Broken Flowers
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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004

8 items from 2017


Julie Delpy to Receive Honorary Tribute at 30th European Film Awards

15 September 2017 6:35 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Julie Delpy, the Oscar-nominated French-American writer, filmmaker and actress, will receive the European Achievement in World Cinema award at the 30th European Film Awards in December. The honor recognizes Delpy’s rich and diverse career in front of and behind the camera.

The Paris-born Delpy is best known for her role opposite Ethan Hawke in Richard Linklater’s “Before Sunrise” (1995), “Before Sunset” (2004) and “Before Midnight” (2013), which she co-wrote. Delpy received an Oscar nomination in screenwriting for “Before Sunset” and “Before Midnight” (shared with Linklater and Hawke) as well as a Golden Globe nomination for her performance in the latter.

A graduate of Nyu’s Tisch School of the Arts, Delpy has directed, written or acted in more than 30 films. She’s been nominated at the European Film Awards twice, first as an actress in Volker Schlöndorff’s “Homo Faber,” in 1991, and as a director in 2007 with “2 Days in Paris,” which also earned a Cesar nomination. Her »

- Elsa Keslassy

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After Soderbergh: See the Top 10 Box Office Track Records of Classic Indie Filmmakers

19 August 2017 12:40 PM, PDT | Indiewire | See recent Indiewire news »

In a career that began with “sex lies and videotape” in 1989, “Logan Lucky” is Steven Soderbergh’s 26th theatrical release. It will extend his record as the top-grossing American director to come out of the independent scene in its formative years — a period we’ll define as 1975 (Joan Micklin Silver’s “Hester Street”) through 1992 (Quentin Tarantino’s debut, “Reservoir Dogs”).

To be clear, Soderbergh’s an outlier; his billion-dollar box office dwarfs every other indie filmmaker. However, looking at the performance of his contemporaries who got their start in that indie film movement, you may be surprised at who’s on the list. (Note: “Outside wide release” means less than 1,000 screens. Also, the list doesn’t include directors like Sam Raimi and Abel Ferrara, who have independent roots but were not discovered via the film festival/arthouse pathway, or Alan Rudolph, another significant ’80s figure; he started in horror films in the early ’70s. »

- Tom Brueggemann

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AFI to honour cinematographer Frederick Elmes

25 April 2017 7:00 AM, PDT | ScreenDaily | See recent ScreenDaily news »

1972 alumnus has worked with David Lynch, John Cassavetes, Ang Lee, Jim Jarmusch.

Cinematographer Frederick Elmes will receive the AFI’s 2017 Franklin J. Schaffner Alumni Medal. 

The honour recognises the “extraordinary creative talents of an AFI alumnus or alumna who embodies the qualities of filmmaker Franklin J. Schaffner: talent, taste, dedication and commitment to quality storytelling in film and television.” 

Elmes’s credits include Eraserhead, Blue Velvet, Wild At Heart, The Ice Storm, Broken Flowers, and River’s Edge, among others.

The presentation will take place at the AFI Life Achievement Award Gala Tribute to Diane Keaton in Hollywood on June 8.

Elmes collaborated with Keaton on her 1987 directorial debut Heaven and has earned a Primetime Emmy nomination, two Film Independent Spirit Awards and a New York Film Critics Circle Award, among other accolades.

Prior recipients of the Franklin J. Schaffner Alumni Medal include Lynch, Darren Aronofsky, Homeland director Lesli Link Glatter, Wonder Woman director »

- jeremykay67@gmail.com (Jeremy Kay)

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Is Jeffrey Wright’s Voice as Awesome as Morgan Freeman’s?

17 March 2017 3:00 PM, PDT | TVovermind.com | See recent TVovermind.com news »

I became a huge Jeffrey Wright fan the second I saw him in the film The Manchurian Candidate.  While his role as a fallen soldier who was subjected to brain manipulation wasn’t a huge role, his character still had an impact on me.  After that I saw him in Broken Flowers where again, he wasn’t the lead or had a tremendous part, but I just remembered him.  Even in the movie Extremely Loud and Incredibly Close his part lasted all of five minutes but I can remember it as clear as day.    The point I’m making is that Jeffrey Wright

Is Jeffrey Wright’s Voice as Awesome as Morgan Freeman’s? »

- Nat Berman

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Julie Delpy, Christina Ricci to Be Honored at Vail Film Festival (Exclusive)

17 March 2017 10:07 AM, PDT | Variety - Film News | See recent Variety - Film News news »

The Vail Film Festival has announced that it will celebrate women filmmakers, honoring Julie Delpy and Christina Ricci and opening with Susan Johnson’s coming-of-age story “Carrie Pilby,” Variety has learned exclusively.

The 14th annual festival will run from March 30 to April 2, closing with Amanda Sharp’s family drama “Sticky Notes,” which stars Rose Leslie as an emotionally detached backup dancer living in Los Angeles who returns to Florida to take care of her estranged father, played by Ray Liotta.

Julie Delpy will receive the Vail Film Festival Vanguard award in recognition of  her having directed, written, or acted in more than 50 films. She wrote and starred in the Richard Linklater trilogy “Before Sunrise,” “Before Sunset” and “Before Midnight,” with co-writer and co-star Ethan Hawke, and received Oscar nominations for “Before Sunset” and “Before Midnight” for Best Adapted Screenplay.

Related

Julie Delpy: ‘I Don’t Want to Be in My Films Anymore, »

- Dave McNary

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Film Review: Gravity of Poetic Dreams Carry Weight in ‘Paterson’

20 January 2017 8:12 AM, PST | HollywoodChicago.com | See recent HollywoodChicago.com news »

Chicago – What is more ordinary than a man alone with his thoughts, and then applying those thoughts to paper in the form of poetry? “Paterson” is a celebration of such ritual, and other dreams in the working class. It never panders, it never makes the “hero” that heroic, but it does challenge him in an ordinary sense, to work it out as meaningful poetics.

Rating: 5.0/5.0

This is a quiet and low-keyed film, directed by independent icon Jim Jarmusch (“Broken Flowers”), but it resonates with the power of words and purpose. The main character is a bus driver, but his status in life is not determined by what he does, but how he lives. He is devoted to his wife, who also dreams – not of words, but in the ideal of finding her passion in life. This is a concise character study that fires on emotions and intellectual stimulation, not because »

- adam@hollywoodchicago.com (Adam Fendelman)

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Film Feature: The 10 Best Films of 2016, By Patrick McDonald

5 January 2017 1:08 PM, PST | HollywoodChicago.com | See recent HollywoodChicago.com news »

Chicago – It’s that time of the film year, the “Ten Best” lists. In representing my 2016 picks – as “Patrick McDonald” – I looked for the emotional experience as much as anything. I think every filmgoer, from the most casual to the ardent buff, adhere to their favorites through that feeling of connection.

There are honorable mentions all over the place, often just missing the 10th spot – I like to characterize them as all tied for eleventh. My favorite superhero film was “Captain America: Civil War,” for the Marvel Comics angst that works best in this genre of movies. The dramas “Arrival,” “Elle,” “Little Men” and “A Monster Calls” were excellent and heartfelt experiences. I loved the wacky tribute that writer/directors Joel and Ethan Coen gave to 1950s Hollywood in “Hail, Caesar!” And after watching it again after initial reservations, I realized and connected to the ardent celebration in the musical “La La Land. »

- adam@hollywoodchicago.com (Adam Fendelman)

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‘La La Land’ and ‘Hidden Figures’ Thrive at the New Years’ Box Office

1 January 2017 10:45 AM, PST | Indiewire | See recent Indiewire news »

Two films that have received some of the season’s best reviews — Mike Mills’ “20th Century Women” and Jim Jarmusch’s “Paterson” — opened in New York and Los Angeles last Wednesday. However, the weekend’s real arthouse story lies with “La La Land,” which is on a trajectory to earn more than $100 million by the end of its run.

Read More: Box Office 2017 Opens With ‘Sing’ Making a Run at ‘Rogue One

The post-Christmas release ploy platform has become routine every year for a film or two, with their distributors hoping the absence of other new films and stellar elements, particularly in relation to awards hopes, elevate their initial numbers.

Opening

 

20th Century Women (A24) – Metacritic: 82; Festivals include: New York 2016

$112,705 in four theaters; PTA (per theater average): $28,176; Cumulative: $180,081

Mike Mills’ study of late 1970s Santa Barbara counterculture and some strong female characters led by Annette Bening and Greta Gerwig »

- Tom Brueggemann

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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004

8 items from 2017


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