaldson.