Secrets and truths unfold through the lives of female friends in one suburban neighborhood, after the mysterious suicide of a neighbor.

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Won 3 Golden Globes. Another 62 wins & 180 nominations. See more awards »
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Cast

Series cast summary:
...
 Susan Mayer / ... (180 episodes, 2004-2012)
...
 Lynette Scavo (180 episodes, 2004-2012)
...
 Bree Van De Kamp / ... (180 episodes, 2004-2012)
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 Gabrielle Solis / ... (180 episodes, 2004-2012)
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 Carlos Solis (180 episodes, 2004-2012)
...
 Mary Alice Young (180 episodes, 2004-2012)
...
 Mike Delfino (180 episodes, 2004-2012)
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 Tom Scavo (175 episodes, 2004-2012)
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 Edie Britt (111 episodes, 2004-2009)
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 Andrew Van De Kamp (111 episodes, 2004-2012)
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 Julie Mayer (108 episodes, 2004-2012)
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 Orson Hodge (96 episodes, 2006-2012)
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 Karen McCluskey (87 episodes, 2005-2012)
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 Preston Scavo (87 episodes, 2004-2010)
...
 Porter Scavo (87 episodes, 2004-2010)
...
 Parker Scavo (81 episodes, 2004-2010)
...
 Danielle Van De Kamp / ... (77 episodes, 2004-2011)
...
 Paul Young (75 episodes, 2004-2011)
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Storyline

The "normal" suburban life for a group of close-knit housewives takes a dark turn when one of their closest friends mysteriously commits suicide. Now while trying to deal with their own hectic problems and romantic lives, each year brings on a new mystery and more dark and twisted events to come. Life behind closed doors is about to be revealed as suburban life takes a funny and dark turn. Written by devil_730

Plot Summary | Add Synopsis

Taglines:

Tempting, isn't it? See more »


Certificate:

TV-14 | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

3 October 2004 (USA)  »

Also Known As:

Beautés déséspérées  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Season 7 episodes that have Stephen Sondheim song titles or lyric references as their show titles (Except where denoted):
  • 7.1: Remember Paul? (Lyric Line from the song "Getting Married Today" from Company)


  • 7.2: You Must Meet My Wife (Song Title From A Little Night Music)


  • 7.3: Truly Content (Song Title from Passionella)


  • 7.4: The Thing That Counts Is What's Inside (Lyric Line from the song "Ah, But Underneath" from the London production of Follies)


  • 7.5: Let Me Entertain You (Song Title from Gypsy. Music by Jule Styne)


  • 7.6: Excited and Scared (Lyric Line from the song "I Know Things Now" from Into the Woods)


  • 7.7: A Humiliating Business (Lyric Line from the song "Every Day a Little Death" in A Little Night Music)


  • 7.8: Sorry Grateful (Song Title from Company)


  • 7.9: Pleasant Little Kingdom (Song Title. Cut from Follies)


  • 7.10: Down the Block There's a Riot (Lyric Line from the song "What More Do I Need" from Saturday Night)


  • 7.11: Assassins (Title of Show)


  • 7.12: Where Do I Belong? (Song Title from the unproduced musical Climb High);


  • 7.13: I'm Still Here (Song Title from Follies)


  • 7.14: Flashback (Song Title from Passion)


  • 7.15: Farewell Letter (Song Title from Passion)


  • 7.16: Searching (Sequence Title from Sweeney Todd The Demon Barber Of Fleet Street)


  • 7.17: Everything's Different, Nothing's Changed (Lyric Line from the song Sorry-Grateful from Company)


  • 7.18: Moments In The Woods (Song Title from Into The Woods)


  • 7.19: The Lies Ill Concealed (Lyric Line from the song Could I Leave You? from Follies)


  • 7.20: I Will Swallow Poison On Sunday (Lyric Line from the song Kiss Me from Sweeney Todd The Demon Barber Of Fleet Street)


  • 7.21: Then I Really Got Scared (Lyric Line from the song I Know Things Now from Into the Woods


  • 7.22: Buried Sweetly (Lyric Line from the song Johanna from Sweeney Todd The Demon Barber Of Fleet Street)


  • 7.23: One Day I'll Steal You (Lyric Line from the song Johanna from Sweeney Todd The Demon Barber Of Fleet Street)


See more »

Goofs

Susan's last name is at first pronounced "Meyer" occasionally by all characters, before it eventually changes to "Mayer" for the second season onward. See more »

Quotes

George Williams: Where are you going Bree?
Bree: I'm taking my champagne and ageing eggs and I'm going.
See more »

Crazy Credits

In the second season the shortened version of the credits was shown from episode 2.07 to episode 2.11. See more »

Connections

Referenced in The Tonight Show with Jay Leno: Episode #19.159 (2011) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

My Final Thoughts: This show is done for.
22 January 2006 | by (Mind of the Films) – See all my reviews

When "Desperate Housewives" first premiered in early fall of 2004, it was a major and vast hit: It was the number one show of television for the week, and audiences all over were enthralled and taken with the likable characters and equally likable actors who portrayed them. The show then was able to make more appropriate ends meet; there were magazine articles, and reviews hysteria, with each one of the 'housewife' actresses getting the proper amount of attention and stardom. The ratings soared, and sky rocketed; the producers, and writers were satisfied, the plot lines worked perfectly. Each housewife had a storyline that lasted the entire season, only one really big desperation for each one, but one that was real and enough to soak up the satire and make it last an entire season, while giving audiences something to think about. Each housewife represented you or someone you knew, male or female, and though juiced with satire, the show had a gritty realism that was hard to shake off. When a housewife made a decision, shocking, or expected, it was with requited realism. and enough down to earth material, so that when a big moment occurred, it was Big! And it kept audiences tuning in for more week after week. After twenty - two episodes of almost perfect, entertaining satire, and wit, the season finale aired, and gave Mary Alice Young, the show's unseen narrator, a real purpose (not to mention a damn fine finale monologue) and gave audiences a real cliffhanger, everyone was waiting to see what was next....

Next came in the form of an episode called 'Next', as the season two opener. Though starting with a not so witty, more of an expected one note commentary by Mary Alice, who has no real value to the show anymore, and clumsy comedy that was inserted where it was not needed, the show still showed promise for an exciting season. But that is where I was wrong. The show had lost all that had made it work. It lost that fresh charm, the new realism, and likable wit and satire. Mary Alice speaks in monologues that are irrelevant, and some do not seem to make sense when you think about it. The characters are not the strong women that they were, they are false, and totally bogus, not believable for a second, except for a few good turns by Felicity Huffman, and Marcia Cross, and a couple by Teri Hatcher, but as for the rest of them, they all seemed to become more like caricatures instead of the characters we came to love. They act out of line, like complete idiots who don't know what to do with their lives, and the story lines became short lived, and some real good ones were never resolved, while others were far fetched and resolved in a short second, then dropped as if they never happened. Most of all, the biting satire, the women in power, and the 'all is well that ends well as long as I said so' motifs are completely gone and forgotten.

Alas, 'Desperate Housewives' has become just another nighttime soap opera. It always was, but as I said, it had a biting satire, comedic touch, that no one could really label. It was new, fresh, original, and in your face. No matter what you thought, you could not turn away from it, and had to know more. Now, about 3/4 through the second season, I honestly dread to think how they are going to pull the show back together. The ratings are dropping ever so slightly, and there seems to be more stupid plot development and bad episodes. The only thing desperate about it now is that the characters are no longer desperate, and the audience seems to be flailing. It is typical dysfunction among the crowds and in a few seasons, two or three, at the most, the show will disappear, and people will forget all about it, because there is nothing memorable about it anymore.

This show went from a seemingly loud message begging to be heard, to pure escapism, not a formula that suites it. I guess I can say I was with a show of pop culture phenomena for awhile, but this just goes to show that nothing good lasts forever. Oh well, as a review said about another wasted opportunity of a show: There was almost a good show there once.


79 of 154 people found this review helpful.  Was this review helpful to you?

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