On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
In Seattle, the successful forensic psychiatrist and college professor Jack Gramm is in evidence since he was responsible for the condemnation of the serial killer Jon Forster, influencing the jury to sentence him to the death row. Jon accuses Jack of manipulation, inducing one witness and sister of one of his victims to testify against him. On the eve of Jon's execution, Jack receives a phone call telling him that he has only eighty-eight minutes of life, while a killer is copycatting Jon, killing women with the same "modus-operandi" and is investigated by Seattle Slayer Task Force. With the support of associate Shelly Barnes, an FBI agent, his friend Frank Parks, and his assistant Kim Cummings, Jack investigates some weird and problematic students, a security guard of the campus and the woman with whom he had one night stand. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to a local source, Al Pacino went to some of the apartment floors to surprise and greet tenants during filming around the area. See more »
When Jack reaches the 7th floor of the Stearns Bldg, he racks the slide on his pistol. But he had just fired a warning shot past the student's head a few minutes earlier, there was no need to cock the pistol. And when he does cock it, the slide locks back, indicating the pistol is now out of ammunition. See more »
Look at me. Look at the kite.
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Get It Poppin
Written by Richard L. Garcia (ASCAP), Rosel Anton Minter (ASCAP)
Performed by PMG
Published by Hannah Sam Music (ASCAP) / Smothered and Covered Music (ASCAP) / Fat Frequencies (ASCAP)
Courtesy of d2 Music See more »
This movie uses time to create some urgency and a fairly fast pace to keep interest. These devices are used effectively so that combined with Al Pacino and a decent script we have an interesting thriller.
The story is a bit extreme, but the pace really did help me not to question that (too much) in the final analysis. The character played by Al Pacino is unsympathetic even though he harbors a terrible past that haunts him. That changes as everything falls apart around him in just over an hour. His struggle to find a killer that he believes will kill him, as well as others, overshadows his obnoxious ego. Has he met his match? Does he have some moral issues that either way are going to be his downfall? It makes for a pretty interesting plot.
This isn't the best psychological thriller...but, it's respectable enough to warrant a solid 6 and that is due to Al Pacino largely.
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