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Hazaaron Khwaishein Aisi (2003)
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Overview
User Rating:
Director:
Writers:
Sudhir Mishra (original story & screenplay) and
Shivkumar Subramaniam (original story & screenplay) ...
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Shivkumar Subramaniam (original story & screenplay) ...
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Release Date:
15 April 2005 (India)
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Genre:
Tagline:
A clash between idealism and realism more
Plot:
Stunningly beautiful Geeta Rao has two admirers - one is Siddharth Tyabji and the other is Vikram Malhotra...
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Awards:
1 win
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1 nomination
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NewsDesk:
(8 articles)
End of Shiney Ahuja?
(From indicine. 17 June 2009, 11:23 AM, PDT)
Wishing Shiney Ahuja a very happy Birthday
(From BollywoodHungama. 15 May 2009, 12:50 AM, PDT)
(From indicine. 17 June 2009, 11:23 AM, PDT)
Wishing Shiney Ahuja a very happy Birthday
(From BollywoodHungama. 15 May 2009, 12:50 AM, PDT)
User Comments:
A Thousand Desires Such That...
more (29 total)
Cast
(Cast overview, first billed only)| Kay Kay Menon | ... | Siddharth Tyabji | |
| Shiney Ahuja | ... | Vikram Malhotra | |
| Chitrangada Singh | ... | Geeta Rao | |
| Ram Kapoor | ... | Arun Mehta | |
| Saurabh Shukla | ... | Senior Bihari constable | |
| Yashpal Sharma | ... | Randhir Singh | |
| Jasbir Malik | ... | Mehmood Tyabji | |
| Sohrab Ardeshir | ... | The maharaja | |
| Aditya Bhattacharya | ... | Politician Sadiq | |
| Arif Zakaria | ... | Daryll | |
| Anupam Shyam | ... | SHO Jhanda Singh | |
| Sandeep Kulkarni | ... | Comrade Probir | |
| Akhil Mishra | ... | Vikram's father | |
| Yusuf Hussain | ... | Senior politician | |
| Manohar Khushlani | ... | Hotelier Wadhwani |
Additional Details
Parents Guide:
Runtime:
120 min
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Color:
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Fun Stuff
Trivia:
Director Sudhir Mishra and Executive Producer Sushil Datta appeared in small cameos in the film.
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If you thought that the 60's and the 70's was just about Rock and Roll, drugs, and retro clothes, think again? The 3-R's - Revolution, Rebellion, and Rock n' Roll - dominated most young minds. Rural India was subjugated. Independence was a mere farce (It's a different issue that it still is). Amidst all this chaos, the youth of India were driven towards various Ideologies. But how many of them were serious about the paths they chose? It was a fad during the 60-70's to indulge in drugs, rock n roll and college morchas. Most students entered college politics and turned into rebels, who were against the capitalist values of the society and the government in general. But not everyone was serious. Once their "wonder years" were through, these so-called socialist preachers, born with a silver spoon, backed away in testing times. But, then there were those who took this path seriously to a different level. Those who gave up luxury, and dreams of a "settled" life with wife and kids for the benefit of those Indians who suffered due to the Government's apathy.
Hazaaron Khwaishein Aisi (HKA) is the story of such turbulent times during the India of the 60's and the 70's. The Emergency, the Naxalite movement, the domination of government in every decision Indians made. It is the story of three people who lead contrasting lives, with contrasting ideologies, and how their lives are intertwined.
If Siddharth (Kay Kay Menon) gives up his luxurious ways to reside in the villages of Bihar and start the Naxalite movement, Geeta (Chitrangada Singh) decides to pursue studies, only to eventually unite with Siddharth and support him in his mission. On the other hand, Vikram (Shiney Ahuja) chooses to be a middleman, or broker, of sorts, fixing dubious deals for the government and the capitalists.
This is a movie about ambitions, of desire, of love, and politics. If Siddharth continues his undying mission to form a strong Naxalite movement; Geeta, in spite of being married to Arun (Arif Zakaria), supports Siddharth from the outside as her lover, and confidante. It is as much about Geeta's own struggle of making the right choice: marriage, ideology, love, and as much about Vikram who, in spite of being a womanizer, continues to love Geeta and willing to go to any extent only to be in Geeta's good books.
HKA is a reminder to the youth of today that there were times when young blood was idealistic and not idle-istic. It is a dark reality, and a bitter truth of the struggle, which many went through during those turbulent times. Maybe the youth should wake up to such calls, and not just work in call-centers, lest we downgrade to a society where we might again be dominated and Independence becomes a facade.