In London, England, love blooms between an American college student, named Lisa, and a British glaciologist, named Matt, where over the next few months in between attending rock concerts, the two lovers have intense sexual encounters.
A failed London musician meets once a week with a woman for a series of intense sexual encounters to get away from the realities of life. But when he begins inquiring about her, it puts their relationship at risk.
Although deeply in love with her boyfriend - and indeed sleeping in the same bed with him - a schoolteacher cannot handle the almost complete lack of intimacy he will allow. Increasingly ... See full summary »
A deadly car crash sets off three parallel stories of women at crisis points, faltering behind the doors of the same, plain Vienna apartment block. A bored nurse with a stable, comfortable ... See full summary »
Can strangers connect? Can casual sex become something else? In Santiago, Daniela and Bruno, both about 30, meet at a party, go to another and end up in a hotel. We join them there as ... See full summary »
A young writer becomes intrigued with a mysterious dark-haired woman who claims to be his long-lost sister and he begin an unusual relationship with her prompting a downward spiral involving his domineering mother and lovely fiancée
Angela an illegal immigrant living in Los Angeles stumbles across Bill, a disgraced banker on the run.Through sex, conversation ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall--London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs. Written by
Sujit R. Varma
The first sexually explicit film to be directly awarded a French mainstream certificate (and not the "X classification" created in 1975 for "pornographic or violence-inciting movies"). See more »
While driving along the dual carriageway, the rev-counter of the car (the large left hand dial on a Mk. 2 Ford Granada) is at 0 showing the engine to be switched off. (In mitigation, it's a very old car so the rev counter could just be broken.) See more »
When I remember Lisa I don't think about her clothes, or her work, or where she was from, or even what she said. I think about her smell, her taste, her skin touching mine.
See more »
The opening title and the closing credits appear to be pieces of cut film or paper placed together to form the words. See more »
It seems strange to have such an affection for a film that is so flawed and fails in so many areas. Either way, I really really enjoyed Nine Songs, a relationship drama told strictly through sex. First, we'll list the failures. The acting of our female lead is a bit suspect and makes her, in the end, unlikable. The photography, although intimate and immediate, suffers from it's DV quality and makes you wonder how beautiful this film could have been shot with the eye of perhaps... Lars Von Trier's dogma lense. Most importantly, the movie relies on two ingredients that in the end prove a bit useless. We are reliving the story in memory via the male lead as he travels through Antarctica. Although it is an interesting metaphor and a captivating landscape, it seems almost entirely unnecessary. We hear him say "you can be clostraphobic and agoraphobic all at the same time, much like the bedroom." Secondly, and most important, the live music is inconsequential, although good. The actual image quality is low, the songs play for too long, the lyrics apply to the narrative not at all, and the bands all flirt with one style (Michael Nyman being the exception). I must say, there is an outstanding version of "Jacqueline" by Franz Ferdinand.
Now let me tell you where the film succeeds. We experience two young, naive, selfish personalities infatuated with one another, and the idea of one another. This is expressed in the most immediate and intimate fashion: SEX. We see two people in the prime of a relationship, in which the most sex is had, and as much as possible, however possible, symbolizing favors, trust, forgiveness, revenge, and all the other facets of a relationship. These scenes also succeed because of their length, the total lack of music, and the director's willingness to let them exist without explanation. Although these two characters are not even particularly likable or explained to us, we end up feeling as if we've shared something very deep with them, solely based on the extent to which we are asked to hang with them throughout the long and graphic and no holds barred sex scenes.
It may seem sick, but by the end, as a graphic fellatio scene ends with actual ejaculation, you have become so acclimatized to this topic, and it being our main source of communication, that there is an almost unspoken dialogue between all parties. Instead of feeling offended, we feel love for the privacy of the moment, for the trust and sharing that happens there. Instead of feeling aroused, we feel compelled by the motives, interested in the roles played and mindful of the moment shared.
By asking that you step into a theater, with total strangers, and watch many graphic sexual encounters, many unexplained and without the usual Hollywood ramp-up, you have signed over a certain amount of control and comfort as an audience-member, which in the end, offers a truly unique experience of the "love story". When all is said and done, "Nine Songs" evoked a truly unique and loving response from me, in spite of the fact that as a film, it fails in many areas. I would not say that many films should be made like this, but I would say that it is flirting with a new form of love story that is raw, beautiful and in the end, no matter how many times it fails, honest by the sheer default of it's topic.
64 of 83 people found this review helpful.
Was this review helpful to you?