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3 items from 2017

'Snowfall': FX's Crack-Era Drama Falls Between a Rock and a Hard Place

25 July 2017 9:23 AM, PDT | | See recent Rolling Stone news »

In the new FX drama Snowfall, it's the summer of 1983 in South Central L.A.: palm trees, fire hydrants, boomboxes and the friendly neighborhood weed dealer. There's a kid named Franklin Saint – he went to a preppie boarding school in the Valley, but instead of moving on to college, he's drifted back to his old mean streets, working nights at a convenience store. By day, he sells pot to the local kids who dance while their radios blast "Jam on It." Across the country, a rap crew from Queens »

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Robin Thicke Takes Son Julian to Family Fun Zone Amid Contentious Custody Battle

6 February 2017 12:10 PM, PST | | See recent news »

Amid his ongoing custody battle with his ex-wife Paula Patton, Robin Thicke utilized his visitation time with his 6-year-old son Julian on Saturday for a fun day out at Kids World, a family entertainment center.

“They played a bunch of arcade games and went on the slides and jungle gyms,” says an onlooker about the father-son duo at the L.A.-area fun zone. “Robin was literally the only adult on the jungle gym. Julian was sitting on his lap going down the slide.”

While roaming the venue, Thicke and Julian were also spotted snacking on Pop Rocks candy and ice cream. »

- Melody Chiu

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Kubo and the Two Strings; Anthropoid; Gimme Danger and more – review

14 January 2017 11:00 PM, PST | The Guardian - Film News | See recent The Guardian - Film News news »

It looks stunning, but Kubo and the Two Strings is hard to love. Still, Jim Jarmusch’s tribute to Iggy Pop rocks

Animation has become such a vast and active division of cinema in recent years that the word itself no longer feels specific enough. Kubo and the Two Strings (Universal, PG), the Laika company’s ravishing new stop-motion spectacle, has about as much in common formally, stylistically and narratively with a Pixar CG romp as with any live action film. Muddling Japanese folklore with its own manner of whimsy in a tale of a samurai’s son on a complicated, spirit-riddled quest to save his family and discover his legacy, Travis Knight’s debut boasts frame after ornately designed frame of gasp-inducing beauty. It looks and leaps like nothing else in its peer group, yet I wish I’d been as absorbed by its world as I was awed by it. »

- Guy Lodge

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