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The Rider Named Death (2004)
"Vsadnik po imeni Smert" (original title)

 -  Drama  -  22 April 2004 (Russia)
6.3
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Ratings: 6.3/10 from 255 users   Metascore: 48/100
Reviews: 8 user | 10 critic | 10 from Metacritic.com

In pre-Soviet Russia, Boris Savinkov leads a terrorist faction of Socialist-Revolutionary Party members responsible for the deaths of governors and ministers.

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Cast

Cast overview:
Andrey Panin ...
Georges
...
Erna
Artyom Semakin ...
Vanya
Rostislav Bershauer ...
Fyodor (as R. Bershauer)
Anastasiya Makeeva ...
Elena
Aleksey Kazakov ...
Heinrich
Dmitriy Dyuzhev ...
Valeriy Storozhik ...
Elena's Husband
Dmitriy Gusev ...
Gashkes
Vasiliy Zotov ...
The Grand Prince Sergei Aleksandrovich
Anna Gorshkova ...
Rogoznikova
Edit

Storyline

In pre-Soviet Russia, Boris Savinkov leads a terrorist faction of Socialist-Revolutionary Party members responsible for the deaths of governors and ministers.

Plot Summary | Plot Synopsis

Genres:

Drama

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Details

Official Sites:

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Language:

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Release Date:

22 April 2004 (Russia)  »

Also Known As:

The Rider Named Death  »

Box Office

Opening Weekend:

$2,438 (USA) (18 March 2005)

Gross:

$2,438 (USA) (18 March 2005)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Quotes

Vanya: To me, the revolution is terror. I believe in terror.
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User Reviews

 
Intriguing, but flawed
5 June 2006 | by (United States) – See all my reviews

"A Rider Named Death" is a political thriller focusing on a small terror cell in 1905 Russia.

The film is certainly interesting, as it examines the nihilism that lies beneath the bombers' "principled" violence. However, it suffers from an reluctance to probe these motives too deeply. Character development is neglected in favor of building atmosphere. Of the film's characters, only George and Vanya are three-dimensional. Vanya in particular is one of the film's highlights, a contradictory figure whose fervor for revolution is tempered by his Christian values of love and peace.

However, this atmosphere is one of the film's great joys. It depicts late Czarist Russia as a nonstop carnival for the wealthy and nonstop drudgery for the poor. It is a shame that the filmmakers did not spend enough time developing it.


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