Al Shaw's life revolves around motor racing and his back country junkyard, the "Smash Palace". His French wife, Jacqui, doesn't appreciate the lack of attention due to Al's obsession with ... See full summary »
Anna Maria Monticelli,
Recluse Smith (Sam Neill) is drawn into a revolutionary struggle between guerillas and right-wingers in New Zealand. Implicated in a murder and framed as a revolutionary conspirator, Smith ... See full summary »
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
For 25 years in Invercargill at the south end of New Zealand, Burt Munro (1899-1978) has been working on increasing the speed of his motorcycle, a 1920 Indian. He dreams of taking it to the Bonneville Salt Flats to see how fast it will go. By the early 1960s, heart disease threatens his life, so he mortgages his house and takes a boat to Los Angeles, buys an old car, builds a makeshift trailer, gets the Indian through customs, and heads for Utah. Along the way, people he meets are charmed by his open, direct friendliness. If he makes it to Bonneville, will they let an old guy on the flats with makeshift tires, no brakes, and no chute? And will the Indian actually respond? Written by
The actual street where the Post Office was set is called The Crescent, and had 1960s phone booths and parking meters fitted for the shoot. Local residents offered to move their parked cars to allow more room for the production vans. See more »
When Burt Munro is racing the group of young guys towards the beginning he has on a dark tan tinted pair of goggles. But when he wrecks his bike around the turn and stands up, he has on white non-tinted goggles. See more »
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I was lucky enough to see this film on a Qantas flight from LA to Melbourne early in December. My expectation was a low budget, low brow, attempt at making a motorsport film. I was truly blown away by what I saw. Anthony Hopkins deserves an Academy Award for the understated performance of Bert Munro. Always polite, and always focused Bert's dream get embedded in your heart and becomes your dream as well. The journey becomes the story with the characters he meets along the way getting obsessed with his vision as well. The scenes at The Bonneville Salt Flats are stunning and picturesque. I was left with a smile I couldn't get off my face and a tear in my eye. A simple film with a simple premise becomes my "Best Of" pick for 2005.
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