On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
In Seattle, the successful forensic psychiatrist and college professor Jack Gramm is in evidence since he was responsible for the condemnation of the serial killer Jon Forster, influencing the jury to sentence him to the death row. Jon accuses Jack of manipulation, inducing one witness and sister of one of his victims to testify against him. On the eve of Jon's execution, Jack receives a phone call telling him that he has only eighty-eight minutes of life, while a killer is copycatting Jon, killing women with the same "modus-operandi" and is investigated by Seattle Slayer Task Force. With the support of associate Shelly Barnes, an FBI agent, his friend Frank Parks, and his assistant Kim Cummings, Jack investigates some weird and problematic students, a security guard of the campus and the woman with whom he had one night stand. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Get It Poppin
Written by Richard L. Garcia (ASCAP), Rosel Anton Minter (ASCAP)
Performed by PMG
Published by Hannah Sam Music (ASCAP) / Smothered and Covered Music (ASCAP) / Fat Frequencies (ASCAP)
Courtesy of d2 Music See more »
Let me say this straight. This movie is such a calamity, so bad, so dysfunctional, that I'm still wondering what went through those people minds?
In my opinion, the last scene reflects what this nonsense is all about. Al Pacino, running and acting like a grandpa who is trying to look like a forty-year old, which ends of course into a total cinematographic tragedy. Worse than that, I'm truly convinced that he is aware of his pathetic appearance in this fragile movie and asks himself throughout the entire shooting "what the hell am I doing here?"
And if this was not bad enough, what is he doing out there staring with young actors that seem to come directly from one of those teenager horror B movies? Pacino seems completely uninterested, his dialogues and general acting deprived of the slightest intensity or wit. The last scene manages to bring all this sad spectacle together and, if we add the boring plot and especially the amateur editing, than I would suggest that we are in the presence of one of the worst movies ever.
Save your money and your nerves.
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