| Photos (See all 16 | slideshow) |
| Romain Duris | ... | Thomas Seyr | |
| Niels Arestrup | ... | Robert Seyr | |
| Jonathan Zaccaï | ... | Fabrice | |
| Gilles Cohen | ... | Sami | |
| Linh Dan Pham | ... | Miao Lin | |
| Aure Atika | ... | Aline | |
| Emmanuelle Devos | ... | Chris | |
| Anton Yakovlev | ... | Minskov | |
| Mélanie Laurent | ... | Minskov's Girlfriend | |
| Agnès Aubé | ... | Woman | |
| Etienne Dirand | ... | Old Man | |
| Denis Falgoux | ... | Metreur | |
| Serge Onteniente | ... | Man | |
| Sandy Whitelaw | ... | Mr. Fox | |
| Emmanuel Finkiel | ... | Conservatory Professor | |
| Jian-Zhang | ... | Jean-Pierre | |
| Omar Habib | ... | Assad | |
| Jamal Djabou | ... | Mounir | |
| Vladislav Galard | ... | Clerk | |
| Walter Shnorkell | ... | Verodin | |
| Marianne Puech | ... | Notaire | |
| Alphonse Cemin | ... | Pianist | |
| rest of cast listed alphabetically: | |||
| David Birgé-Cotte | ... | Tom enfant | |
| Estelle Brattesani | ... | Passante | |
| Justine Le Pottier | |||
| Aleksandra Yermak | ... | Audience member (uncredited) | |
Directed by | |||
| Jacques Audiard | |||
Writing credits(in alphabetical order) | ||
| Jacques Audiard | ||
| Tonino Benacquista | ||
| James Toback | earlier screenplay | |
Produced by | |||
| Pascal Caucheteux | .... | producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Stéphane Fontaine | |||
Film Editing by | |||
| Juliette Welfling | |||
Casting by | |||
| Richard Rousseau | |||
| Marion Touitou | |||
Production Design by | |||
| François Emmanuelli | |||
Set Decoration by | |||
| Marie Cheminal | |||
| Sandrine Mauvezin | |||
Costume Design by | |||
| Virginie Montel | |||
Makeup Department | |||
| Laurence Boulet | .... | additional hair assistant | |
| Pierre Chavialle | .... | key hair stylist | |
| Isabelle Goulliart | .... | additional makeup artist | |
| Frédérique Ney | .... | key makeup artist | |
| Dorota Okulicz | .... | additional makeup artist (as Dorota Okulicz-Kozaryn) | |
| Emmanuel Pitois | .... | special makeup effects artist | |
Production Management | |||
| Martine Cassinelli | .... | production manager | |
| Laurencina Lam | .... | post-production manager | |
| Claire Langmann | .... | general manager | |
| Patrick Le Goc | .... | unit manager | |
| Thibault Spiral | .... | assistant unit manager | |
| Monica Taverna | .... | assistant production manager | |
| Monica Taverna | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Vincent Dachet | .... | second assistant director | |
| Denis Kralj | .... | assistant director: location | |
| Christelle Lahaye | .... | additional assistant director | |
| Félicie Leguay | .... | assistant director trainee | |
| Serge Onteniente | .... | first assistant director | |
Art Department | |||
| Stéphane Becimol | .... | assistant decorator | |
| Marie Cheminal | .... | set dresser | |
| Florent Coulbouée | .... | carpenter | |
| Christophe Deyris | .... | carpenter | |
| David Fargot | .... | painter | |
| Antoine Galinié | .... | props | |
| Jean-Michel Guerrin | .... | carpenter | |
| Jean-Michel Guérin | .... | constructor | |
| Sophie Lampkin | .... | key painter | |
| Thierry Lautout | .... | painter | |
| Chloé Leguay | .... | assistant decorator | |
| Sandrine Mauvezin | .... | set dresser | |
| Christophe Perruchi | .... | property master | |
| François Scala | .... | carpenter | |
| Martinus Van Lunen | .... | construction manager | |
| Jean-Claude Waeyaert | .... | carpenter (as Jean-Claude Waeyert) | |
Sound Department | |||
| Philippe Amouroux | .... | sound re-recording mixer | |
| Jean-Philippe Angelini | .... | post-synchronisation | |
| Nicolas Cantin | .... | boom operator | |
| Nicolas d'Halluin | .... | sound recordist | |
| Xavier Drouault | .... | foley artist | |
| Isabelle Filippi | .... | post-synchronisation | |
| Michel Filippi | .... | adr supervisor | |
| Cyril Holtz | .... | sound re-recording mixer | |
| Nikolas Javelle | .... | sound editor | |
| Lionel Le Bras | .... | boom operator | |
| Jean-Louis Lebras | .... | boom operator (as Jean-Louis Le Bras) | |
| Alexis Leverve | .... | sound mixer | |
| Vincent Milner | .... | foley artist | |
| Johann Nallet | .... | sound recordist | |
| Sandy Notarianni | .... | dialogue editor | |
| Philippe Penot | .... | foley artist | |
| Julien Sicart | .... | additional boom operator | |
| Brigitte Taillandier | .... | sound | |
| Pascal Villard | .... | supervising sound editor | |
| Pascal Vonhatten | .... | sound recordist (as Pascal Von Hatten) | |
Special Effects by | |||
| Hubert Devinck | .... | rain effects | |
| Philippe Hubin | .... | special effects supervisor | |
| Philippe Hubin | .... | special effects | |
| Denis Le Doyen | .... | rain effects | |
| Sylvain Magnaud | .... | rain effects | |
Visual Effects by | |||
| Bertrand Levallois | .... | visual effects producer | |
Stunts | |||
| Alain Barbier | .... | stunts | |
| Sybille Blouin | .... | stunts | |
| Jean-Claude Bonnichon | .... | stunts | |
| Michel Carliez | .... | stunt coordinator | |
| Yves Girard | .... | stunts | |
| Albert Goldberg | .... | stunts | |
| Christian Hening | .... | stunts | |
| Patrick Médioni | .... | stunts | |
Camera and Electrical Department | |||
| Arnaud Carney | .... | additional assistant camera | |
| Marc Casi | .... | additional grip | |
| Xavier Cholet | .... | gaffer | |
| Marie Decourt | .... | second assistant camera | |
| Aurélien Dubois | .... | second assistant camera: second unit | |
| Isabelle Dumas | .... | first assistant camera | |
| Jean-Bernard Josko | .... | additional grip | |
| Malek Krimed | .... | assistant camera | |
| Jean-Claude Lother | .... | still photographer | |
| Luis Peralta | .... | additional electrician | |
| Sébastien Plessis | .... | electrician | |
| Luc Reyrolle | .... | electrician | |
| Carlos Ribeiro | .... | additional grip | |
| Stéphane Rouillon | .... | grip | |
| Hervé Rousset | .... | additional grip | |
| Christophe Sournac | .... | additional electrician | |
| Joel Spinola | .... | electrician (as Joël Spinola) | |
| Michel Strasser | .... | key grip | |
Casting Department | |||
| Cécile Chaspoul | .... | extras casting | |
| Stéphanie Nataf | .... | extras casting | |
| Marion Touitou | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Olivia Lahougue | .... | wardrobe | |
| Isabelle Pannetier | .... | costume supervisor | |
| Paulette Ribot | .... | costumer | |
Editorial Department | |||
| Marie-Pierre Frappier | .... | assistant editor | |
| Isabelle Julien | .... | color timer | |
| Charlotte Mazzinghi | .... | intermediate color grader | |
| Fabien Pascal | .... | color timer | |
| Carlos Pinto | .... | second assistant editor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Frédéric Fortuny | .... | music consultant | |
| Thomas Jamois | .... | soundtrack coordinator | |
| Stéphane Reichart | .... | music scoring mixer | |
Other crew | |||
| Pascal Bayse | .... | groupman | |
| Eric Dupressoir | .... | groupman | |
| Sylvia Pain | .... | production administrator | |
| Georges Polonia | .... | groupman | |
| Harmel Sbraire | .... | coach: actors | |
| Hervé Taini | .... | groupman | |
| Nathalie Vierny | .... | script supervisor | |
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| Paris 36 | Lucía, Lucía | Kings & Queen | Head-On | Isadora |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb France section |
I like French movies. Most of the time. But The Beat that My Heart Skipped is a real yawn. The story of a thug-for-hire who really wants to play the piano sounds about as pretentious as you can get, but I don't hold that against it. In other hands it could have been brilliant but this episodic disjointed, glum little film is very far from brilliant.
There are some nice scenes and original ideas here, but never nice or original enough to make you care about the characters. Thomas Seyr is good in the lead role but there's only so much he can do in this bitty, unrelentingly downbeat film.
On the plus side, the soundtrack is vibrant and does its best to lift the movie, but every time you think something really pivotal's going to happen... it doesn't.
The best thing about this film is it's lovely title. The film doesn't deserve it.