| Photos (See all 81 | slideshow) | Videos (see all 3) |
| Bill Murray | ... | Don Johnston | |
| Julie Delpy | ... | Sherry | |
| Heather Simms | ... | Mona (as Heather Alicia Simms) | |
| Brea Frazier | ... | Rita | |
| Jarry Fall | ... | Winston and Mona's Kid (as Jarry) | |
| Korka Fall | ... | Winston and Mona's Kid | |
| Saul Holland | ... | Winston and Mona's Kid (as Saul) | |
| Zakira Holland | ... | Winston and Mona's Kid | |
| Niles Lee Wilson | ... | Winston and Mona's Kid | |
| Jeffrey Wright | ... | Winston | |
| Meredith Patterson | ... | Flight Attendant | |
| Jennifer Rapp | ... | Girl on Bus | |
| Nicole Abisinio | ... | Girl on Bus | |
| Ryan Donowho | ... | Young Man on Bus | |
| Alexis Dziena | ... | Lolita | |
| Sharon Stone | ... | Laura | |
| Frances Conroy | ... | Dora | |
| Christopher McDonald | ... | Ron | |
| Dared Wright | ... | Rabbit Owner | |
| Chloë Sevigny | ... | Carmen's Assistant | |
| Suzanne Hevner | ... | Mrs. Dorston | |
| Jessica Lange | ... | Carmen | |
| Brain McPeck | ... | Guy in S.U.V. (as Brain F. McPeck) | |
| Matthew McAuley | ... | Guy in S.U.V. | |
| Chris Bauer | ... | Dan | |
| Larry Fessenden | ... | Will | |
| Tilda Swinton | ... | Penny | |
| Pell James | ... | Sun Green | |
| Mark Webber | ... | The Kid | |
| Homer Murray | ... | Kid in Car | |
| rest of cast listed alphabetically: | |||
| Rachel Puchkoff | ... | Girl in House (unconfirmed) (uncredited) | |
Directed by | |||
| Jim Jarmusch | |||
Writing credits | ||
| Jim Jarmusch | (written by) | |
| Bill Raden | (inspired by an idea from) and | |
| Sara Driver | (inspired by an idea from) | |
Produced by | |||
| Jon Kilik | .... | producer | |
| Ann Ruark | .... | co-producer | |
| Stacey Smith | .... | producer | |
| Karen L. Thorson | .... | associate producer (uncredited) | |
Original Music by | |||
| Mulatu Astatke | |||
Cinematography by | |||
| Frederick Elmes | (director of photography) | ||
Film Editing by | |||
| Jay Rabinowitz | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Sarah Frank | |||
Set Decoration by | |||
| Lydia Marks | |||
Costume Design by | |||
| John Dunn | |||
Makeup Department | |||
| Milton Buras | .... | hair stylist: Sharon Stone | |
| Judy Chin | .... | key makeup artist | |
| Frances Hannon | .... | hair stylist: Bill Murray | |
| Frances Hannon | .... | makeup artist: Bill Murray | |
| Mandy Lyons | .... | hair dept head | |
Production Management | |||
| Gwen Bialic | .... | production supervisor | |
| Ann Ruark | .... | unit production manager | |
| Karen L. Thorson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sarah Rae Garrett | .... | second second assistant director | |
| Todd Pfeiffer | .... | first assistant director | |
| Shea Rowan | .... | second assistant director | |
Art Department | |||
| Robert Barnett | .... | camera scenic (as Bob Barnett) | |
| Stephen Barth | .... | scenic artist | |
| Peter Bundrick | .... | head carpenter (as Pete Bundrick) | |
| Dominick Cocuzzo | .... | construction grip | |
| Ralph Contrado | .... | scenic artist | |
| Alex DiGerlando | .... | art department coordinator | |
| Lauren Doner | .... | scenic foreman | |
| Stephen Finkin | .... | on-set dresser (as Steve Finkin) | |
| Tanis Gray | .... | art department assistant | |
| Sandy Hamilton | .... | property master | |
| Richard Hebrank | .... | construction coordinator (as Richie Hebrank) | |
| Arlo Hoffman | .... | set dresser | |
| T.W. John House | .... | construction grip (as John House) | |
| Robert Keller | .... | carpenter (as Bob Keller) | |
| Lisa Kennedy | .... | scenic artist | |
| Jon Kim | .... | set dresser | |
| Rob Landoll | .... | scenic artist | |
| Elizabeth Linn | .... | charge scenic | |
| John Peter Melendez | .... | set dresser (as John Melendez) | |
| Michael Miller | .... | construction grip | |
| Kris Moran | .... | assistant property master | |
| Mark Pollard | .... | graphic artist | |
| Heather Prendergast | .... | assistant set decorator | |
| Will Scheck | .... | leadman | |
| Mark Paul Selemon | .... | set dresser (as Mark Selemon) | |
| Jonathan Tessler | .... | additional props | |
| Ajamu Walker | .... | artwork | |
| Don Zappia | .... | construction grip | |
| Tomas Zeman | .... | art department intern | |
Sound Department | |||
| Coll Anderson | .... | sound effects editor | |
| Ryan Collison | .... | foley recordist | |
| Mark Goodermote | .... | boom operator | |
| Robert Hein | .... | supervising sound editor | |
| Drew Kunin | .... | sound mixer | |
| Terrance Laudermilch | .... | re-recordist (as Terry Laudermilch) | |
| Tommy Louie | .... | sound utility | |
| Jan McLaughlin | .... | sound utility (as Jan Mclaughlin) | |
| Sylvia Menno | .... | dialogue editor | |
| Glenfield Payne | .... | sound effects editor | |
| Jay Peck | .... | foley artist | |
| Kira Smith | .... | sound utility | |
| Dominick Tavella | .... | sound re-recording mixer (as Dominick 'The Dominator' Tavella) | |
| Marilyn Teorey | .... | foley editor | |
| David Wahnon | .... | sound editor | |
| Doug Winningham | .... | sound effects recordist | |
Visual Effects by | |||
| J. John Corbett | .... | visual effects | |
| Mark Tureski | .... | digital film recording | |
| Keith Yurevitz | .... | visual effects | |
| Jan Cilliers | .... | digital compositor: Big Film Design (uncredited) | |
| Chris Halstead | .... | digital compositor: Big Film Design (uncredited) | |
Stunts | |||
| Manny Siverio | .... | stunt coordinator | |
Casting Department | |||
| Jennifer Euston | .... | casting associate (as Jen Euston) | |
| Meghan Rafferty | .... | casting assistant | |
| Kristian Sorge | .... | background casting associate | |
| Grant Wilfley | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Stephanie Biear | .... | seamstress | |
| David Davenport | .... | wardrobe supervisor | |
| Amy Habacker | .... | costumer | |
| Rebecca Hofherr | .... | wardrobe production assistant | |
| Susan J. Wright | .... | key costumer | |
| Debbie Lucas | .... | seamstress (uncredited) | |
Editorial Department | |||
| Noah Amos | .... | apprentice editor | |
| Jennifer Apel | .... | first assistant editor | |
| Sebastian Bear-McClard | .... | editorial assistant | |
| Jason Crump | .... | colorist: dailies | |
| Lance Edmands | .... | post-production intern | |
| Jonathan Keogh | .... | editing intern | |
| Matt Mayer | .... | first assistant editor | |
| Perri Pivovar | .... | first assistant editor | |
| Cathy Rait | .... | color timer | |
| Mike Selemon | .... | editorial assistant | |
| Stan Sztaba | .... | negative cutter | |
| Joe Violante | .... | dailies advisor | |
| John Dowdell | .... | hd colorist (uncredited) | |
| Charles Herzfeld | .... | film lab coordinator (uncredited) | |
Music Department | |||
| Evan Greenspan | .... | music clearances | |
| Jay Rabinowitz | .... | music editor | |
Transportation Department | |||
| Frank Appedu | .... | driver | |
| William Baker | .... | driver (as Bill Baker) | |
| Joe Blessington | .... | driver | |
| John Canavan | .... | driver | |
| Thomas Crehan | .... | driver (as Tom Creehan) | |
| James Giblin | .... | driver (as James Giblin Jr.) | |
| Paul Kane | .... | driver | |
| Jim Kelly | .... | driver (as Jim Kelley) | |
| Robert Lapine | .... | driver (as Bob Lapine) | |
| Jimmy Mahr | .... | driver (as Jim Mahr) | |
| Eugene O'Neill | .... | transportation captain (as Gene O'Neill) | |
| Joshua Priestley | .... | picture cars | |
| John Queenie | .... | driver | |
| J.R. Scarlatos | .... | driver (as Stratis Scarlatos Jr.) | |
Thanks | |||
| Paul Auster | .... | personal thanks | |
| Jeanne Campbell | .... | special thanks | |
| Sarah Carlson | .... | special thanks | |
| Xan Cassavetes | .... | personal thanks | |
| Helen W. English | .... | special thanks | |
| Jean Eustache | .... | dedicatee: for | |
| Francis Falceto | .... | special thanks | |
| Craig Fox | .... | personal thanks | |
| Rena Fuchs | .... | special thanks | |
| Holly Golightly | .... | personal thanks | |
| Richard W. Haynes | .... | special thanks | |
| Anette Hidary | .... | special thanks | |
| Siri Hustvedt | .... | personal thanks | |
| Rennie Jaffe | .... | special thanks | |
| Ginger Johnson | .... | special thanks | |
| Patrick Keeler | .... | personal thanks | |
| Abebaw Kelkay | .... | special thanks: the Ethiopian Football Federation | |
| Jean Labadie | .... | very special thanks | |
| Jack Lawrence | .... | personal thanks (as Jack 'The Product' Lawrence) | |
| Nemo Librizzi | .... | personal thanks | |
| Julie Lipsius | .... | special thanks | |
| Teodore Ludwiczak | .... | special thanks | |
| Lee Myles | .... | special thanks | |
| James Nares | .... | personal thanks | |
| Anton Newcombe | .... | personal thanks | |
| Pat Padgett | .... | personal thanks (as Pat) | |
| Ron Padgett | .... | personal thanks | |
| Fred Perry | .... | special thanks | |
| James Pollard | .... | special thanks (as Jim Pollard) | |
| Mark Pollard | .... | special thanks | |
| Isabel Riley | .... | special thanks | |
| Joe Sacco | .... | special thanks | |
| Luc Sante | .... | personal thanks | |
| Christie Scheele | .... | special thanks | |
| Lola Schnabel | .... | personal thanks | |
| Jim Sotet | .... | personal thanks | |
| Ajamu Walker | .... | special thanks (as Ajamu Kojo * Chioke Walker) | |
| Bart Walker | .... | titanium respect and thanks | |
| Joan Waltemath | .... | personal thanks | |
| Ron Wilber | .... | special thanks | |
| Linda Williams | .... | personal thanks | |
| Antony Zito | .... | personal thanks (as Zito) | |
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| Kings & Queen | My Own Private Idaho | Love Actually | Personal Velocity | Love in the Time of Cholera |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
There has been a lot of talk that "Broken Flowers" is Jim Jarmusch's most commercially accessible film to date. One can almost hear Jarmusch muttering something reactionary like "commercial? That's just a label." It's a label that some Jarmusch fans might associate with "selling out". But selling out does not apply to Jim Jarmusch. He still has complete control of his work and is still the only American filmmaker who owns his own negatives. If "Broken Flowers" does break into the mainstream, it is nothing overly deliberate. Jarmusch makes familiar films that seem intimate in their tone. He toys with old themes while still leaving his films open to interpretation.
"Broken Flowers" is a travelogue and like most Jarmusch films, the story is more concerned with the journey but not so much about the destination. Bill Murray plays Don Johnston, a man who we know little about. We know he's single and we know he's had some flame's in the past. The last one just walked out on him. When Don receives an anonymous letter from one of these old flames, he learns that he has a twenty year old son who might be looking for him." Don thinks this is a joke but takes the advice from a friend to unfold the mystery by tracking down his past flings. He flies somewhere to a generic American place, rents a car and begins his investigation. Each ex has an individual personality but most of them share something similar. They are content and have moved on from the past. One of the ex's we meet works in real estate and decides it would be a good idea for her to get into the water business because "one day in the near future it will be more valuable then oil." The atmosphere is awkward and rather then care whether this woman is responsible for the anonymous letter, we just feel like getting out of there. The film's journey is absurd in many ways because we are never sure what the real point is. What is Don going to do if he does find his son? This where Bill Murray's credit as an actor shines through. We see from his small facial gestures that he is empty, and sad. There is a sense of longing as if life took a wrong turn somewhere and it is only now that he is realizing it. The ending of "Broken Flowers" is what really makes the film special. Don't expect too much or too little. Just see it. Its inspiring, hopeful and better then any other movie this year. The film also has a great soundtrack by Ethiopian musician, Mulatu Astatke. And we see in the credits that Jarmusch dedicated the film to French filmmaker Jean Eustache. Jean Eustache made a phenomenal film in the 1960's titled, "The Mother and The Whore". He had an influence on John Cassavetes and likewise both had an influence on Jim Jarmusch.