| Photos (see all 11 | slideshow) | Videos |
| Kieran O'Brien | ... | Matt | |
| Margo Stilley | ... | Lisa | |
| Huw Bunford | ... | Himself (Super Furry Animals) | |
| Cian Ciaran | ... | Himself (Super Furry Animals) | |
| The Dandy Warhols | ... | Themselves | |
| Elbow | ... | Themselves | |
| Franz Ferdinand | ... | Themselves | |
| Bobby Gillespie | ... | Himself (Primal Scream) | |
| Bob Hardy | ... | Himself (Franz Ferdinand) | |
| Dafydd Ieuan | ... | Himself (Super Furry Animals) | |
| Alex Kapranos | ... | Himself (Franz Ferdinand) | |
| Mani | ... | Himself (Primal Scream) | |
| Nick McCarthy | ... | Himself (Franz Ferdinand) | |
| Michael Nyman | ... | Himself | |
| Guto Pryce | ... | Himself (Super Furry Animals) | |
| Gruff Rhys | ... | Himself (Super Furry Animals) | |
| Courtney Taylor-Taylor | ... | Himself (the Dandy Warhols) | |
| Robert Young | ... | Himself (Primal Scream) | |
| rest of cast listed alphabetically: | |||
| Black Rebel Motorcycle Club | ... | Themselves | |
| Don Blum | ... | Himself | |
| Marcie Bolen | ... | Herself | |
| Guy Garvey | ... | Himself (Elbow) | |
| Peter Hayes | ... | Himself (Black Rebel Motorcycle Club) | |
| Nick Jago | ... | Himself (Black Rebel Motorcycle Club) | |
| Richard Jupp | ... | Himself (Elbow) | |
| Craig Potter | ... | Himself (Elbow) | |
| Mark Potter | ... | Himself (Elbow) | |
| Carrie Smith | ... | Herself | |
| Jason Stollsteimer | ... | Himself | |
| Super Furry Animals | ... | Themselves | |
| Pete Turner | ... | Himself (Elbow) | |
| Robert Turner | ... | Himself (Black Rebel Motorcycle Club) | |
| The Von Bondies | ... | Themselves | |
Directed by | |||
| Michael Winterbottom | |||
Writing credits(in alphabetical order) | ||
| Michael Winterbottom | writer | |
Produced by | |||
| Andrew Eaton | .... | executive producer | |
| Andrew Eaton | .... | producer | |
| Melissa Parmenter | .... | associate producer | |
| Michael Winterbottom | .... | producer | |
Cinematography by | |||
| Marcel Zyskind | |||
Film Editing by | |||
| Mat Whitecross | |||
| Michael Winterbottom | |||
Casting by | |||
| Steve Daly | |||
| Julie Dunne | |||
Production Management | |||
| Layla Evans | .... | post-production supervisor | |
Sound Department | |||
| Tristan Aneca | .... | additional sound mixer (as Tristan Anika) | |
| Alan Cridford | .... | additional sound mixer | |
| Richard Davey | .... | dubbing mixer | |
| Rashad Omar | .... | sound recordist | |
| Rashid Omar | .... | additional sound mixer | |
| Joakim Sundström | .... | sound editor | |
| Stuart Wilson | .... | sound recordist | |
Camera and Electrical Department | |||
| Annemarie Lean-Vercoe | .... | additional camera operator (as Anne Marie Lean Vercoe) | |
| Mat Whitecross | .... | additional camera operator | |
Editorial Department | |||
| Ross Baker | .... | colorist | |
| Cas Casey | .... | digital on-line editor | |
| Jon Thompson | .... | digital film transfer | |
Other crew | |||
| Michael Groom | .... | production assistant: dailies | |
| Jethro Harris | .... | operations manager: Pepper Post Productions Ltd. | |
| Boyd Harvey | .... | insurance: Media Insurance | |
| Martin McGlone | .... | laboratory contact | |
| Fiona McGuire | .... | head of production: Revolution Films | |
| Helen Phelps | .... | sales manager: Pepper Post Productions Ltd. | |
| Martyn Richmond | .... | production assistant | |
| Molly Tudhope | .... | production assistant: Revolution Films | |
Thanks | |||
| Nick Adams | .... | special thanks | |
| Air | .... | special thanks | |
| Rab Andrew | .... | special thanks | |
| Amy Ashworth | .... | special thanks | |
| Chris Auty | .... | special thanks | |
| John Babbitt | .... | special thanks | |
| Michael Big Daddy Been | .... | special thanks | |
| Michael Brennan | .... | special thanks | |
| James Brown | .... | special thanks | |
| Cerne Canning | .... | special thanks | |
| Rick Canny | .... | special thanks | |
| Rhiannon Ceiri | .... | special thanks | |
| Phil Chadwick | .... | special thanks | |
| Peter Christelis | .... | special thanks | |
| Gary Downing | .... | special thanks | |
| Nigel Downs | .... | special thanks | |
| Jon Duncan | .... | special thanks | |
| Stephane Elfassi | .... | special thanks | |
| Ralph Harrison | .... | special thanks | |
| Pernilla Holl | .... | special thanks | |
| Michel Houellebecq | .... | special thanks | |
| Greg Hunt | .... | special thanks | |
| Josh Hyams | .... | special thanks | |
| Lindy King | .... | special thanks | |
| Sarah Kite | .... | special thanks | |
| Stuart Laing | .... | special thanks | |
| Elizabeth Lloyd | .... | special thanks: Michael Nyman Limited | |
| Alun Llwyd | .... | special thanks | |
| Graeme Lowe | .... | special thanks | |
| Graeme Mason | .... | special thanks | |
| Claire Muldone | .... | special thanks | |
| Ross Pelling | .... | special thanks | |
| Craig Pride | .... | special thanks | |
| Brigham Ray | .... | special thanks | |
| Eddie Richardson | .... | special thanks | |
| Marc Robinson | .... | special thanks | |
| David Rootes | .... | special thanks | |
| Rowetta Satchell | .... | special thanks (as Rowetta) | |
| Steve Schmoll | .... | special thanks | |
| Courtney Taylor-Taylor | .... | special thanks (as Courtney Taylor Taylor) | |
| Aiden Thompson | .... | special thanks | |
| Venus | .... | special thanks | |
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| Ai no corrida | Caligola | Swimming Pool | Beneath the Valley of the Ultra-Vixens | Emmanuelle |
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I always try to be as clean from other people's / critics opinion before I go and check out a new film.
With Nine Songs, that is a difficult task, because it is the kind of movie everyone talks about without even seen it.
The story is as simple as it can be. It concentrates on the sexual behavior of the characters to show the birth and death of their relationship. It could have all been told around their meals, or their phone conversations. But Michael
Winterbotom chose their sex life - a quite important subject to every couple's life- to tell it all.
I only want to say that it is quite beautiful. Yes, its only sex, but as real as it can be. There is no intention on making the scenes erotic or pornographic, and the honest intimacy projected, strips down the human nature of the characters to
their very basic instincts.