In London, England, love blooms between an American college student, named Lisa, and a British glaciologist, named Matt, where over the next few months in between attending rock concerts, the two lovers have intense sexual encounters.
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Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall--London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs. Written by
Sujit R. Varma
The sex scenes were shot with only the two actors, the director, the cameraman, and the soundman on the set. See more »
Cutaways during several different band performances, such as close up of backup guitarists, are from different parts of the shows and often don't match wide shots of the band or shots of the singers. See more »
When I remember Lisa I don't think about her clothes, or her work, or where she was from, or even what she said. I think about her smell, her taste, her skin touching mine.
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The opening title and the closing credits appear to be pieces of cut film or paper placed together to form the words. See more »
In the (admittedly unlikely) eventuality that someone wandered into a cinema expecting this to be a musical, a rude shock would ensue, since this is the most sexually explicit mainstream film ever exhibited in Britain. Indeed the only mainstream movie I've previously seen to compare in explicitness was the 1976 Japanese work "Ai No Corrida" ("In the Realm Of The Senses"), but this work goes further with a scene of ejaculation, as well as fellatio, cunnilingus and penetrative sex. Since this is the work of accomplished British director Michael Winterbottom ("In This World"), one cannot possibly regard this is as pornography - besides anything else, porn features far more voluptuous women and portrays the sex from an exclusively male point of view, whereas the sex here is realistic (as well as real) and as female-oriented as much as male.
The problem is that the film appears to be utterly meaningless. A British research geologist Matt (Kieran O'Brien) goes to London gigs and has sex with American student Lisa (Margot Stilley), but there is no characterisation or plot or even a script (the dialogue was improvised and is banal). Even the music seems to bear no relationship to the lovers and - except for some haunting work from Michael Nyman - is dreary gunge. Shot on low budget digital video, the picture is as grey as the subject matter and the only light-hearted aspect is the rather unsubtle joke of the (mercifully short) running time (69 minutes). Come again? No chance.
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