| Erik Zabel | ... | Himself | |
| Rolf Aldag | ... | Himself | |
| Andreas Klöden | ... | Himself | |
| Alexander Vinokurov | ... | Himself | |
| Steve Zampieri | ... | Himself | |
| Dieter Ruthenberg | ... | Himself (as 'Eule' Dieter Ruthenberg) | |
| Mario Kummer | ... | Himself | |
| Serge Laget | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Lance Armstrong | ... | Himself (uncredited) | |
| Santiago Botero | ... | Himself (uncredited) | |
| Baden Cooke | ... | Himself (uncredited) | |
| Jan Ullrich | ... | Himself (uncredited) | |
| Richard Virenque | ... | Himself (uncredited) | |
| Herbert Watterott | ... | Himself (uncredited) | |
Directed by | |||
| Pepe Danquart | |||
| Werner Schweizer | (co-director) (as Werner 'Swiss' Schweizer) | ||
Writing credits(in alphabetical order) | ||
| Pepe Danquart | ||
Produced by | |||
| Hans Robert Eisenhauer | .... | producer: Arte | |
| Jutta Krug | .... | producer: WDR | |
| Wolfgang Landgraeber | .... | producer | |
| Mirjam Quinte | .... | producer | |
| Paul Riniker | .... | producer: SF DRS | |
| Werner Schmitz | .... | line producer | |
| Claudia Schröder | .... | co-producer | |
| Werner Schweizer | .... | co-producer (as Werner 'Swiss' Schweizer) | |
Original Music by | |||
| Josef Bach | |||
| Till Brönner | |||
| Arne Schumann | |||
Cinematography by | |||
| Michael Hammon | |||
| Wolfgang Thaler | |||
| Filip Zumbrunn | |||
Film Editing by | |||
| Mona Bräuer | |||
| Sergej Range | |||
Production Management | |||
| Beatrice Hallenbarter | .... | production manager | |
| Joelle Saba Suys | .... | unit manager | |
Art Department | |||
| Laurence James | .... | color finishing | |
| Micha Seger | .... | graphic designer | |
Sound Department | |||
| Stephan Liepe | .... | foley recordist | |
| Erik Mischijew | .... | sound designer | |
| Matz Müller | .... | sound designer | |
| Thomas Neumann | .... | sound editor | |
| Carsten Richter | .... | foley artist | |
| Martin Steyer | .... | sound re-recording mixer | |
| Christoph Ulbich | .... | foley editor | |
| Wolfgang Widmer | .... | sound recordist | |
Visual Effects by | |||
| Juergen Kupka | .... | colourist | |
Camera and Electrical Department | |||
| Frank Amann | .... | assistant camera | |
| Attila Boa | .... | assistant camera | |
| Ciro Cappellari | .... | video camera | |
| Michael Glawogger | .... | video camera | |
| Philipp Koller | .... | assistant camera | |
| Gerd Krenkenberg | .... | camera archive | |
Editorial Department | |||
| Yvonne Steiner | .... | negative cutter | |
Thanks | |||
| Philippe Marceau | .... | thanks: for Tour Eiffel | |
| Fritz Pleitgen | .... | thanks: for Team Telekom | |
| Gerard Porte | .... | thanks: for A.S.O. Amaury Sports Organisation | |
| Michael Schmid-Ospach | .... | thanks: for Team Telekom | |
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| Paragraph 175 | To the Limit | Olympia Part One: Festival of the Nations | Bicycle Dreams | Summer Storm |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Germany section |
'Höllentour' for me is regarded as the best cycling movie of the last five years, which gives an authentic insight into the real-life of professional cyclists during the 'Tour de France', the most outstanding bike-race in the world. The protagonists Aldag & Zabel do not really act, instead they just do what pros are used to do during extreme race situations with its ups and downs- they fall down and stand up again, which has a very motivating effect(perhaps a successful further development of method acting). From the very beginning of the movie both convince by their natural and sympathetic manner. For the audience it is definitely worth to get an intimate insight into the work of a professional cyclist. Danquart succeeds in transporting aesthetic pictures and combines them with a superb soundtrack. Some scenes, e.g. the prologue in Paris, are so motivating just by the power of their pictures. Even non-cyclists really enjoyed the film, since it does not demonstrate special secrets for insiders, but convinces with a fascinating composition of narrative means,e.g. editing, music, flashbacks and 'actors', who play their own role authentically.