In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie ... See full summary »
A group of Irish college students are about to leave for the United States, where they've landed summer jobs in Long Island. Working hard in the day and playing even harder at night, they ... See full summary »
A young transwoman, Patrick "Kitten" Braden, comes of age in the 1970s. She leaves her Irish town, in part to look for her mother and in part because her transgender nature is beyond the town's understanding. She's taken in by a rock band, falls for the lead singer, has brushes with the IRA, is arrested by the London police, works in a peep show, and poses as a survey researcher for the phone company. Throughout, her nationality and her nature put her at great risk. In her search for her mother, she makes surprising discoveries of friendship and family. But, will she survive? Written by
Cillian Murphy and Brendan Gleeson previously appeared together as survivors of a viral epidemic in the movie 28 Days Later(2002). See more »
Although The Wombles would have been at the height of their popularity during the film's mid-70s setting, the appearances of the featured Wombles are based on the designs from their late-90s revival, in particular Wellington. Also, Alderney is shown - although included in the books, she didn't make her screen debut until the 90s series. See more »
I lived in London in 1973, the year that the main character in the film arrives in London from Ireland.
Breakfast On Pluto caught the tone of London in 1973 so well that it was like re-living the past. A past when friendships were mighty and strong; a past when London was a sexually liberated city; a past when people were so wrapped up in television that the London park system had to hire people to dress up like the television creatures called wombles.
But more than bringing 1973 back to life for me, this film showed me an amazingly resilient Irishman named Kitten. To the people who think that a 135-minute film is way too long, I would tell them to go see Breakfast On Pluto, because those 135 minutes just fly by. And they are 135 minutes of great acting, across the board.
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