Mesrine was the foremost criminal, public enemy N°1, the man most wanted in France, guilty of 39 crimes. "In the police or newspaper history, Mesrine broke all records". The film begins ... See full summary »
In the underbelly of the Parisian criminal world, the Police are frustrated by a gang committing a series of violent robberies. Leo Vrinks and Denis Klein are two cops seeking promotion, ... See full summary »
The outcast red-haired teenager Rémy is bulled at school and lives with his estranged mother and sister in France. The also red-haired psychiatrist Patrick befriends Rémy and helps him to ... See full summary »
After growing up in a poor gypsy camp, Edmond Vidal, aka Momon, has retained a sense of family, unfailing loyalty and pride in his origins. Most of all, he has remained friends with Serge ... See full summary »
Madrid, in the seventeenth century. Abandoned at the doorstep of a monastery, Ambrosio has been brought up by the Capucin Friars. After becoming a friar himself, he becomes an unrivaled ... See full summary »
The story of Jacques Mesrine, France's public enemy No. 1 during the 1970s. After nearly two decades of legendary criminal feats - from multiple bank robberies and to prison breaks. Written by
Producer Thomas Langmann first contacted Vincent Cassel about the Mesrine project in 2001, after the release of Jacques Audiard's Read My Lips (2001). Cassel initially accepted, but then bowed out as he found the script too "black and white". Benoît Magimel and 'Vincent Elbaz'convinced by new helmer 'Jean-Francois Richet' were then successively attached before Cassel returned' and especially Abdel Raouf Dafri's two-part script, claiming the screenwriter had succeeded in bringing the right tone to the picture and the character, bringing out all his darkness and paradoxes. See more »
When Mesrine and one of his accomplice run away in metro, one can see tagging. Later, when Mesrine and his friend arrive by car in Spain, there is a small tagged wall. Tagging arrived in France and Spain during the 1980s. See more »
La journaliste interview:
Why are you doing this?
Because I don't like laws.
I don't like the laws and I don't want to be a slave of the alarm clock my whole life.
I don't want to spend my entire life dreaming. I don't want to always think how I have to work half a year just so I could buy some thing.
La journaliste interview:
What do you expect from your life? Recognition? Money?
What a question! Money, money, money... all of you just keep talking about it, always the same. But I'm completely different.
[...] See more »
Last Month, I commented Mesrine Part One: "L'Instinct de Mort".
Now, there is Part Two.
This movie is as terrific and exciting as the previous one. The characterization as fascinating and poignant too. Cassel gives here his best performance ever. Whatever he will do in the future, he will never do better. He has reached here the top of his career.
I'll just describe one sequence. Somewhere the equivalent of the one I gave you for the previous chapter. Remember, when Cassel and Depardieu took a woman protector - an Arab - for a "ride" in their car.
Here, in this movie, Cassel and his anarchist, revolutionary and extreme left winged friend Lanvin - Charlie Bauer - take a journalist for a ride in their car, too. An extreme right winged one. A fascist. So, when the journalist in question tells the two men that the Algerians deserved to be killed in Paris, in 1961, and thrown in the Seine by Papon's policemen, don't miss Lanvin's eyes in the rear mirror. Don't miss his face. Especially when you already know that Lanvin -Bauer - fought for free Algeria, and that he hates fascists to the death.
At this moment, you understand that this journalist - who also told in his papers that Mesrine was a traitor for his friends and a coward too
was going to live some "difficult" moments...
So delicious to witness in the audience, I mean.
And about the very ending, the last shot of this film, I promise that every one in the theatre stays still some minutes afterwards. Stroke by lightning. Even if every one is prepared for it.
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