| Videos (see all 2) |
| Maria Bello | ... | Adèlle | |
| Sean Bean | ... | James | |
| Maurice Roëves | ... | Dafydd | |
| Sophie Stuckey | ... | Sarah | |
| Abigail Stone | ... | Ebril | |
| Richard Elfyn | ... | Rowan | |
| Casper Harvey | ... | Young Dafydd | |
| Eluned Jones | ... | Doctor | |
| Gwenyth Petty | ... | Librarian | |
| Robin Griffith | ... | Police Inspector | |
| Mike Keggen | ... | Rib Skipper | |
| Tonya Smith | ... | Main Stumblehead Martyr | |
| rest of cast listed alphabetically: | |||
| Luke Kearney | ... | Stumblehead jumper (uncredited) | |
Directed by | |||
| John Fawcett | |||
Writing credits(WGA) | ||
| Simon Maginn | (novel "Sheep") | |
| Stephen Massicotte | (screenplay) | |
Original Music by | |||
| Edmund Butt | |||
Cinematography by | |||
| Christian Sebaldt | (director of photography) | ||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Robyn Ray | |||
| Suzanne Smith | (as Suzanne M. Smith) | ||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| Andrew Grant | (supervising art director) | ||
| Ed Walsh | |||
Costume Design by | |||
| Ffion Elinor | |||
Makeup Department | |||
| Erin Ayanian | .... | makeup artist: Ms. Bello | |
| Zoe Brown | .... | hair stylist: dailies | |
| Richard Glass | .... | contact lens optician | |
| Sue Ignatius | .... | chief makeup artist | |
| Sarah Monzani | .... | hair designer | |
| Sarah Monzani | .... | makeup designer | |
| Liz Phillips | .... | makeup trainee | |
| Jemma Scott-Knox-Gore | .... | contact lens technician | |
| Maralyn Sherman | .... | prosthetic makeup artist | |
| Simon Thompson | .... | chief hair stylist | |
| Christine Whitney | .... | hair stylist: dailies | |
| Christine Whitney | .... | makeup artist: dailies | |
Production Management | |||
| Candice Fonseca | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Hana Backland | .... | assistant director: crowd (as Hannah Backland) | |
| Oscar Beuselinck | .... | second assistant director | |
| Simon Downes | .... | second assistant director | |
| Lucy Egerton | .... | third assistant director (as Lucinda Egerton) | |
| Mark Egerton | .... | first assistant director | |
| Henry Forsyth | .... | third assistant director: second unit | |
| Grant Harvey | .... | second unit director | |
| Andrew McEwan | .... | second assistant director: second unit (as Andrew McKewan) | |
| Steve Newton | .... | first assistant director: second unit | |
| Richard Onions | .... | assistant director: crowd | |
| Nickie Sault | .... | second assistant director | |
| James Truelove | .... | assistant director: crowd | |
Art Department | |||
| Mark Adams | .... | scenic painter: dailies | |
| Mark Agbaba | .... | scenic painter | |
| Nurey Al-Kahzrajie | .... | art department trainee | |
| Steve Allaway | .... | carpenter: dailies | |
| Stanley Apperley | .... | plasterer (as Stan Apperley) | |
| Ron Bead | .... | stagehand: dailies | |
| Marc Beros | .... | scenic painter (as Mark Beros) | |
| Lee Biggs | .... | chargehand carpenter | |
| Roy Biggs | .... | stagehand: dailies | |
| Dennis Bovington | .... | carpenter: dailies (as Dennis Bovingdon) | |
| Dave Bowman | .... | carpenter: dailies | |
| Alan Briant | .... | prop storeman | |
| Peter Brown | .... | carpenter: dailies | |
| Temple Clark | .... | storyboard artist | |
| Gary Davies | .... | stagehand | |
| Jamie Davies-Evans | .... | scenic painter | |
| Philippe Delestre | .... | scenic painter: dailies (as Phillipe Delestre) | |
| Gary Evans | .... | stagehand | |
| James Fennessy | .... | scenic painter: dailies (as Jim Fennessy) | |
| Juan Fernandez | .... | carpenter: dailies | |
| Andrew Forrest | .... | stand-by props (as Andy Forrest) | |
| Mary Gibbs | .... | art department trainee | |
| Andy Good | .... | carpenter: dailies | |
| Claire Grainger | .... | prop buyer | |
| Richard Grant | .... | scenic painter: dailies | |
| Les Hall | .... | carpenter | |
| Kate Halsall | .... | trainee prop buyer (as Kate Elizaberth Halsall) | |
| Darren Hayward | .... | chargehand carpenter | |
| Gary Hedges | .... | carpenter: dailies | |
| Kenny Hill | .... | stagehand: dailies | |
| Nick Holmes | .... | scenic painter: dailies | |
| Mike Houseman | .... | construction manager | |
| Geoff Hubbard | .... | carpenter: dailies (as Martin Hubbard) | |
| Mark Kinrade | .... | stagehand: dailies | |
| Nigel Kirk | .... | scenic painter: dailies | |
| Rowanna Lacey | .... | assistant art director | |
| Terry Law | .... | carpenter | |
| William Lawlor | .... | carpenter (as William Lawler) | |
| Shay Leonard | .... | stand-by props | |
| Jo Littlejohn | .... | assistant prop buyer | |
| Kevin Lloyd | .... | stagehand: dailies | |
| Anthony Lyle | .... | stagehand: dailies | |
| John Malham | .... | scenic painter: dailies | |
| Dan Maslen | .... | storyboard artist | |
| Leon McCarthy | .... | stand-by carpenter | |
| Matthew McDonnell | .... | art department trainee | |
| Dave McGill | .... | stagehand: dailies | |
| Nathan Middleton | .... | scenic painter: dailies | |
| Richard Miller | .... | stagehand: dailies | |
| Richard Mills | .... | property master | |
| Stephen Morris | .... | plasterer | |
| Mark Overall | .... | carpenter | |
| Justin Overhill | .... | stand-by painter | |
| Neil 'Dulux' Palfreman | .... | carpenter (as Neil Palfreman) | |
| Robert Parks | .... | carpenter: dailies | |
| Jo Riddell | .... | art department assistant | |
| Lester Rowbotham | .... | stand-by carpenter (as Lester Rowbottom) | |
| Guy Rutter | .... | chargehand painter | |
| Don Santos | .... | dressing props | |
| Russell Sargent | .... | carpenter: dailies (as Russ Sargent) | |
| Dave Stachini | .... | stagehand: dailies | |
| Tony Statham | .... | signs painter | |
| Paul Stewart | .... | carpenter: dailies | |
| Sam Stokes | .... | stand-by art director | |
| Graham Thomas | .... | carpenter | |
| Andrew Tombs | .... | plasterer (as Andy Tombs) | |
| William Treend | .... | carpenter: dailies | |
| Gareth Weames | .... | carpenter: dailies | |
| Frazer Williamson | .... | carpenter: dailies (as Frasier Williamson) | |
| Mark Williamson | .... | carpenter: dailies | |
| Andrew Wilson | .... | dressing props | |
| Bradley Woodbridge | .... | scenic painter: dailies | |
| Colin Woodbridge | .... | carpenter: dailies | |
| Leslie Wylie | .... | carpenter: dailies (as Les Wylie) | |
Sound Department | |||
| Stuart Bagshaw | .... | additional foley recordist | |
| Howard Bargroff | .... | sound re-recording mixer | |
| Courtney Bishop | .... | adr recordist | |
| Owen Bleasdale | .... | additional foley editor | |
| Richard Conway | .... | sound facility manager | |
| Matthew Desorgher | .... | boom operator | |
| Dan Green | .... | dialogue editor | |
| Tirso Guinon | .... | theatre assistant mixer | |
| Miha Jaramaz | .... | theatre assistant mixer | |
| Dan Johnson | .... | sound re-recording mixer | |
| Melissa Lake | .... | foley artist | |
| Ben Meechan | .... | sound effects editor | |
| Zak Melemendjian | .... | adr recordist (as Peter Melemendjian) | |
| Michael Miller | .... | adr recordist | |
| Bernard O'Reilly | .... | sound effects editor | |
| Joseph Paines | .... | sound trainee | |
| Jeremy Price | .... | senior sound supervisor | |
| Simon Price | .... | supervising dialogue editor | |
| Jess Richards | .... | sound trainee (as Jessica Richards) | |
| John Rodda | .... | production sound mixer | |
| Lionel Selwyn | .... | foley artist | |
| Matthew Skelding | .... | adr recordist | |
| Barnaby Smyth | .... | foley supervisor | |
| Andrew Stirk | .... | adr recordist | |
| Graeme Stoten | .... | adr recordist | |
| Jason Swanscott | .... | foley artist | |
| David Turner | .... | sound technical manager (as Dave Turner) | |
| Lauren Ana Walker | .... | dialogue editor (as Lauren Walker) | |
| William F. MacPherson | .... | sound mixer (uncredited) | |
| Timothy Pearson | .... | foley artist (uncredited) | |
| James Perry | .... | adr recordist (uncredited) | |
| Noel Vought | .... | foley artist (uncredited) | |
Special Effects by | |||
| David Harris | .... | special effects supervisor | |
| Graham Hills | .... | special effects technician (uncredited) | |
| Carolyn Matini | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Peter Bach | .... | head of production: Clear | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Melissa Butler Adams | .... | lead digital compositor: Clear (as Melissa Butler-Adams) | |
| James Clarke | .... | scanning and recording: Framestore CFC | |
| Joe Cleave | .... | systems development: Framestore CFC | |
| Paul Doogan | .... | scanning and recording: Framestore CFC | |
| Chris Eborn | .... | visual effects technical operator: Clear | |
| James D. Etherington | .... | lead digital compositor: Clear (as James Etherington) | |
| Adam Gascoyne | .... | visual effects supervisor: Clear | |
| Joe Godfrey | .... | scanning and recording: Framestore CFC | |
| Dianne Gordon | .... | data operator: Framestore CFC | |
| Charlie Habanananda | .... | data operator: Framestore CFC | |
| John Harvey | .... | cg supervisor | |
| Aeon Henderson | .... | digital compositor: Clear | |
| Simon Hughes | .... | digital film supervisor: Clear | |
| Simon Hughes | .... | senior lead digital compositor: Clear | |
| Jack James | .... | digital cleanup artist: Framestore CFC | |
| Jayson King | .... | 3D animator: Clear | |
| Kevin Lowery | .... | scanning and recording: Framestore CFC | |
| Grant McKean | .... | digital compositor: Clear | |
| Maria Michalopoulou | .... | data operator: Framestore CFC | |
| Stuart Nippard | .... | data operator: Framestore CFC | |
| Dan Perry | .... | scanning and recording: Framestore CFC | |
| Laura Ricketts | .... | visual effects line producer: Clear | |
| Jeremy Sawyer | .... | compositor: Framestore CFC | |
| Adam Seeley | .... | 3D animator: Clear | |
| Matina Skouteri | .... | scanning and recording: Framestore CFC | |
| Marcus Wood | .... | digital compositor: Clear | |
| David J. Zimmerman | .... | data manager: Clear (as David Zimmerman) | |
| Alistair Hamer | .... | film mastering engineer (uncredited) | |
| Adam Hawkes | .... | digital clean-up (uncredited) | |
| Jan Hogevold | .... | production executive: Framestore CFC (uncredited) | |
| Ryan Knowles | .... | digital film recordist (uncredited) | |
| Paola Varvaro | .... | digital cleanup artist (uncredited) | |
| Stephen Willey | .... | systems engineer (uncredited) | |
| Annabel Wright | .... | digital cleanup (uncredited) | |
Stunts | |||
| Gary Connery | .... | stunt performer (as Garry Connery) | |
| Kali Connery | .... | stunt performer | |
| Ruth Jenkins | .... | stunt performer | |
| Kim McGarrity | .... | stunt performer | |
| Gareth Milne | .... | stunt coordinator | |
| Ray Nicholls | .... | stunt performer | |
| Wally Crowder | .... | stunt coordinator (uncredited) | |
| Levan Doran | .... | water stunts (uncredited) | |
| Luke Kearney | .... | water stunts (uncredited) | |
| Peter Pedrero | .... | water stunts (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Thomas L. Carter | .... | casting assistant (as Tom Carter) | |
| Brendan Donnison | .... | adr voice casting | |
| Belinda Blight | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Maxine Brown | .... | costumer: dailies | |
| Vikki Illing | .... | costumer: dailies (as Vicky Illing) | |
| Leigh Nicol | .... | costume supervisor | |
| Nicola Rodd | .... | costume assistant | |
Editorial Department | |||
| Marcus Alexander | .... | digital intermediate producer: Framestore CFC | |
| Anna Bolt | .... | post-production coordinator | |
| Kerry Downing | .... | digital lab editor: Framestore CFC | |
| Emanuele Giraldo | .... | assistant editor | |
| Steve Harrow | .... | post-production manager: Steeple Post Production Services | |
| Adam Inglis | .... | colorist: Framestore CFC | |
| Eddy Kolkiewicz | .... | negative cutter: Reel Skill Film Cutting (as Eddie Kolkiewicz) | |
| Mike Morrison | .... | digital grading assistant: Framestore CFC | |
| Andrew Robinson | .... | negative cutter: Reel Skill Film Cutting | |
| Richard Rowntree | .... | assistant to post-production manager: Steeple Post Production Services | |
Music Department | |||
| Geoff Alexander | .... | conductor | |
| Geoff Alexander | .... | orchestrator | |
| Edmund Butt | .... | music score producer | |
| Liz Gallacher | .... | music supervisor | |
| Allan Jenkins | .... | music editor | |
| Peter Manning | .... | orchestra leader | |
| Rosie Perry | .... | assistant to music supervisor | |
| Mike Ross-Trevor | .... | score recordist (as Mike Ross Trevor) | |
| Kirsty Whalley | .... | music editor | |
| Toby Wood | .... | music scoring mixer | |
| Mikael Carlsson | .... | executive soundtrack producer (uncredited) | |
| Dashiell Rae | .... | temp music (uncredited) | |
Transportation Department | |||
| Gerard Baldwin | .... | driver: stand-by props | |
| Vince Bartlett | .... | driver: props | |
| Wayne Burkett | .... | driver: makeup | |
| Maurice Campbell | .... | unit driver | |
| John Coleman | .... | unit driver | |
| Matt Evans | .... | driver: camera (as Mat Evans) | |
| John Hauge | .... | unit driver | |
| Gary Hudson | .... | driver: costume | |
| Mat Hudson | .... | driver: generator and 3-way | |
| Alyson Illingworth | .... | unit driver | |
| Mike Keeble | .... | unit driver | |
| Karen Moran | .... | unit driver | |
| Paul Newman | .... | unit driver | |
| Graham Pearson | .... | unit driver | |
| Stephen Quick | .... | transportation captain: Isle of Man | |
| Richard Thomas | .... | driver: bus | |
| Kevin Veness | .... | driver: grip | |
| Micky Webb | .... | driver: special effects (as Mickey Webb) | |
| Alan Rogers | .... | minivan driver (uncredited) | |
Other crew | |||
| Tack Baldwin | .... | head of safety (as Tack R. Baldwin) | |
| Johnny Bamford | .... | location manager: Devon | |
| Oliver Barron | .... | production runner (as Ollie Barron) | |
| Dan Bell | .... | safety | |
| Alexander Berner | .... | creative consultant | |
| Eddie Booth | .... | location manager: Isle of Man | |
| Belinda Braghittoni | .... | safety | |
| Nick Cain | .... | representative: Isle of Man Film | |
| Robin Craine | .... | production assistant | |
| Sarah Crompton | .... | assistant: W.S. Anderson | |
| Matt Curtis | .... | title designer | |
| Andrew Gwyn Davies | .... | assistant production coordinator (as Andrew Gwyn-Davies) | |
| Jules De Barsham | .... | location manager | |
| Jules De Barsham | .... | location scout | |
| Rob Deacon | .... | unit publicist: Premier PR | |
| Alex Downie | .... | representative: Isle of Man Film | |
| Hilary Dugdale | .... | representative: Isle of Man Film | |
| Katie Elson | .... | location assistant: Isle of Man | |
| Andrew Fingret | .... | legal advisor: Cains Advocates, Isle of Man Film | |
| Karen Fryer | .... | continuity trainee | |
| Phil Gates | .... | location manager: Isle of Man | |
| Rory Gilmartin | .... | script editor | |
| Hannah Godwin | .... | assistant production coordinator | |
| Judy Goldberg | .... | assistant: Jeremy Bolt | |
| Charlie Goodson | .... | safety | |
| Jacky Holding | .... | assistant accountant (as Jacky Holding) | |
| Chris Ingram | .... | set runner | |
| James Ingram | .... | assistant: Sean Bean | |
| Non Jones | .... | accounting assistant | |
| Roger Kendall | .... | health and safety advisor | |
| Claire L. Kenny | .... | assistant accountant (as Claire Kenny) | |
| Rowan Laidlaw | .... | assistant to director | |
| Emma Lightbody | .... | representative: Gasworks Media Limited | |
| Sirish Malde | .... | production auditor: Malde & Co. | |
| Lisa Marsden | .... | insurance: Media/Professional Insurance | |
| Sarada McDermott | .... | production coordinator | |
| Marsha Metz | .... | business and legal affairs | |
| Richard Miller | .... | unit nurse | |
| Charles Moore | .... | production counsel: Wiggin & Co | |
| Della Moore | .... | production accountant | |
| Martin Moszkowicz | .... | management representative: Constantin Film | |
| P.J. Mountford | .... | production runner | |
| Clive Noakes | .... | laboratory contact: DeLuxe London | |
| Jeremy Pelzer | .... | studio director ealing studios | |
| Elisabeth Pinto | .... | production assistant | |
| Ian Pollington | .... | location manager: London | |
| Helen Revington | .... | unit nurse | |
| Julia Rounce | .... | base runner | |
| Richard Rowntree | .... | library material researcher | |
| Lara Sargent | .... | post-production accountant | |
| Johannes Schlichting | .... | assistant: Robert Kulzer | |
| Dorothy Sewell | .... | unit nurse | |
| Natalie Sharpe | .... | production runner | |
| Leonard Singer | .... | representative: Isle of Man Film | |
| Kate Smith | .... | assistant to director | |
| Kate Smith | .... | personnel assistant | |
| Peter Smith | .... | assistant location manager: Isle of Man | |
| Tonya Smith | .... | acting coach: Ms. Stone | |
| Anne Marie Speed | .... | dialogue coach: Ms. Stuckey (as Anne-Marie Speed) | |
| Elizabeth Tremblay | .... | script supervisor | |
| Jane Trower | .... | first assistant accountant | |
| Doug Vale | .... | unit nurse | |
| Thomas Walters | .... | production assistant (as Tom Walters) | |
| Judith Windsor | .... | dialogue coach: Ms. Stuckey | |
| Henry Woolley | .... | location manager: London | |
| Kathryn Donovan | .... | electronic press kit (uncredited) | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
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| The Ring | 1408 | The Girl with the Dragon Tattoo | Don't Look Now | Teeth |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Isle of Man section |
OK while not a great film it is very suspenseful. i saw this movie almost 3 month's ago at the Cardiff film festival an i can tell u that the cinema was packed an at the end of the film it got a great applause because of the suspense it held throughout the film! on the whole a throughly enjoyable film i found this too be a film with a level of suspense that i have not seen in many supposed thrillers in a number of years. yes i'll agree that the film didn't have a storyline that truly linked together but this is becoming a much more common trend in many films now. Also the film is made all the more enjoyable because it is a British made film showing the quality of films that can come out of this country when we try to make a good film.