After discovering a sailboat just offshore containing former hatch oversee Desmond, Jack and Sayid come up with a plan to confront "The Others" and hopefully get Walt back. Meanwhile, Eko and Locke ...
Due to a political conspiracy, an innocent man is sent to death row and his only hope is his brother who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them from the inside out.
When Marine Nicolas Brody is hailed as a hero after he returns home from eight years of captivity in Iraq, intelligence officer Carrie Mathison is the only one who suspects that he may have been "turned".
Before Spartacus struck down his first opponent in the arena, there were many gladiators who passed through the gates onto the sand.'Spartacus: Gods of the Arena' tells the story of the ... See full summary »
Life is laid bare as a group of plane crash survivors find themselves stranded on a remote Pacific island. The trauma of the crash soon becomes overshadowed by the island itself, where unseen creatures stalk the jungle, paranormal happenings abound and astonishing coincidences reveal themselves. In this unique environment emotions swell as the survivors battle their inner and outer demons, and strive to live together - so that they won't die alone. Written by
Of the six mysterious numbers, 23 is used the most. Kate gets turned in for $23,000; 23 people were on a deck Hurley stepped out on and it collapsed (2 died); flight 815's gate number is 23; Jack's seat number is 23; the room number where the Dharma group do experiments is #23; and 23 passengers survived the tail end crash of the plane. See more »
During the scenes in the 1970s, all of the spectacle wearing characters have an anti-reflective coating on their lenses (the greenish hued reflection). While these coatings are very common today, in the 1970s they were generally reserved for optical equipment lenses. See more »
Man against Nature, Man against Self, Man against Man
At first blush, "Lost" seems like an impossible concept: a bunch of people stranded on a mysterious island. How many story lines can you POSSIBLY take from that before the idea's been sapped completely dry?
It's a legitimate concern, but in the case of "Lost," totally unwarranted. "Lost," unlike many shows today where the plot drives the characters, is in fact the opposite: the characters drive the plot. This isn't "CSI" or "Law and Order," where each week is a variation on the same theme. On "Lost," you have a group of fascinatingly different, tragically flawed characters who must somehow learn to survive together, while at the same time trying to keep their secrets hidden. That's a method for disaster. After living together for a long time, the characters are going to find out it's impossible to keep their pasts a secret.
Yes, there's a monster on the island. Yes, there are mysterious happenings.
Yes, a sense of dread often hangs thick in the air. But to me, the exterior problems presented by the island itself are NOTHING compared to the INTERNAL problems the characters must face, both with themselves and with each other. That's where the REAL drama lies. And it's fascinating to watch.
923 of 1,140 people found this review helpful.
Was this review helpful to you?