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Mesrine: Public Enemy #1 (2008)
"L'ennemi public n°1" (original title)

7.5
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Ratings: 7.5/10 from 19,450 users   Metascore: 72/100
Reviews: 35 user | 108 critic | 18 from Metacritic.com

The story of notorious French gangster Jacques Mesrine.

Writers:

(scenario), (adaptation), 1 more credit »
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The story of french gangster Jacques Mesrine, before he was called Public Enemy N°1.

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Cast

Cast overview, first billed only:
...
...
...
...
Michel Ardouin
...
...
Georges Wilson ...
Michel Duchaussoy ...
Le père de Jacques Mesrine
...
L'avocate de Jacques Mesrine
...
La journaliste interview
Alain Fromager ...
Jacques Dallier - journaliste pour Minute
Alain Doutey ...
Le président du tribunal à Compiègne
Arsène Mosca ...
Jojo - un policier
Christophe Vandevelde ...
Inspecteur Gégé
Luc Thuillier ...
Le commissaire OCRB / Lucien Aimé-Blanc
Edit

Storyline

The story of Jacques Mesrine, France's public enemy No. 1 during the 1970s. After nearly two decades of legendary criminal feats - from multiple bank robberies and to prison breaks. Written by Anonymous

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for bloody brutal violence, a scene of sexuality, nudity and pervasive language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

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Release Date:

19 November 2008 (France)  »

Also Known As:

Mesrine: Public Enemy #1  »

Filming Locations:

 »

Box Office

Budget:

€21,166,000 (estimated)

Opening Weekend:

$100,242 (USA) (3 September 2010)

Gross:

$275,125 (USA) (11 February 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Producer Thomas Langmann first contacted Vincent Cassel about the Mesrine project in 2001, after the release of Jacques Audiard's Read My Lips (2001). Cassel initially accepted, but then bowed out as he found the script too "black and white". Benoît Magimel and 'Vincent Elbaz'convinced by new helmer 'Jean-Francois Richet' were then successively attached before Cassel returned' and especially Abdel Raouf Dafri's two-part script, claiming the screenwriter had succeeded in bringing the right tone to the picture and the character, bringing out all his darkness and paradoxes. See more »

Goofs

In the last scene in porte de Clignancourt, one may see behind commissaire Broussard a 'Kentucky Fried Chicken'. Kentucky Fried Chicken restaurants did not exist in France in 1979. See more »

Quotes

La journaliste interview: [Begins interview] Why are you doing this?
Jacques Mesrine: [long pause] Because I don't like laws.
Jacques Mesrine: I don't like the laws and I don't want to be a slave of the alarm clock my whole life.
Jacques Mesrine: I don't want to spend my entire life dreaming. I don't want to always think how I have to work half a year just so I could buy some thing.
La journaliste interview: What do you expect from your life? Recognition? Money?
Jacques Mesrine: [chuckles] What a question! Money, money, money... all of you just keep talking about it, always the same. But I'm completely different.
Jacques Mesrine: ...
[...]
See more »

Connections

Follows Mesrine: Killer Instinct (2008) See more »

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User Reviews

 
Vincent Cassel Masterclass
16 July 2010 | by (United Kingdom) – See all my reviews

I think it's common knowledge how the film ends, but I won't divulge for those that don't know. Public Enemy No. 1 is far more action packed and seems far more 'Hollywood' than the comparatively quieter 'Killer Instinct' - unsurprising though, considering it's the business end of the Mesrine story.

Cassel is the driving force behind the whole film, without him it would have been an average to good film - with him it's good to great.

I don't know where everyone stands as far as the real life Mesrine goes

  • hero or villain. I certainly put myself in the villain camp, and so


does Cassel and it shows.

From the offset we see that all though Mesrine can speak passionately, lucidly and 'rabble rousingly' it is always characterised by an impenetrably brash and brazen arrogance which is NEVER counterbalanced with any vulnerability to make the character more endearing. Jacques Mesrine's inherent evil is often masked by a jocular bravado and his monologues justifying his way of life are mesmerising - but you're never convinced enough to actually like him. Therein lies Cassel's greatest achievement in the film - to create a character for which all you can feel is antipathy but nevertheless to find him intriguing enough to carry on watching.

Certainly, he does afford us some light touches. I smiled as he boasted at the beginning of the film of being Public Enemy Number 1; his face being Gallic nonchalance personified, as well as the scene of him and his accomplice Francois Besse (played by Mathieu Almaric) trying to cross a river.

Besse provides a solid sidekick for Mesrine to flourish, telling Mesrine that they are not 'luminaries' soon after Mesrine's interview where he tries to elevate himself to hero status with the most simplistic of demagogic arguments: "I don't like laws and I don't want to be a slave to those laws in perpetuity" (to paraphrase).

I do have some small criticisms, such as Anne Consigny's (who incidentally appeared with Almaric in 'Wild Grass', 'A Christmas Tale' and 'The Diving Bell and the Butterfly') unconvincing role as Mesrine's corrupt solicitor. Her face seems just too honest.

That petty criticism aside I'd give the film 7.5/10, giving the benefit of the doubt it's an IMDb 8.


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