| Aimee-Lynn Chadwick | ... | Becky | |
| Cory Hardrict | ... | Cody | |
| John Keefe | ... | Julian Garrison | |
| Jenny Mollen | ... | Jenny | |
| Peter Coyote | ... | Uncle Charles | |
| Claudiu Bleont | ... | Aldo Serra | |
| Sorin Cocis | ... | Gino | |
| Cain Manoli | ... | Jeremy (as Cain Mihnea Manoliu) | |
| George Dumitrescu | ... | Artie | |
| Maria Dinulescu | ... | Shelby (credit only) | |
| Catalin Paraschiv | ... | Skeet | |
| Radu Romaniuc | ... | Brett | |
| Sebastian Marina | ... | Dartagnan | |
| Violeta Aldea | ... | Rainbow | |
| Ricky Dandel | ... | Coach Savini | |
| Sandu Mihai Gruia | ... | Mortician (as Sandu Gruia) | |
| Aurelian Surulescu | ... | Guitarist | |
| Dan Bordeianu | ... | Frat Boy #1 | |
| Eduard Opaski | ... | Fat Gouged Eye Zombie | |
| Diana Vladu | ... | Roommate | |
| Maria Roman | ... | Serenity | |
| rest of cast listed alphabetically: | |||
| Vlad Coada | ... | Janitor (uncredited) | |
| Ionut Grama | ... | John (uncredited) | |
| Mike Measimer | ... | Stoner #1 (uncredited) | |
Directed by | |||
| Ellory Elkayem | |||
Writing credits(in alphabetical order) | ||
| William Butler | ||
| Aaron Strongoni | ||
Original Music by | |||
| Aimee-Lynn Chadwick | |||
| Robert Duncan | |||
| Ralph Rieckermann | |||
Cinematography by | |||
| Gabriel Kosuth | |||
Casting by | |||
| Dean E. Fronk | |||
| Floriela Grapini | |||
| Donald Paul Pemrick | |||
| Donald Remrik | |||
Production Design by | |||
| Calin Papura | |||
Costume Design by | |||
| Ana Ioneci | |||
Makeup Department | |||
| Martin Astles | .... | makeup effects sculptor | |
| Daniela Busoiu | .... | key makeup artist | |
| Catalin Ciutu | .... | key hair stylist | |
| Ken Culver | .... | senior foam technician | |
| Anastasia Eremciuc | .... | makeup artist | |
| Joe Giles | .... | production assistant: Optic Nerve | |
| Mike Measimer | .... | makeup supervisor | |
| Larry Odien | .... | makeup artist: John Vulich Optic Nerve Studios | |
| Lufeng Qu | .... | special makeup effects artist | |
| Lancel Reyes | .... | shop manager | |
| Reyna Rhone | .... | assistant makeup artist | |
| Dave Snyder | .... | special makeup effects artist | |
| Gary J. Tunnicliffe | .... | special makeup effects artist | |
Production Management | |||
| Eugen Dinca | .... | unit production manager | |
| Bogdan Stefanescu | .... | unit production manager | |
Art Department | |||
| Razvan Bestea | .... | graphic designer | |
| Lufeng Qu | .... | painter | |
Sound Department | |||
| Rick Polanco | .... | assistant sound editor | |
| Vic Radulich | .... | adr editor | |
| Cathie Speakman | .... | supervising adr editor | |
Special Effects by | |||
| Damian Fisher | .... | special effects technician | |
| Gene Heeter | .... | foam room supervisor | |
| Lucian Iordache | .... | special effects supervisor | |
| Ionel Popa | .... | special effects makeup | |
Visual Effects by | |||
| Prince Bagdasarian | .... | digital cleanup artist | |
| Jess Bryden | .... | visual effects supervisor: opening titles and graphics | |
| Brian Germain | .... | digital matte artist | |
| Marcin Teodoru | .... | digital cleanup artist | |
Stunts | |||
| Mihaescu Cristian | .... | stunts | |
| Madalin Dragan | .... | stunt performer | |
| Alexandru Godri | .... | stunt double | |
| Attila Nemes | .... | stunt coordinator | |
| Valeriu Pavel | .... | stunt double | |
| Claudiu-Cristian Prisecaru | .... | stunt performer | |
| Stefan Solcan | .... | stunt double | |
| Florin Stancu | .... | stunt performer | |
| Georgian Madalin Stancu | .... | stunt double | |
Camera and Electrical Department | |||
| Robert Lucas | .... | set videographer | |
| Dan Patzelt | .... | second assistant camera | |
| Andrei Radulescu | .... | video assist operator | |
| Gociu Sorin | .... | still photographer | |
| Victor Toader | .... | camera operator | |
Casting Department | |||
| Ovidiu Paunescu | .... | extras casting | |
Editorial Department | |||
| George McCarthy | .... | first assistant editor | |
| Laurent Morel | .... | colorist: dailies | |
| Jon Pehlke | .... | on-line editor | |
Music Department | |||
| Avital Korin | .... | music editor | |
| Tom Porter | .... | scoring assistant | |
| Ralph Rieckermann | .... | music supervisor | |
| Tom Porter | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Sorin Dinu | .... | transport coordinator | |
Other crew | |||
| Razvan Badea | .... | production assistant | |
| Madalina Bland | .... | assistant to director (as Madalina Simionescu) | |
| Julia Finn | .... | publicist | |
| Nicole Gregory | .... | publicist | |
| Robert Lucas | .... | production assistant | |
| Ruxandra Popescu | .... | assistant accountant | |
| Bogdan Stefanescu | .... | location manager | |
| Oana Topliceanu | .... | production coordinator | |
| Angelo Vacco | .... | voice actor | |
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| Nowhere | The Babysitters | The Kids Are All Right | Garden State | Alpha Dog |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Man, there are gonna be some seriously ticked-off fans. I mean, I'm a fan of the first 3 films (mostly 1 and 3) but I'm talking about the "die-hards" who are gonna be even more ticked than me because after 2 years of "in-the-making", THIS is what they come up with.
Sci-Fi channel can make all of the bad movies-of-the-week that it wants but making sequels to cult favorites like "Return of the Living Dead" is, well, they should really just know better.
As if part 4 wasn't bad enough (and it was awful), we get treated to something even worse: part 5. Having absolutely no redeeming qualities, it essentially plays like a 2-hour demonstration of what not to do when making a movie. Not even once does it rise to "so bad it's good" status as it's clear the writer and director aren't aware of ANY of the rules to good "bad movie"-making...such as this one: "Plot holes can exist as long as there is enough action to distract the viewer from focusing on them,"
The makers of this film apparently think every viewer has the IQ of a coat hanger because the plot holes come fast and steady from the beginning through to the end. Within the first ten minutes, we find ourselves asking: "Why is it that some of the high-school students in the P.E. class look to be about 30 years old?", "Where did the note about the guy's uncle come from?", "How can the main character have lived in his house for years (judging by the dust in the attic) without ever knowing about that secret room?" and "What exactly did Peter Coyote do to deserve this?" and then later, my favorite: "What high school lets unsupervised students use syringes on laboratory rats?" Meanwhile, we get mostly bad dialogue scenes instead of action (or camera work, atmosphere, good music, good dialogue scenes...really, take your pick), to go with these glaring questions.
Believe me, I'm not nit-picking. I normally don't mind plot-holes in otherwise entertaining movies. If I was able to overlook them while watching "House of the Dead", I'd say I'm pretty forgiving. I don't think a movie has to be completely in sync with reality, but come on, at least make an effort!
Here, it's obvious that someone was just too lazy or too inept to fix them...and that is just one problem that needs fixing! What about the fact that the zombies not only talk, but when they do, they sound just like...humans?! (Well, actually, that was more the case in part 4. Here, they only really talk when the opportunity for a lame one-liner presents itself.) Still, what about the fact that they feel pain? Or that they run (but only when convenient)? Honestly, I think this was made by people who have never seen a single zombie flick. If you don't agree, then explain the makeup effects because, let me tell you: gray face powder and latex cheekbones do not a zombie make.
Like I said, fans are gonna be ticked and die-hards may well storm the Sci-Fi Channel HQ. They would have been wise to change this to a stand-alone film instead of a sequel, but as it is, maybe "Return of the Living Dead 5: Dig Your Own Grave" would have been a better title.