Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
Al Shaw's life revolves around motor racing and his back country junkyard, the "Smash Palace". His French wife, Jacqui, doesn't appreciate the lack of attention due to Al's obsession with ... See full summary »
Anna Maria Monticelli,
Chekovs Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquillity of a country house is disturbed by the arrival of the estates tyrannical owner and his ... See full summary »
Recluse Smith (Sam Neill) is drawn into a revolutionary struggle between guerillas and right-wingers in New Zealand. Implicated in a murder and framed as a revolutionary conspirator, Smith ... See full summary »
28-year-old Kansas University doctoral student Omar Razaghi wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three people who were close to ... See full summary »
Convicted gun runner, Las Vegas visionary, crusading newspaper publisher, target of the Watergate burglars, hero of Israels War of Independence...these are only some the highlights of Hank ... See full summary »
A forest ranger is haunted by the disappearance of his four-year-old daughter, and the subsequent breakup of his marriage. He discovers his ex-wife Ana is pregnant to the policeman in charge of his missing daughter's case.
For 25 years in Invercargill at the south end of New Zealand, Burt Munro (1899-1978) has been working on increasing the speed of his motorcycle, a 1920 Indian. He dreams of taking it to the Bonneville Salt Flats to see how fast it will go. By the early 1960s, heart disease threatens his life, so he mortgages his house and takes a boat to Los Angeles, buys an old car, builds a makeshift trailer, gets the Indian through customs, and heads for Utah. Along the way, people he meets are charmed by his open, direct friendliness. If he makes it to Bonneville, will they let an old guy on the flats with makeshift tires, no brakes, and no chute? And will the Indian actually respond? Written by
Many of Burt Munro's tools and props from his tool shed are kept for posterity in a hardware store in Invercargill. These, as well as small pieces of costume such as one of Munro's ties on loan from his son, were used by Anthony Hopkins to add to his character's authenticity. See more »
Burt Munro was born March 25. The character in the movie celebrates a birthday party 5 days before leaving New Zealand. Speed Week at Bonneville is in August. It takes 21 days for a ship leaving New Zealand to reach Long Beach in California, and 11 hours to drive from Los Angeles to Bonneville in Utah. It leaves one to imply that the movie begins in late June/early July. See more »
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A true story with a nice mix of emotion and motorcycles.
At a sneak preview of this movie in Burt Munro 's hometown - Invercargill, I noticed at the end that many of the men had moist eyes -not that the film is weepy or sycophantic in any way - it's simply inspirational.
The hero/underdog here is a social misfit, a self-confessed dirty old man but a lovable one. He loves the ladies and he loves speeding on his vintage Indian Scout "modified somewhat" along the open beach of Invercargill in Southern New Zealand. Beach bike racers still contest the Burt Munro Trophy on Oreti beach.
Burt's 1967 record at Bonneville still stands.
Anthony Hopkins manages the problematic Kiwi accent well to deliver a touching, funny and realistic depiction of Burt in his quest to be the fastest thing on two wheels. Sir Anthony said that it's the best thing he's ever done and it's hard to disagree based on his laconic and lovable portrayal.
Outstanding cameos by the likes of Annie Whittle and Diane Ladd simply add depth and verisimilitude to the film. Tim Shadbolt, well he definitely acted in the film...
Complete and convincing performances that warm the heart and show true humanity shining through.
The cinematography is clear and precise, the action scenes are mercifully free of special effects and Burt's kiwi innovation and guile win the day.
A new classic from Roger Donaldson.
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