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The Beat That My Heart Skipped (2005)
"De battre mon coeur s'est arrêté" (original title)

 -  Action | Crime | Drama  -  16 March 2005 (France)
7.3
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Ratings: 7.3/10 from 12,799 users   Metascore: 75/100
Reviews: 69 user | 100 critic | 32 from Metacritic.com

Will Thomas still lead a life of crime and cruelty, just like his thuggish father, or will he pursue his dream of becoming a pianist?

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Won 1 BAFTA Film Award. Another 17 wins & 10 nominations. See more awards »
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The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or ... See full summary »

Director: Aki Kaurismäki
Stars: Markku Peltola, Kati Outinen, Annikki Tähti
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Cast

Cast overview, first billed only:
...
...
...
Fabrice
Gilles Cohen ...
Sami
...
Miao Lin
...
...
Chris
Anton Yakovlev ...
Minskov
...
Minskov's Girlfriend
Agnès Aubé ...
Woman
Etienne Dirand ...
Old Man
Denis Falgoux ...
Metreur
Serge Onteniente ...
Man
Sandy Whitelaw ...
Mr. Fox
Emmanuel Finkiel ...
Conservatory Professor
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Storyline

Twenty-eight-year-old Tom leads a life that might be termed as criminal. In doing so, he follows in the footsteps of his father, who made his money from dirty, and sometimes brutal, real estate deals. Tom is a pretty hard-boiled guy but also strangely considerate as far as his father is concerned. Somehow he appears to have arrived at a critical juncture in his life when a chance encounter prompts him to take up the piano and become a concert pianist, like his mother. He senses that this might be his final opportunity to take back his life. His piano teacher is a Chinese piano virtuoso who has recently come to live in France. She doesn't speak a lick of French so music becomes the only language they have in common. Before long, Jacques' bid to be a better person means that he begins to yearn for true love. But, when he finally has the chance of winning his best friend's wife, his passion only succeeds in scaring her. And then, one day, his dubious past comes to light... Written by Sujit R. Varma

Plot Summary | Plot Synopsis


Certificate:

Unrated | See all certifications »
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Details

Country:

Release Date:

16 March 2005 (France)  »

Also Known As:

The Beat That My Heart Skipped  »

Filming Locations:

 »

Box Office

Budget:

€5,300,000 (estimated)

Opening Weekend:

$52,122 (Argentina) (16 June 2006)

Gross:

$152,280 (Argentina) (30 June 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The film's title comes from a line in French singer Jacques Dutronc's song, "La fille du père Noël" ("Santa Claus's daughter"). See more »

Quotes

Sami: Playing piano is making you flip. Stop it now!
Thomas Seyr: Nothing's making me flip. I'm not flipping. I'm having a ball. I feel fantastic, dont' you see? It's important, I'm serious about it.
Sami: You gonna make dough from pianos?
Thomas Seyr: Not pianos, the piano! It's not about making money, it's about art.
Sami: What's in it for us? You coming to meetings all, 'Hi guys, I've been playing piano.' Shit, I'll take up the banjo.
Thomas Seyr: It's over your head
See more »

Connections

Remake of Fingers (1978) See more »

Soundtracks

Nocturne en mi mineur
de Frédéric Chopin (as Chopin)
Interprète piano: Caroline Duris
See more »

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User Reviews

 
This movie doesn't skip a beat
15 July 2005 | by (Berkeley, California) – See all my reviews

The premise is far-fetched but simple. Approaching thirty, Tom Seyre (Romain Duris) is working hard as an enforcer and violent rent collector for his dad, a scumbag real estate tycoon (Niels Arestrup). But a chance encounter starts him thinking he might be the talented concert pianist he once dreamed of, in the image of his late mother. Without stopping his usual work he tries to prepare an audition.

Based on a flop more admired in France than the US, James Toback's 70's Harvey Keitel vehicle about a violent would-be pianist, "Fingers," this compulsively watchable, thrillingly accomplished new movie by Jacques Audiard ("De Battre mon cœur s'est arrêté", still showing in Paris as it opens here) echoes his previous compellingly offbeat "Read My Lips" in grafting together two separate moral universes. Read My Lips depicted the odd alliance of a firecracker ex-con (Vincent Cassel) and a mild-mannered but angry hearing-impaired office worker (Emmanuelle Devos). It was an intriguing piece -- but seems low energy in retrospect compared to this. Audiard has made a powerful actors' movie in which Duris blooms, a powerful actor now, playing in effect both the Cassel and the Devos parts and acting out the resulting implosion of violence and frustrated artistic passion with astonishing zest. It's hard to believe he was the tame college student narrator of Klapich's "L'Auberge espagnole" three years ago.

Duris as Tom is good-looking but vaguely burnt-out, his eyes a bit crazy, his hair neatly coifed, his jaw firm, has mouth a smiling snarl. The camera is on that square jaw every minute. Uniformed in boots, smart pants, tie and trim leather jacket, he's an elegant young hoodlum who can switch to a dark suit for a real estate hearing or audition, or wipe the blood off his cuff to enter a café or concert hall. He's angry all the time but brings vibrant energy to both of his conflicting lives. Tom finds a beautiful long-haired young master pianist called Miao Lin (Linh Dan Pham) to coach him in piano. These encounters with the keyboard he approaches like a prize fighter going at a punching bag. If he's an artist it's the hairy-chested, coiled, macho kind. How can you teach anybody pianistic excellence? The impossibility of the process is signaled by the teacher's speaking no French. She harangues Tom in Vietnamese, or just says in English over and over, "again" Or "no." Or "no smoking allowed." A cup of tea in the kitchen at end of session. Tom goes at the same piece over and over, a Bach Toccata. This relationship is an "oasis of calm" in Tom's otherwise 'loca' 'vida' -- the contrasts in such a piece as this are telegraphed without much subtlety -- but the unconventionality of the pair helps the scenes to avoid cliché. And the intensity is just as focused in these quiet moments.

There are other strong relationships. Tom isn't isolated; he works with partners, one of whom uses him to hide his two-timing from his wife. Arestrup, who looks like a French version of late Brando, is superb as the blowsy, burnt out father, a big sensualist, an irresistible presence, always smoking drinking and eating, soft but nasty, irritating but impossible for Tom not to love and protect. Tom pursues Minskov (Anton Yakovlev), a Russian Mafioso his dad has tangled with, and winds up sleeping with Minskov's French girlfriend as well as somebody else's wife. Every encounter he has is reckless and intense. Duris doesn't fail us in any of this. Emmanuelle Devos is his dad's new girlfriend, whom Tom first calls a whore and rejects and then wants to hire on to calm things on the home front. Where's it all going to end? Despite all that's going on, as one French critic said, "there's no fat" in this picture. The pushes and pulls of the hero's dilemma make for fabulously kinetic editing and the action never goes soft. A final sequel resolves things. Some say it's milder than the American version, but that's overlooking the visceral punch of the action throughout. The dialogue underlines that just as in Read My Lips, people aren't communicating too well. It may be music is all that links them.

The shortcomings of such a movie are its simplifications. The crooked real estate life like the classical pianist life can be no more than impressionistically dabbed in. And there's an occasional danger that Romain Duris -- who studied piano for months with his pianist sister for the keyboard sequences -- may be trying too hard sometimes. Since Tom also loves electro which he listens to with big headphones in his car -- as the word is Duris himself does -- classical music maybe doesn't grab the film as wholeheartedly as it ought to. You can't expect profundity but from the sound of "Fingers," this is more accomplished film-making. It may not have as much conviction, but this is wildly entertaining. And more than that, it's a movie where everything comes together, scenario, actors, editing. Audiard, who showed us dark secret places last time, now reveals himself a virtuoso of violence and passion.


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