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9 Songs (2004)
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Overview
User Rating:
Release Date:
20 January 2005 (Germany) moreTagline:
2 Lovers. 1 Year.Plot:
In London, England, love blooms between an American college student, named Lisa, and a British glaciologist, named Matt, where over the next few months in between attending rock concerts, the two lovers have intense sexual encounters. full summary | add synopsisAwards:
1 win & 2 nominations moreNewsDesk:
(3 articles)
Review of "The Panda Candy" (From AfterEllen.com. 6 April 2009, 7:02 PM, PDT)
British Film Gets "X" Rating in Australia
(From Studio Briefing - Film News. 10 December 2004)
User Comments:
Rock and Roll moreCast
(Cast overview, first billed only)| Kieran O'Brien | ... | Matt | |
| Margo Stilley | ... | Lisa | |
| Huw Bunford | ... | Himself (Super Furry Animals) | |
| Cian Ciaran | ... | Himself (Super Furry Animals) | |
| The Dandy Warhols | ... | Themselves | |
| Elbow | ... | Themselves | |
| Franz Ferdinand | ... | Themselves | |
| Bobby Gillespie | ... | Himself (Primal Scream) | |
| Bob Hardy | ... | Himself (Franz Ferdinand) | |
| Dafydd Ieuan | ... | Himself (Super Furry Animals) | |
| Alex Kapranos | ... | Himself (Franz Ferdinand) | |
| Mani | ... | Himself (Primal Scream) | |
| Nick McCarthy | ... | Himself (Franz Ferdinand) | |
| Michael Nyman | ... | Himself | |
| Guto Pryce | ... | Himself (Super Furry Animals) |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
71 min | USA:67 min (DVD version)Country:
UKLanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
DolbyCertification:
Netherlands:16 | Canada:18 (Nova Scotia) | Canada:18+ (Quebec) | Finland:K-18 | Canada:R (British Columbia/Ontario) | Switzerland:16 (canton of Zurich) | Mexico:D | Australia:X (South Australia) (original rating) | Singapore:(Banned) | Argentina:18 | Taiwan:R-18 | France:-16 (edited version) | Italy:VM18 | Australia:R (re-rating on appeal) | France:-18 | Germany:16 | Hong Kong:III | Iceland:16 | Ireland:18 | Japan:R-18 | Switzerland:18 (canton of Geneva) | Switzerland:18 (canton of Vaud) | UK:18 | USA:Not Rated | New Zealand:R18 | Brazil:18 | Spain:18 | Portugal:M/18Fun Stuff
Trivia:
According to the "Variety" review, the transfer of the film, which was shot in DV, was done by photographing a digital projection of the movie on a white wall, to create a negative from which prints for release could be made. moreGoofs:
Continuity: Cutaways during several different band performances, such as close up of backup guitarists, are from different parts of the shows and often don't match wide shots of the band or shots of the singers. moreQuotes:
Lisa: Those glasses look so ugly.Matt: I'm trying to look ugly.
Lisa: They look stupid.
Matt: I'm trying to look stupid.
more
Soundtrack:
Sola moreFAQ
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When I saw Scorsese's "Last Waltz," I thought that I would never again see a concert film as true. And I haven't, until now.
The Band were the last popular musicians to tell stories, have nearly all those stories be in the third person and tell them without irony. To do this is impossible today, or at least non- commercial. Scorsese is a flawed filmmaker, his flaw being that he is overly invested in character-driven storytelling. The two: Band and Marty, were a perfect mix: cinematic rock. Pure, without that nightmare stew of MTV videos.
Now along comes Winterbottom. Nearly all viewers will be unable to accept a movie with sex in it as anything but a movie about sex. Shame on them. Confront it folks. That's his point: why is it so difficult to accept the difference?
But the hangups of the viewing public are less interesting to me than the way he constructed this experiment. It is a rock concert (with a Nyman interlude). Nine songs, with us participating in the songs themselves, participating in the going to the concerts to listen to the songs, and participating in the experience that the songs are about: namely obsessive sex. And also, remembering (or even inventing the memory of) the sex, drugs and rock and roll we've seen. This latter is done by our hero in Antarctica. He serves as narrator, by the way.
Thankfully, this intense sex avoids the theatrics of "Damage," and works to be as genuine as possible emotionally.
Is it a good movie? Could it change your life? Will it change cinema forever?
Probably yes.
Ted's Evaluation -- 3 of 3: Worth watching.