| Photos (See all 32 | slideshow) | Videos |
| David Arquette | ... | Ash | |
| Thora Birch | ... | April | |
| Balthazar Getty | ... | Taylor | |
| Julianna Margulies | ... | Karen | |
| Joely Fisher | ... | Emma | |
| Michael Janik | ... | Dickson | |
| Svetlana Metkina | ... | Fast Bobby | |
| Lillo Brancato | ... | DJ | |
| Katie Chonacas | ... | Ruby | |
| Sara Colton | ... | Constance | |
| Kat Coiro | ... | Tina (as Katherine Cunningham-Eves) | |
| Spencer Diamond | ... | Tracey | |
| Patrick Dizney | ... | Gerry | |
| Rachel Konstantin | ... | Candice | |
| Andrea Leigh | ... | Joy | |
| Eric Rath | ... | Banker | |
| Krysten Ritter | ... | Beth | |
| Irene Walsh | ... | Suzanne | |
| Jordan Burt | ... | Young Ash | |
| Miles Chandler | ... | Young Taylor | |
| Taylor Patterson | ... | Young Girl | |
| Donna Carey | ... | Background Extra | |
| Matthew DeLong | ... | Background Extra | |
| Elizabeth Halstead | ... | Background Extra | |
| Lindsay Mann | ... | Background Extra | |
| Theresa Pappa | ... | Background Extra | |
| Stacey Petta | ... | Background Extra | |
| Jacqueline Rowland | ... | Background Extra | |
| Leesa Risco | ... | Background Extrra | |
| Al Scala | ... | Background Extra | |
| Gerry Scala | ... | Background Extra | |
| James Sitar | ... | Background Extra | |
| Sebastian Sosnobsky | ... | Background Extra | |
| Tia Swarbrick | ... | Background Extra | |
| Michael Kevin Walker | ... | Bar Patron | |
| Kelsey Zarella | ... | Background Extra | |
| Krysta Brielle Zeiset | ... | Background Extra (as Krysta Zeiset) | |
| Tricia Zucco | ... | Background Extra |
Directed by | |||
| Jay Alaimo | |||
Writing credits(in alphabetical order) | ||
| Jay Alaimo | screenplay | |
| Matt Fiorello | screenplay | |
| Matthew Martin | screenplay (as Matthew Q. Martin) | |
Produced by | |||
| Jay Alaimo | .... | producer | |
| Bruce Ashkinos | .... | co-executive producer: main title sequence, Pure | |
| Stephen Ashkinos | .... | co-executive producer | |
| Edward Bass | .... | producer | |
| Jack Birch | .... | producer | |
| Matt Fiorello | .... | producer (as Matthew Fiorello) | |
| Brendan Garst | .... | co-producer | |
| Daniel Grodnik | .... | consulting producer (as Dan Grodnik) | |
| Kathleen Hebert | .... | co-producer | |
| Robert H. Hultzen | .... | co-executive producer (as Robert Hultzen) | |
| Michel Litvak | .... | executive producer | |
| Jeff Rice | .... | executive producer | |
| Anne Rokahr | .... | associate producer (as Anne Rainey Rokahr) | |
| David Schulenburg | .... | producer: main title sequence, Pure | |
| Steve Tozzi | .... | creative producer: main title sequence, Pure | |
| Gary Michael Walters | .... | executive producer | |
Original Music by | |||
| Jeffrey C.J. Vanston | (as CJ Vanston) | ||
Cinematography by | |||
| Paul Daley | (director of photography) | ||
Film Editing by | |||
| Jim Rubino | |||
Casting by | |||
| Kelli Lerner | |||
Production Design by | |||
| Kate Duffy | |||
Art Direction by | |||
| Kate Duffy | |||
| Beth Mickle | (as Elizabeth Mickle) | ||
Costume Design by | |||
| Jennifer James | |||
Makeup Department | |||
| Fabian Garcia | .... | key hair stylist | |
| Judy Lewin | .... | hair stylist: additional photography, Los Angeles | |
| Judy Lewin | .... | makeup artist: additional photography, Los Angeles | |
| Ryan McKnight | .... | additional makeup artist | |
| Johnny Mooi | .... | additional hair stylist | |
| Lauren Velez | .... | additional makeup artist | |
| Leo Won | .... | key makeup artist | |
Art Department | |||
| Brianna Schweizer | .... | art director: additional photography, Los Angeles | |
Sound Department | |||
| Kevin Bowe | .... | boom operator | |
| Michael Brown | .... | foley mixer | |
| Gary Coppola | .... | sound re-recording mixer (as Gary J. Coppola) | |
| Andrew Edelman | .... | sound mixer: additional photography, Los Angeles (as Andy Edelman) | |
| Jack Hutson | .... | additional sound mixer: second unit | |
| Rob Jacobs | .... | foley editor | |
| Yagmur Kaplan | .... | sound effects editor | |
| Tim LeBlanc | .... | foley editor | |
| Tim H. Lee | .... | adr mixer | |
| Tim H. Lee | .... | first assistant engineer | |
| Tim H. Lee | .... | sound editor | |
| Shannon Potter | .... | foley supervisor | |
| Greg Shear | .... | sound intern: Departure Studios | |
| Christopher Sheldon | .... | supervising sound editor | |
| Jose Torres | .... | sound mixer | |
| Jeremiah Turits | .... | sound intern: Departure Studios | |
| David Warburton | .... | post facility coordinator | |
| Andrew J. Wright | .... | field recordist (as Andy Wright) | |
| Mike Guarino | .... | additional sound mixer (uncredited) | |
| Yagmur Kaplan | .... | pre-dub mixer (uncredited) | |
Visual Effects by | |||
| Ajit Menon | .... | title sequence animator | |
Camera and Electrical Department | |||
| Dave Baney | .... | grip | |
| Maceo Bishop | .... | Steadicam operator | |
| René Crout | .... | first assistant camera (as Rene Crout) | |
| Michele De Lorimier | .... | assistant camera: additional photography, Los Angeles (as Michelle De Lorimier) | |
| Rudy Diaz | .... | electrician | |
| Marcello Dupont | .... | additional assistant camera: second unit | |
| Daniel Feighery | .... | camera loader (as Danny Feighery) | |
| T.J. Hellmuth | .... | assistant camera | |
| T.J. Helmuth | .... | additional camera loader: second unit | |
| Bob Izzo | .... | key grip | |
| Nina Kuhn | .... | electrician | |
| Jim Mickle | .... | best boy grip | |
| Saade Mustafa | .... | Steadicam operator: additional photography, New York (as Saadd Mustaffa) | |
| David Navarro | .... | gaffer: additional photography, Los Angeles | |
| Christopher T. Paul | .... | Steadicam operator (as Chris Paul) | |
| R. Samul | .... | dolly grip | |
| Shane Sauer | .... | camera operator: second unit | |
| Shane Sauer | .... | still photographer | |
| Steve Siddell | .... | best boy electric | |
| Josh Silfen | .... | second assistant camera | |
| Jason Velez | .... | gaffer | |
Costume and Wardrobe Department | |||
| Daria Maneche | .... | additional stylist | |
| Sandra Peinado | .... | wardrobe supervisor | |
| Xandra Mercedez | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Townsley Balak | .... | assistant editor: Chemistry Editorial | |
| Lauren Basile | .... | assistant editor: Chemistry Editorial | |
| Allison Grace | .... | additional editor | |
| Cam Newlin | .... | post-production assistant | |
| Aaron Rottinghaus | .... | additional editor | |
| Sue Wladar | .... | executive producer: Chemistry Editorial | |
| Paul Salamoff | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Tony Brock | .... | composer: additional music | |
| Gordon Fordyce | .... | music editor | |
| Bruce Gaitsch | .... | musician: guitar (as Bruce R. Gaitsch) | |
| Jerry Goodman | .... | musician: violin | |
| Tom Halm | .... | music preparation | |
| Logan Raskin | .... | composer: theme music | |
| Roger Raskin | .... | composer: theme music | |
| Jeffrey C.J. Vanston | .... | music producer (as CJ Vanston) | |
| Richard Walters | .... | music supervisor | |
| Nick Weston | .... | music scoring mixer | |
| Stephen Viens | .... | composer: additional score (uncredited) | |
Thanks | |||
| David 'Kam' Coyner | .... | dedicatee | |
| Robert H. Hultzen | .... | special thanks (as Bobby Hultzen) | |
| Robert Kashian | .... | special thanks | |
| Rhonda Price | .... | very special thanks | |
| Lilla Staab | .... | special thanks | |
| Gary Michael Walters | .... | special thanks | |
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| Kings & Queen | My Own Private Idaho | Head-On | Toto the Hero | Intermission |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
SLINGSHOT explores the ups and downs of the lives of two boys, close friends since childhood, both from homes where they were unwanted, who made it through reform school and remain as a unit into an adult life as petty scam artists - living on the edge of crime and a life of desperate need for belonging. The script by Jay Alaimo (who also directs), Matt Fiorello, Matthew Martin is gritty, full of humor and fine interchanges between the characters that manage to lift the story to a higher level of social statement than the usual 'crime buddies tales'.
Ashley (David Arquette) and Taylor (Balthazar Getty) are the borderline 'bad guy duo' who have decided to move their scam of charming lonely housewives while robbing them to Fairfield County, Connecticut: the scam is that Taylor seduces the women while Ashley robs the preoccupied women. One of Taylor's hits is bored and married Karen (Julianna Margulies) whose second marriage is passionless making her an easy target for Taylor's charms. All goes according to plan until Taylor realizes he cares for Karen and Karen (with a lot of encouragement from girlfriend Emma - Joely Fisher - for an affair) falls for Taylor. The nightly signal from Karen that the coast is clear for Taylor to join her in bed is a light from her bedroom, yet when that goes on one evening, Taylor meets Karen's young daughter April (Thora Birch) in her mother's bedroom and barely escapes discovery when Karen and husband come home early. April at first mocks Taylor's attraction to her mother, but gradually the two bond - the first time that Taylor has been close to anyone except Ashley.
While Taylor is 'prepping' Karen for robbery Ashley is mixing with their 'crime bosses' Dickson (Michael Janik) and Fast Bobby (Svetlana Metkina) and feels the threat to perform. Several incidents lead to the final confrontation between Taylor, now enamored with April, and Ashley, who finally comes to grips with the fact that he is love with Taylor. The long-standing duo hits a schism and how that resolves provides a disturbing ending.
The four leads - Arquette, Getty, Margulies, and Birch - offer performances that are more than simple outlines of disconsolate characters: they inhabit their roles, finding cores of credibility that allow the viewer to understand the needs and fears of these isolated people. The cinematography by Paul Daley is appropriately grimy and the film editing by Jim Rubino takes Jay Alaimo's direction to a more cohesive whole. While not a great movie by any means, it is a touching character study of what happens to unwanted kids whose lives are dependent on each other in a world that rejects them. Grady Harp