| Photos (see all 11 | slideshow) | Videos |
| Jodelle Ferland | ... | Jeliza-Rose / Voices of Sateen Lips, Glitter Gal, Mustique and Baby Blonde | |
| Janet McTeer | ... | Dell | |
| Brendan Fletcher | ... | Dickens | |
| Jennifer Tilly | ... | Queen Gunhilda | |
| Jeff Bridges | ... | Noah | |
| Dylan Taylor | ... | Patrick | |
| Wendy Anderson | ... | Woman / Squirrel's Voice | |
| Sally Crooks | ... | Dell's Mother | |
| rest of cast listed alphabetically: | |||
| Alden Adair | ... | Luke (uncredited) | |
| Harry Gilliam | ... | Jerry (uncredited) | |
| Kent Wolkowski | ... | Boy (uncredited) | |
Directed by | |||
| Terry Gilliam | |||
Writing credits | ||
| Tony Grisoni | (screenplay) & | |
| Terry Gilliam | (screenplay) | |
| Mitch Cullin | (novel) | |
Produced by | |||
| Rhonda Baker | .... | line producer | |
| Wladyslaw Bartoszewics | .... | associate producer (as Wladyslaw Bartoszewicz) | |
| Paul Brett | .... | executive producer | |
| Gabriella Martinelli | .... | producer | |
| Nick O'Hagan | .... | associate producer | |
| Jeremy Thomas | .... | producer | |
| Peter Watson | .... | executive producer | |
Original Music by | |||
| Jeff Danna | |||
| Mychael Danna | |||
Cinematography by | |||
| Nicola Pecorini | |||
Film Editing by | |||
| Lesley Walker | |||
Casting by | |||
| Deirdre Bowen | |||
Production Design by | |||
| Jasna Stefanovic | |||
Art Direction by | |||
| Anastasia Masaro | |||
Set Decoration by | |||
| Sara McCudden | |||
Costume Design by | |||
| Mario Davignon | |||
| Delphine White | |||
Makeup Department | |||
| Réjean Forget | .... | key hair stylist (as Rejean Forget) | |
| Tracy George | .... | assistant makeup artist | |
| Tamara Harrod | .... | assistant hair stylist | |
| Christine Hart | .... | key makeup artist | |
| Louise Mackintosh | .... | key special makeup effects artist | |
| Raymond Mackintosh | .... | key special makeup effects studio technician | |
| Leslie Ann Sebert | .... | makeup artist: Ms. Tilly (as Leslie Sebert) | |
| Patrick Baxter | .... | foam technician (uncredited) | |
| Russell Cate | .... | special makeup effects artist (uncredited) | |
| Jennifer Forberg | .... | makeup artist (uncredited) | |
| Patrick Gorny | .... | foam technician (uncredited) | |
| Carolyn Harris | .... | additional makeup artist (uncredited) | |
| Christine Larocque | .... | wig maker (uncredited) | |
| Liese Mackintosh | .... | makeup effects studio assistant (uncredited) | |
| Rosalie Mackintosh | .... | makeup effects studio assistant (uncredited) | |
| Nina McArthur | .... | additional makeup artist (uncredited) | |
| David Scott | .... | designer: bog man (uncredited) | |
| David Scott | .... | prosthetics technician (uncredited) | |
| Stan Winston | .... | face cast: Noah (uncredited) | |
Production Management | |||
| Ian McDougall | .... | production supervisor | |
| Todd Pittson | .... | production manager | |
| Michael Saxton | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Trevor Cunningham | .... | director trainee | |
| Luke Fisher | .... | third assistant director | |
| Holly Gilliam | .... | trainee assistant director | |
| Shayne Putzlocher | .... | third assistant director | |
| William Spahic | .... | first assistant director | |
| Jack Thomas | .... | trainee assistant director | |
| Pamela Wintringham | .... | second assistant director (as Pamela D. Wintringham) | |
Art Department | |||
| Ira Aikman | .... | prop buyer | |
| Calvin Bachiu | .... | painter | |
| Joel Bancescue | .... | construction laborer | |
| Patrick Baxter | .... | foam technician | |
| Jerry Beaudrow | .... | carpenter | |
| Mike Bergen | .... | best boy greens | |
| Clinton Biddle | .... | painter | |
| Gordon Brown | .... | assistant head painter | |
| Jackson Burke | .... | carpenter | |
| Russell Cate | .... | sculptor | |
| Barbara Chandler | .... | scenic painter | |
| Norm Daschle | .... | on-set dresser (as Norman Daschle) | |
| Vince Donato | .... | construction coordinator | |
| Rylan Faul | .... | greensman | |
| Jeff Fedorchuk | .... | lead carpenter | |
| Gerry Filby | .... | on-set carpenter | |
| Gerry Filby | .... | scenic carpenter | |
| Jeffrey Gamble | .... | scenic painter | |
| Kieran Gelfand | .... | scenic painter | |
| Tim Gingrich | .... | carpenter | |
| Nazgol Goshtasbpour | .... | prop buyer daily | |
| Alison Grothe | .... | on-set dresser | |
| Jeff Helgason | .... | key scenic artist | |
| Sean Hollis | .... | assistant head painter | |
| Morgan Hughes | .... | scenic painter | |
| Charmaine Husum | .... | on-set painter | |
| Murray Keith | .... | carpenter | |
| Mayumi Konishi | .... | set designer | |
| Loyola Lewis | .... | scenic painter | |
| Kelly Liberet | .... | construction laborer | |
| Kelly MacDonald | .... | construction laborer | |
| Paul Macina | .... | carpenter | |
| Britton Main | .... | painter | |
| Sara McCudden | .... | set buyer (as Sara Longfellow) | |
| John McIntosh | .... | head greensman | |
| Will Moffatt | .... | set dresser | |
| Russell Moore | .... | set designer | |
| Tracy Myers | .... | construction laborer | |
| Shirley Nap | .... | scenic painter (as Shirley Naf) | |
| Bob Nett | .... | construction buyer | |
| Justin Onofriechuk | .... | assistant property master | |
| Keith Potter | .... | lead set dresser | |
| Roger Roscoe | .... | prop buyer | |
| Marty Rothermel | .... | carpenter | |
| Brent Russell | .... | assistant set decorator | |
| Danny Scavuzzo | .... | construction foreman | |
| David Schultz | .... | carpenter | |
| David Scott | .... | puppet designer | |
| Wade Selby | .... | carpenter | |
| David Selinger | .... | paint foreman (as Dave Selinger) | |
| Tara Sikorski | .... | art department production assistant | |
| Alan Tremaine | .... | carpenter | |
| Bev Ulmer | .... | scenic painter (as Beverley Ulmer) | |
| Crystal Waddell-Gardiner | .... | construction buyer | |
| Mike Waddell-Gardiner | .... | set dresser (as Michael Waddell-Gardiner) | |
| Johann Wessels | .... | second assistant art director | |
| Scotty Whittman | .... | greensman (as Scott Whitman) | |
| Colin Wiest | .... | carpenter | |
| Ken Wills | .... | property master | |
| Laura Wolfe | .... | set decoration trainee | |
Sound Department | |||
| Paul Ackerman | .... | foley artist | |
| Paul Ackerman | .... | foley editor | |
| Denis Bellingham | .... | boom operator | |
| Doug Cooper | .... | sound re-recording mixer (as Douglas Cooper) | |
| Robin Crumley | .... | location sound recordist: 'Dreamland' documentary | |
| Robert Farr | .... | sound re-recording mixer | |
| Simon John | .... | trainee sound assistant | |
| Kevin Konarzewski | .... | adr mixer: Vancouver | |
| David Lee | .... | production sound mixer | |
| Nick Lowe | .... | adr editor | |
| James Mather | .... | supervising sound editor | |
| Chris Navarro | .... | adr recordist | |
| Tim Owens | .... | dialogue editor | |
| Emil Quan | .... | sound trainee | |
| Sean Richards | .... | foley engineer | |
| Evan Rust | .... | sound editor | |
| Evan Rust | .... | sound recordist | |
| Joseph Stracey | .... | sound effects editor (as Joseph Park Stracey) | |
| Andy Thompson | .... | adr recordist | |
| Eric Thompson | .... | adr mixer | |
Special Effects by | |||
| Dean Campbell | .... | special effects trainee | |
| Mike Friesen | .... | special effects assistant | |
| Carolyn Harris | .... | special effects assistant | |
| Walter Klassen | .... | special effects | |
| Neil Krause | .... | special effects on-set key | |
| Wade Maurer | .... | special effects best boy | |
| Jay McClennen | .... | puppets | |
| Leo Wieser | .... | special effects supervisor: Bleeding Art Industries | |
Visual Effects by | |||
| Richard Bain | .... | visual effects supervisor | |
| Nick Bedford | .... | digital effects coordinator: Peerless Camera Company | |
| Martin Body | .... | senior rotoscope artist: Peerless Camera Company | |
| Jim Bowers | .... | digital matte painter: Peerless Camera Company | |
| Mark Bradley | .... | production assistant: Peerless Camera Company | |
| Nadine Buckley | .... | systems administrator: Peerless Camera Company | |
| Duncan Burbidge | .... | digital effects coordinator: Peerless Camera Company | |
| Otto Dent | .... | junior digital compositor: Peerless Camera Company | |
| John Paul Docherty | .... | digital effects supervisor: Peerless Camera Company | |
| Ditch Doy | .... | CG supervisor: Peerless Camera Company | |
| Rob Gordon | .... | digital online editor | |
| Ed Hall | .... | production assistant: Peerless Camera Company | |
| Steven Hall | .... | visual effects dp | |
| Ben Hicks | .... | digital compositor: Peerless Camera Company | |
| Jack Hughes | .... | digital compositor | |
| Dennis Jones | .... | digital compositor: Peerless Camera Company | |
| Marc Jouveneau | .... | digital compositor: Peerless Camera Company | |
| Andrew Kingston | .... | systems administrator: Peerless Camera Company | |
| Diane Kingston | .... | digital effects producer: Peerless Camera Company | |
| Sarah MacKenzie | .... | administrative support: Peerless Camera Company | |
| Sarah Marchant | .... | digital compositor: Peerless Camera Company | |
| Ian McFadyen | .... | digital effects artist | |
| Mike McGuinness | .... | digital animator: Peerless Camera Company | |
| Thomas Müller | .... | administrator: Peerless | |
| Tim Ollive | .... | digital animator: Peerless Camera Company | |
| John O'Lone | .... | rotoscope artist: Peerless Camera Company | |
| John Palmer | .... | digital film bureau manager: Laser record | |
| Chris Panton | .... | digital compositor: Peerless Camera Company | |
| Janet Quen | .... | digital compositor: Peerless Camera Company | |
| Paul Round | .... | senior digital compositor: Peerless Camera Company | |
| Marianne Speight | .... | digital effects coordinator: Peerless Camera Company | |
| Mark Spevick | .... | digital animator: Peerless Camera Company | |
| Emeline Tedder | .... | rotoscope artist: Peerless Camera Company | |
| Charlotte Towe | .... | administrative support: Peerless Camera Company | |
| Marc Twinam-Cauchi | .... | digital animator: Peerless Camera Company | |
| John Whitlock | .... | senior rotoscope artist: Peerless Camera Company (as John Whillock) | |
Stunts | |||
| Loyd Catlett | .... | stunt performer | |
| Terrance Leigh | .... | stunt coordinator | |
Casting Department | |||
| Brendan Donnison | .... | adr voice casting | |
| Deb Green | .... | casting associate: Alberta | |
| Trenna Keating | .... | extras casting | |
| Brenda McCormick | .... | casting: Saskatchewan | |
| Christopher Richards | .... | casting associate | |
| Millie Tom | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Mureille Blouin | .... | costume breakdown artist (as Murielle Blouin) | |
| Roxanne Brown | .... | seamstress | |
| Sonja Clifton-Remple | .... | assistant costumer | |
| Robert Fenwick | .... | on-set costume supervisor | |
| Deanne Grass | .... | costume breakdown artist | |
| Denise Hansen | .... | seamstress | |
| Ann Henshaw | .... | assistant costume designer | |
| Kerri La Londe | .... | costume breakdown artist | |
| Charity Martin | .... | costumer: extras | |
| Roberta Merrifield | .... | seamstress | |
| Nadia Williamson | .... | costumer: extras | |
Editorial Department | |||
| Matt Adams | .... | digital intermediate producer: ONE Post | |
| Chris Andrews | .... | negative cutter | |
| Martin Corbett | .... | assistant editor | |
| Joann D'Arby | .... | assistant digital intermediate producer: ONE Post (as Jo-Ann Darby) | |
| Gavin Dargin | .... | second assistant editor: Canada | |
| Layla Evans | .... | post-production assistant | |
| Matt Gauci | .... | avid technical support | |
| Rob Gordon | .... | digital on-line editor: ONE Post | |
| Emily Greenwood | .... | assistant digital on-line editor: ONE Post | |
| Jack Hilkewich | .... | third assistant editor | |
| John Hinchliffe | .... | digital intermediate technical manager: ONE Post | |
| Jeremy Hume | .... | assistant editor | |
| Heather Malek | .... | assistant editor: Canada | |
| Nadia Naimi | .... | assistant editor | |
| Vincent Narduzzo | .... | digital colorist: ONE Post (as Vince Narduzzo) | |
| Mila Patriki | .... | dailies colorist | |
| Elisabeth Pinto | .... | post-production assistant | |
| Laurent Treherne | .... | digital intermediate technical director: ONE Post | |
| Verity Wislocki | .... | post-production coordinator | |
Music Department | |||
| Peter Clarke | .... | music editor | |
| James Clark | .... | orchestra leader: The Philharmonia Orchestra | |
| Jeff Danna | .... | score producer | |
| Mychael Danna | .... | score producer | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| John Goodwin | .... | musician: Noah's 'Black Coats' Band | |
| Brad Haehnel | .... | music mixer | |
| Brad Haehnel | .... | score recordist | |
| Sean Hayward | .... | musician: Noah's 'Black Coats;' Band | |
| Dave Howman | .... | composer: song "Wash Me in the Blood" | |
| André Jacquemin | .... | composer: song "Wash Me in the Blood" | |
| Tony Lewis | .... | music editor | |
| Stuart Morton | .... | assistant music editor | |
| Chris Pelonis | .... | musician: Noah's 'Black Coats' Band | |
| Rob Simonsen | .... | assistant to composer | |
| Paul Talkington | .... | music coordinator | |
Transportation Department | |||
| Sylvain Buteau | .... | driver: Jeff Bridges | |
| Jay Clement | .... | driver | |
| Tracy Demaer | .... | transportation captain | |
| Jim DeVilger | .... | driver: honeywagon (as Jim 'J.D.' De Vlieger) | |
| Natasha Getz | .... | driver | |
| Lorne Kurtz | .... | driver | |
| Sheila Richards | .... | transportation coordinator | |
| Gary Rimmer | .... | driver: honeywagon | |
| Danine Schlosser | .... | driver | |
| Dan Schulz | .... | driver | |
| Ryan Smiley | .... | driver | |
Other crew | |||
| Daniele Auber | .... | lettering (as Daniel Auber) | |
| Andrea Baker | .... | assistant production coordinator | |
| Matthew Baker | .... | assistant: Jeremy Thomas | |
| Jayda Bieber | .... | stand-in | |
| Moraea Bieber | .... | stand-in | |
| Chris Boha | .... | assistant craft service | |
| Stephanie Boha | .... | assistant craft service | |
| Lee Boyes | .... | stand-in | |
| Brent Braaten | .... | production assistant: 'Dreamland' documentary | |
| Melany Burant | .... | stand-in | |
| Richards Butler | .... | legal services: Coamerica | |
| Andrew Cannon | .... | researcher: Canada | |
| Loyd Catlett | .... | assistant: Jeff Bridges | |
| Simon Chin | .... | extras wrangler | |
| Nicky Coats | .... | post-production accountant | |
| Paul Compton | .... | office production assistant | |
| Hudson Cooley | .... | production coordinator | |
| Emma Cooper | .... | unit publicist | |
| Ginger Corbett | .... | publicist: international | |
| Clare Coulter | .... | legal services: production & financing, Olswang | |
| Bruce Craiggs | .... | train coordinator: George's Trains | |
| James Crammond | .... | post-production accountant | |
| Nigel Crook | .... | first assistant accountant | |
| Robin Crumley | .... | technical supervisor: 'Dreamland' documentary | |
| Mike Currie | .... | caterer: Jeff the Chef | |
| Susanna David | .... | script supervisor | |
| Gloria DiFolco | .... | assistant: Gabriella Martinelli | |
| Tony Duarte | .... | legal services: production | |
| Dana Dubé | .... | head animal trainer: Animal Insight (as Dana Dube) | |
| Kevin Dube | .... | caterer: Jeff the Chef | |
| Kari Fonkalsrud | .... | second assistant accountant | |
| Ian Gardner | .... | trainee production coordinator | |
| Matt Gauci | .... | avid technical support | |
| Amy Gilliam | .... | assistant: Terry Gilliam | |
| Holly Gilliam | .... | on-set production assistant | |
| Kim Goddard-Rains | .... | production coordinator: Katepwa | |
| Hilary Goldstein | .... | legal services: financing, Goodmans LLP | |
| Bill Graham | .... | train supervisor: George's Trains | |
| William Hall | .... | insect and animal wrangler: Animal Insight | |
| Simon Haywood-Anderson | .... | assistant location manager | |
| John Holzer | .... | security coordinator | |
| Jackie Hurt | .... | legal services: production & financing, Olswang | |
| Joe Iacono | .... | financial services | |
| Alana Katz | .... | business affairs: Capri Films | |
| Jacqueline Kelly | .... | financial services | |
| Philippa King | .... | business affairs: Capri Films | |
| Val Kinistino | .... | assistant craft service | |
| Walter Klassen | .... | manufacturer: doll heads | |
| Nathalie Laporte | .... | production accountant: Canada | |
| Florence Larsonneur | .... | legal & business affairs: Recorded Picture Company | |
| Lauren 'Fluff' Lindsay | .... | craft service | |
| Lauren 'Fluff' Lindsay | .... | first aid | |
| Sophia Lofters | .... | travel coordinator | |
| Mike Macartney | .... | train coordinator assistant: George's Trains | |
| Murray Macdonald | .... | location manager (as Murray MacDonald) | |
| Raymond Mackintosh | .... | studio technician | |
| Richard Mansell | .... | legal & business affairs: Recorded Picture Company | |
| Michael Maxtone-Smith | .... | legal affairs: Coamerica (as Michael Maxtone Smith) | |
| Brad McDonald | .... | insect and animal wrangler: Animal Insight | |
| Ally Mee | .... | title designer: Fig Productions | |
| Sharon Menzies | .... | business affairs: Prescience Film Finance | |
| Greg Morley | .... | location scout | |
| Richard Morrison | .... | title designer: Fig Productions | |
| Anna Maria Muccilli | .... | publicist: Canada | |
| Vincenzo Natali | .... | director: making of documentary 'Dreamland' | |
| Jeff Nelson | .... | caterer: Jeff the Chef | |
| Loren North | .... | caterer: Jeff the Chef | |
| Karin Padgham | .... | assistant: Jeremy Thomas | |
| Caroline Perjesi | .... | assistant: Nick O'Hagan | |
| Tracey Phillips | .... | second assistant accountant | |
| Valancie Pierce | .... | tutor: Jodelle Ferland | |
| Chris Plumb | .... | location manager | |
| Tammi Running | .... | assistant security coordinator (as Tami Running) | |
| Libby Savill | .... | legal services: production & financing, Olswang | |
| Kristen Schneider | .... | accounting clerk | |
| Carl Scott | .... | caterer: Jeff the Chef | |
| Jason Shabatoski | .... | assistant: Gabriella Martinelli | |
| Kayleigh Shikanai | .... | stand-in | |
| Andrew Simpson | .... | animal coordinator: Animal Insight | |
| Michael Simpson | .... | assistant craft service | |
| Cherie Smid | .... | animal trainer: Animal Insight | |
| Tim Smith | .... | managing director: Prescience Film Finance | |
| Bill Sorochan | .... | location scout (as William Sorochan) | |
| Carolyn Stamegna | .... | legal services: financing, Goodmans LLP | |
| Carle Steele | .... | script trainee (as Carle Steel) | |
| Jack Thomas | .... | on-set production assistant | |
| Marla Touw | .... | assistant production coordinator: Katepwa | |
| Thierry Valletoux | .... | reportage | |
| Ken Whitford | .... | office production assistant | |
| Steve Zazulak | .... | location manager | |
| Steve Zazulak | .... | production assistant | |
Thanks | |||
| Hercules Bellville | .... | special thanks | |
| P.J. Harvey | .... | special thanks | |
| Tim Haslam | .... | special thanks | |
| Dallas Jensen | .... | special thanks | |
| Jonathan Lynch-Stauntin | .... | special thanks (as Jonathan Lynch-Staunton) | |
| Sally-Anne McKeown | .... | special thanks | |
| James Shirras | .... | special thanks | |
| Alexandra Stone | .... | special thanks | |
| Jared Underwood | .... | special thanks | |
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| The Living and the Dead | Little Fish | Twin Peaks: Fire Walk with Me | Stir of Echoes |
This movie wasn't made to entertain with sex, drugs violence and explosions, it was made to let you experience the world and all these aspects from another perspective, A child's perspective, the trick is not to analyze anything in this film but to let it flow and become part of it, The acting is perfect, and it, the cinematography, music and locations manage to take you to a place you could never imagine, not because it is outrages or extreme in anyway. It's simply a step sideways. Trying to find a meaning to the events in the film is pointless, as the meaning is right there in front of you.. the reason you will want to rationalise an event or action is only because you're not happy with the reason you're given as it doesn't fit into your vision of how the world should work.
This is a truly beautiful film... if you don't like it the first time watch it again, if you still don't like it you might as well go and watch "snakes on a plane"