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Broken Flowers (2005)

7.2
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Ratings: 7.2/10 from 72,594 users   Metascore: 79/100
Reviews: 510 user | 234 critic | 39 from Metacritic.com

As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.

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Cast

Cast overview, first billed only:
...
...
...
Mona (as Heather Alicia Simms)
Brea Frazier ...
Rita
Jarry Fall ...
Winston and Mona's Kid (as Jarry)
Korka Fall ...
Winston and Mona's Kid
Saul Holland ...
Winston and Mona's Kid (as Saul)
Zakira Holland ...
Winston and Mona's Kid
Niles Lee Wilson ...
Winston and Mona's Kid
...
...
Flight Attendant
Jennifer Rapp ...
Girl on Bus
...
Girl on Bus
...
Young Man on Bus
...
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Storyline

The resolutely single Don Johnston has just been dumped by his latest lover, Sherry. Don resigns himself to being alone yet again and left to his own devices. Instead, he is compelled to reflect on his past when he receives by mail a mysterious pink letter. It is from an anonymous former lover and informs him that he has a 19-year-old son who may now be looking for his father. Don is urged to investigate this "mystery" by his closest friend and neighbor, Winston, an amateur sleuth and family man. Hesitant to travel at all, Don nonetheless embarks on a cross-country trek in search of clues from four former flames. Unannounced visits to each of these unique women hold new surprises for Don as he haphazardly confronts both his past and, consequently, his present. Written by Focus Features

Plot Summary | Add Synopsis

Taglines:

Sometimes life brings some strange surprises.

Genres:

Comedy | Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for language, some graphic nudity and brief drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

7 September 2005 (France)  »

Also Known As:

Dead Flowers  »

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$32,069 (Chile) (7 July 2006)

Gross:

$146,250 (Chile) (28 July 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Finnish censorship certificate register # 201013 delivered on 5-9-2005 See more »

Goofs

While they're having dinner, Johnston spears several carrots on his fork, nudging one off the edge of the plate and onto the table. In the next shot, it's gone. See more »

Quotes

[first lines]
Sherry: I pretty much have all my stuff.
[picks up mail]
Sherry: Looks like you got a love letter from one of your other girlfriends.
See more »

Crazy Credits

Unusually, bit part players with no spoken lines in this movie are listed in the credits. Normally only speaking parts are listed. See more »

Connections

References Lolita (1962) See more »

Soundtracks

Mascaram Seteba
Traditional, Arranged by Mulatu Astatke
Performed by Mulatu Astatke and his Ethiopian Quintet
Courtesy of Worthy Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A low-key picaresque
16 August 2005 | by (Columbus, Ohio) – See all my reviews

Barely dramatic, thematic but enigmatic, that's Jim Jarmusch's Broken Flowers. His Stranger than Paradise was exactly that, a Cleveland road trip to existential uncertainty. In Broken Flowers, Bill Murray as Don Johnston is also on a trip, but more certain of his goal than anyone in Stranger, for he seeks out his alleged son by visiting former lovers, one of whom anonymously wrote that she had borne him a child 19 years ago.

The formidable women, including a randy Sharon Stone happily lampooning her film persona and Tilda Swinton, tougher and more dangerous than all the others in her biker mom role, never really sway him from seeking his son or finding himself. Beyond discovering that you can't change the past of "an over-the-hill Don Juan," much less understand him, reflected in the depressing but authentic lack of communication with all but one of his wives, Murray may have discovered on his low-key picaresque a truer self than he had ever known before. He may be beaten up physically, he may be unable to close the case of his putative son, and he may have divorced himself from his millionaire persona as a computer whiz, but he remains a deeply calm, lonely wanderer in his effort to solve his case.

An amateur detective, neighbor Winston has the spirit and energy Don does not have, yet Don is deeper and more reflective. In fact he outstrips all of his former loves in kindness and caring in calm response to often explosive situations, for instance when Stone's daughter, Lolita, comes on to him only to find he is not available.

I complain American films are not sophisticated like Euro flicks, but Jarmusch has come close with this slow, laconic, and demanding indie. Hats off to Bill Murray for mixing minimalist with passionate this time around—his purpose and his change of character make his aging Hollywood star Bob from Lost in Translation just a dress rehearsal for this Oscar-worthy performance and film.

Perhaps Don's discovery is twofold: his potential to love others and himself. As Alexander Smith declared, "Love is but the discovery of ourselves in others, and the delight in the recognition."


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