At twenty, all Maria wants to do is live life to the fullest. She lives with her benevolent, but aging parents. Other characters are: Linda, her best friend, the dredger Manu, Bouboule, her... See full summary »
A police sergeant must rally the cops and prisoners together to protect themselves on New Year's Eve, just as corrupt policeman surround the station with the intent of killing all to keep their deception in the ranks.
In the underbelly of the Parisian criminal world, the Police are frustrated by a gang committing a series of violent robberies. Leo Vrinks and Denis Klein are two cops seeking promotion, ... See full summary »
The charismatic criminal Dobermann, who got his first gun when he was christened, leads a gang of brutal robbers. After a complex and brutal bank robbery, they are being hunted by the Paris... See full summary »
The story of Jacques Mesrine, France's public enemy No. 1 during the 1970s. After nearly two decades of legendary criminal feats - from multiple bank robberies and to prison breaks. Written by
Benoît Magimel, who was at one time set to star, stepped down from the Mesrine project without informing producer Thomas Langmann, choosing instead to issue a press release. As a result of this a fight erupted on November 25th 2004 at the Intertalent talent agency between Langmann and Magimel's agent, François Samuelson, where Langmann headbutted Samuelson and broke his nose. Samuelson was on sick leave for nine days and pressed charges against Langmann. See more »
In the first London scene, the red bus has two posters: one for a non-existent film, "Dawn of Evil", and the other for "Tropical Tours". The film poster states "Now playing in theaters (18);" theaters is an Americanism, and wouldn't have been used in the UK, and the 18 certificate did not exist in the 1970s. The telephone number on the other poster is impossible: (01) 7966 0966 has too many digits; London telephone numbers at the time were in the format (01) xxx xxxx. See more »
La journaliste interview:
Why are you doing this?
Because I don't like laws.
I don't like the laws and I don't want to be a slave of the alarm clock my whole life.
I don't want to spend my entire life dreaming. I don't want to always think how I have to work half a year just so I could buy some thing.
La journaliste interview:
What do you expect from your life? Recognition? Money?
What a question! Money, money, money... all of you just keep talking about it, always the same. But I'm completely different.
[...] See more »
All in all, i highly enjoyable and competent work from Richet, he truly captured Mesrine animal like charisma, his rebellious and determined character, his savagery and his sense of humor. Cassel did a amazing job as well, he's so impressive, funny and scary, idealist and cynical, he really brings it all on screen. One really as to salute Richet's accomplishment here, the pressure on him was huge, Mesrine is truly France's "Scarface" (only here it's for real !), known by all and fascinating as hell, i mean the guy was a superstar, a media freak who wonderfully played with the media to get some kind of support from the population and ridicule the system and the government, and he almost reached his goals! Now i just cant wait for the BR to arrive, so i can watch both movies consecutively and confirm my first impression, which is that Richet has done something huge, exiting and impressive, un coup de maître if you will !
15 of 23 people found this review helpful.
Was this review helpful to you?