In mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago - and bears a startling resemblance to Sarah.

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(novel), (screenplay)
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Cast

Cast overview:
...
Adèlle
...
...
Dafydd
Sophie Stuckey ...
Sarah
Abigail Stone ...
Ebrill
Richard Elfyn ...
Rowan
Casper Harvey ...
Young Dafydd
Eluned Jones ...
Doctor
Gwenyth Petty ...
Librarian
Robin Griffith ...
Police Inspector
Mike Keggen ...
Rib Skipper
Tonya Smith ...
Main Stumblehead Martyr
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Storyline

While in Wales visiting her husband James, Adèlle tries to fix her relationship with her teenager daughter Sarah. They see a weird memorial without the plate and with the name "Annwyn" marked, and the local Dafydd explains that this would be the place where people go after dying in accordance with the Welsh mythology. Later, Sarah vanishes on the beach and the daughter of the local fanatic shepherd, Ebrill, who died fifty years ago, appears in her place. Adele makes a research trying to find how to rescue her daughter from Annway. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

One of the living for one of the dead.


Motion Picture Rating (MPAA)

Rated R for some violent/disturbing images and language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

26 January 2006 (Germany)  »

Also Known As:

A múlt titka  »

Box Office

Budget:

£3,000,000 (estimated)

Opening Weekend:

$773,079 (Brazil) (13 January 2006)
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Company Credits

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Technical Specs

Runtime:

| (cut)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The movie borrows many story line elements from The Ring (2002) and Silent Hill (2006). In the latter case, there's even similar casting with Sean Bean as the Father. See more »

Quotes

Adèlle: Sarah, are you in there?
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User Reviews

 
THE DARK (John Fawcett, 2005) **1/2
21 August 2006 | by (Naxxar, Malta) – See all my reviews

I had enjoyed Fawcett's knowing revision of the werewolf myth in GINGER SNAPS (2000), but wasn't really expecting much out of yet another ghost story (which, in recent years, have flooded the horror market from all over the world). Still, it turned out to be a pleasant surprise which, given my initial skepticism, managed to win me over with its intriguing

  • if highly derivative - plot line, good performances (by all five main


actors but especially Maria Bello, in a difficult and rather unsympathetic role, and the two ill-treated girls) and the unfamiliar seaside Welsh setting.

As a matter of fact, the film borrows and mixes together elements from a wide variety of classic and cult horror/fantasy titles - ORPHEUS (1950), DON'T LOOK NOW (1973), THE WICKER MAN (1973) and THE BEYOND (1981) - and even features a Bernard Herrmannesque score! Unfortunately, it becomes confusing towards the end and the final twist feels rather like one too many trips to the well; actually, I much preferred the serene (and more balanced) alternate ending!

Despite some editorial flourishes throughout and the occasional cheap shock, the film's tone is generally low-key and introspective; far removed from the hipness of GINGER SNAPS, it's undeniably a more mature work.


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