In Nice, the international police force and the Russian mafia are chasing Anthony Zimmer, an intelligent man responsible for laundry of dirty money in France. Zimmer had extensive plastic ... See full summary »
An inspector who just suffered a family tragedy is looking for a missing older man. Man's family is of no help, or are they hiding something? He is helped by a ghost of an actress who died 30 years ago, or is he slowly going insane?
Muriel is beautiful, free-spirited and bed-ridden since a horrific accident. Leo is a drunk middle-aged ex-boxer. Desperate for work and unqualified, he interviews for Muriel, who hires him... See full summary »
Margarita Rosa de Francisco
Sacha Keller is only interested in one night stands with 20-somethings and has a phobia of children. That is until he meets Charlotte, the divorced mother-of-three and ex-wife of one his employer's powerful clients.
The photographer and family man Matyas is married and has a happy life with his beloved wife Claire, who is pregnant and near the delivery, and his young son Pierre. Matyas was raised in an... See full summary »
In 1944, in London, Lieutenant Pierre Desfontaines assigns his sister Louise Desfontaines to convince three other women to form a five-woman task force under his command to rescue a British... See full summary »
In Nice, the international police force and the Russian mafia are chasing Anthony Zimmer, an intelligent man responsible for laundry of dirty money in France. Zimmer had extensive plastic surgery, and his new face and voice are completely unknown. The only means to reach Zimmer is through his beloved mistress Chiara, who is under surveillance of the police and the mobsters. While traveling by train to the country nearby Nice, the common man François Taillandier, who has the same body shape of Zimmer, is select by Chiara as if he were Zimmer and used as a bait to lure those that are pursuing her. When Taillandier is chased by the professional Russian killers, he runs the French police when the real situation begins to be disclosed to him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The property the director looked for had to be a house of a very rich guy but with level and charisma. What they found was too small so they had to (temporarily) add the first floor (Anthony Zimmer's office). The filming crew had the villa only for two weeks. See more »
During the scene on the TGV the head pillows with the TGV logo behind the 2 characters appear and disappear between shots. See more »
In here somewhere is a strong movie hidden in an espionage and crime cliché...
Anthony Zimmer (2005)
Ah, this has its moments, but it sure is overly clever and at times overly derivative. The interactions and scenario of an elite crook and some undercover and suspicious types on the boundaries of the big hunt for him are taken straight from a lot of previous movies--even from "North by Northwest," of all things, which you'll catch in the train conversation and in the general nature of the leading woman in both cases. It's all well enough done to keep you watching if this is your kind of movie, and I didn't mind traipsing along even as it seemed to bowl into a lot of old tricks.
What was worse, overall, was the dependence on a huge trick, one that you might or might not anticipate, and which comes along at the very end like a splotch of ketchup on your plate. Yeah, yeah, we were warned the escapee was a master of disguise and had had a lot of plastic surgery, but still, it's just not enough, not enough.
Everything is set in the south of France, Nice to be exact, and is pretty and fun (like a lot of other movies set there). The movie itself is French, of course, and in one nice scene a man starts to ask a question in English, and another man (one of the chief cops, we suppose) says, "I don't speak in English," or something to that effect. It seems a perfect point to make as so many movies these days are partly in English as if to make it easier on British and American (and Aussie and South African and Singaporean, yes yes) audiences. (A lot of French films in particular use a bit of English--or a lot--to do more than just sound international.)
But I find an interesting nuance mostly because the movie is otherwise a very straightforward affair. Enjoy. See it on a plane. Have alternatives in mind.
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