After discovering a sailboat just offshore containing former hatch oversee Desmond, Jack and Sayid come up with a plan to confront "The Others" and hopefully get Walt back. Meanwhile, Eko and Locke ...
Due to a political conspiracy an innocent man is sent to death row and his only hope is his brother who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them out from the inside out.
When Marine Nicolas Brody is hailed as a hero after he returns home from eight years of captivity in Iraq, intelligence officer Carrie Mathison is the only one who suspects that he may have been "turned".
Life is laid bare as a group of plane crash survivors find themselves stranded on a remote Pacific island. The trauma of the crash soon becomes overshadowed by the island itself, where unseen creatures stalk the jungle, paranormal happenings abound and astonishing coincidences reveal themselves. In this unique environment emotions swell as the survivors battle their inner and outer demons, and strive to live together - so that they won't die alone. Written by
Evangeline Lilly was one of the last actors to be cast for the show, but the fact that she is a Canadian citizen gave the producers concern that she might not be able to obtain the appropriate U.S. employment visa that would grant her permission to stay in the country long enough to shoot the entire series. They pushed back all of Kate's scenes when they were shooting the pilot, just to be sure that they could get the proper employment visa, a category "O-1" for "aliens of extraordinary ability in arts, science, education, business or athletics" for Lilly. As her body of work as an actor was not extensive at the time she was cast, they had a difficult time proving to the USCIS (formerly known as the INS) that Lilly was deserving of this classification as an "artist of extraordinary ability". It wasn't until they had shot almost every scene without the Kate character that she was finally granted the O-1 visa and signed on. That same day she was put on a plane in Canada and flown directly to Hawaii for the shooting. See more »
In season 1, Charlie says to Jack that he can't swim, yet in season 3's 'Greatest Hits' it shows that his dad taught him how to swim when he was young. He also swims to the Looking Glass station with no problem. See more »
Chilling, atmospheric and addictive if the writers can weave all the clues and ideas together in the end, this will probably be stapled as the best show ever in television
While originally reluctant to jump on the bandwagon of watching "Lost", I accidentally caught one episode at the beginning of season 1the one with the polar-bearand it has had my undivided attention ever since. The show, that is. Not the polar bear. So bear (heh) with me while I throw out as much rambling, semi-coherent praise as I can muster.
"Lost" takes a simple idea of a passenger flight full of people crashing onto a desert island, and gradually adds extraordinary depth to its premise by exploring each character deeply and unflinchinglywhat drives them, who are they? Where did they come from? It soon becomes clear that the island upon which they are stranded acts as a common denominator for many things in their lives, whether they're running away from something (Sawyer and Kate among others) or getting in touch with spirituality (Locke, Claire). But "Lost" also zooms in on the island itself and the mysterious horrors that it houses... and they all seem to be strangely connected.
While television actors are not exactly known for their subtlety or dazzling acting abilities, most of the cast of "Lost" are, in truth, spectacular actors for their respective parts, projecting heart and humour in their performances. There's also a multitude of eyecandy, but not generally of the plastic Hollywood kind as most TV shows. The characters all feel very real and they are extremely compelling to watch. Their interactions rarely fall prey to predictable sappiness, petty arguments or cheesy melodrama (although they are annoyingly secretive) these people are first and foremost trying to survive and whatever relationship appears is treated secondary to action. The realism of these characters facilitate an already well-sculptured plot.
About this plot... Imagine a tree as the template plot, then the branches as subplots (in this case, one branch for every character) well, Lost adds twigs to each branch and then tiny twigs to those twigs as other story lines. If you're a brother/sister to one of the main characters in the flashbacks, you will get your own storyline. If you're a DOG you will have your own storyline. Unless the writers manage to weave them all together into some glorious culmination in the end, they are setting themselves up. I am more than a little worried there will be some disappointing cop-out to this show, as I'm sure most people are.
But assuming the writers do pull this off, "Lost" is possibly the best show ever to hit television.
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