| Photos (See all 16 | slideshow) |
| Peter Mullan | ... | Frank | |
| Brenda Blethyn | ... | Joan | |
| Sean McGinley | ... | Eddie | |
| Jamie Sives | ... | Rob | |
| Billy Boyd | ... | Danny | |
| Ron Cook | ... | Norman | |
| Jodhi May | ... | Angela | |
| Benedict Wong | ... | Chan | |
| Anne Marie Timoney | ... | Michelle | |
| Shaun Dingwall | ... | Observer | |
| Tony Roper | ... | Merv the Perv | |
| Paul Ritter | ... | Mad Bob | |
| Andrew MacLennan | ... | Andrew | |
| James MacLennan | ... | James | |
| Irene Ann Burt | ... | Vera | |
| Nigel Lindsay | ... | Sharp Suit | |
| Stevie Hannan | ... | Gus | |
| Ann Scott-Jones | ... | Danny's Ma (as Ann Scott Jones) | |
| Michelle Rodley | ... | Shop Girl 1 | |
| Carolyn Calder | ... | Shop Girl 2 | |
| John Yule | ... | Driving Instructor | |
| Jay Manley | ... | Man in Job Centre | |
| James Martin | ... | Old Man in Library | |
| Mark McDonnell | ... | Dough Belly 1 | |
| Robert Read | ... | Dough Belly 2 | |
| Eric Barlow | ... | Delivery Man | |
| Aaron Wilkie | ... | Aaron | |
| Eleanor McKinlay | ... | Water Therapy Carer | |
| Cameron Coyne | ... | Water Therapy Child | |
| Michael Love | ... | Water Therapy Child | |
| Martin Forry | ... | Lifeguard | |
| Hamish Johnson | ... | Boy on Beach | |
| Penny Dyer | ... | Self-Help Coach (voice) | |
| Raf Fellner | ... | Young Stuart (as Rafael Fellner) | |
| Phillip Carse | ... | Young Rob | |
| Ella McGee | ... | Young Joan | |
| rest of cast listed alphabetically: | |||
| Mae McDougall | ... | Mother | |
| Alan Marsh | ... | Walk on (uncredited) | |
Directed by | |||
| Gaby Dellal | |||
Writing credits(in alphabetical order) | ||
| Alex Rose | ||
Produced by | |||
| Bill Allan | .... | executive producer | |
| Hilary Benson | .... | line producer | |
| Dorothy Berwin | .... | producer | |
| Steve Christian | .... | executive producer | |
| Martha Coleman | .... | co-producer | |
| Leonard Crooks | .... | executive producer (as Lenny Crooks) | |
| Sarah Curtis | .... | producer | |
| Emma Hayter | .... | executive producer | |
| Nick Hill | .... | executive producer | |
| Amy Lo | .... | associate producer | |
| Andy Mayson | .... | executive producer | |
| Keith Evans | .... | executive producer (uncredited) | |
Original Music by | |||
| Stephen Warbeck | |||
Cinematography by | |||
| David Johnson | (director of photography) | ||
Film Editing by | |||
| Robin Sales | |||
| John Wilson | (uncredited) | ||
Casting by | |||
| Gail Stevens | |||
Production Design by | |||
| Mark Leese | |||
Art Direction by | |||
| Caroline Grebbell | |||
Costume Design by | |||
| Kate Hawley | |||
Makeup Department | |||
| Karen Brotherston | .... | additional makeup artist | |
| Lizzie Judd | .... | makeup artist | |
| Dorka Nieradzik | .... | hair designer | |
| Dorka Nieradzik | .... | makeup designer | |
| Rosie Octon | .... | makeup trainee (as Rose Octon) | |
| Emma Sheldrick | .... | makeup artist | |
| Deborah Hyde | .... | creature effects coordinator (uncredited) | |
Production Management | |||
| Polly Duval | .... | post-production supervisor | |
| Jim Edge | .... | unit manager: Isle of Man | |
| Peter Gallagher | .... | production supervisor: Glasgow | |
| Ingrid Litman | .... | production supervisor | |
Art Department | |||
| Brian Adams | .... | carpenter | |
| Mat Bergel | .... | stand-by props | |
| Alexander Borthwick | .... | painter | |
| Phil Bowen | .... | construction manager | |
| Christopher Breslin | .... | carpenter | |
| Paul Campbell | .... | dressing props | |
| Tristan Carlisle-Kitz | .... | stand-by props | |
| Jim Carns | .... | dressing props | |
| Paul Connelly | .... | construction stagehand | |
| Stewart Cunningham | .... | dressing props | |
| Gordon Farlow | .... | painter | |
| Robert Gee | .... | stand-by painter | |
| Richard Hassall | .... | stand-by carpenter | |
| John Hughes | .... | painter | |
| Martin Kelly | .... | assistant art director | |
| William Maxwell | .... | chargehand | |
| Clare McDonald | .... | art department assistant (as Claire MacDonald) | |
| Jim O'Donnell | .... | stand-by painter | |
| Bob Orr | .... | property master | |
| Lee Porter | .... | production buyer | |
| Alex Robertson | .... | chargehand | |
| Anna Sheard | .... | assistant prop buyer | |
| Lorraine Tolmie | .... | assistant prop buyer | |
| Derek Welsh | .... | stand-by carpenter | |
Sound Department | |||
| Owen Bleasdale | .... | foley recordist | |
| Owen Bleasdale | .... | foley sound editor | |
| Peter Brill | .... | sound recordist | |
| Tim Dyer | .... | sound trainee | |
| David Gerard | .... | additional sound effects editor | |
| Dan Green | .... | dubbing editor | |
| Mike Grimes | .... | sound effects editor | |
| Stewart Henderson | .... | adr editor | |
| Miha Jaramaz | .... | additional sound effects editor | |
| Hugh Johnson | .... | sound re-recording mixer | |
| Melissa Lake | .... | foley artist | |
| James Lantry | .... | sound trainee | |
| Gareth Llewellyn | .... | assistant dubbing mixer | |
| Miriam Ludbrook | .... | dialogue editor | |
| Alastair Mason | .... | boom operator | |
| Zak Melemendjian | .... | dubbing editor (as Peter Melemendjian) | |
| Bernard O'Reilly | .... | additional sound effects editor | |
| Rashad Omar | .... | sound recordist: boat | |
| Jeremy Price | .... | supervising sound editor | |
| Graeme Stoten | .... | adr recordist | |
| Jason Swanscott | .... | foley artist | |
| Nick Watson | .... | sound consultant: Dolby | |
| Paul Apted | .... | sound editor (uncredited) | |
| Jennie Evans | .... | additional sound effects editor (uncredited) | |
| Nick Foley | .... | adr recordist (uncredited) | |
| Tim Hands | .... | supervising sound editor (uncredited) | |
| Hal Levinsohn | .... | adr supervisor: New York (uncredited) | |
| James Perry | .... | sound editor (uncredited) | |
| Jennifer Ralston | .... | assistant sound editor (uncredited) | |
| Jonathan Rimas | .... | adr mixer (uncredited) | |
| Ted Swanscott | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Harry Bryce | .... | senior special effects technician | |
| Nick Rideout | .... | special effects supervisor | |
Visual Effects by | |||
| Phil Attfield | .... | lead digital artist: Men From Mars | |
| Paul Beard | .... | visual effects line producer: Men From Mars | |
| Robin Beard | .... | digital artist: Men From Mars | |
| Mark Dollery | .... | digital imaging: Men From Mars | |
| Simon Frame | .... | visual effects producer: Men From Mars | |
| Spencer Friend | .... | visual effects supervisor: Men From Mars | |
| Tom Hocking | .... | digital artist: Men From Mars | |
| Isaac Layish | .... | digital artist: Men From Mars | |
| Victoria McDowell | .... | visual effects line producer: Men From Mars | |
| Gruff Owen | .... | digital artist: Men From Mars | |
| Tom Pegg | .... | digital artist: Men From Mars | |
| Karl Derrick | .... | creature effects supervisor/designer (uncredited) | |
| Paul Shore | .... | digital film supervisor (uncredited) | |
Stunts | |||
| Luke Aikman | .... | stunts | |
| Gabe Cronnelly | .... | stunts (as Gabriel Cronnelly) | |
| David Feakes | .... | swimming double: Peter Mullan | |
| Stewart James | .... | stunts (as Stewart 'Tidd' James) | |
| Greg Orphanides | .... | additional swimming double | |
| Alexander Rust | .... | additional swimming double | |
| Michael Scott-Law | .... | stunt supervisor: Glasgow (as Michael Scott Law) | |
| Stuart St. Paul | .... | stunt coordinator | |
Animation Department | |||
| Ben Bradley | .... | digital artist | |
Casting Department | |||
| Victoria Beattie | .... | additional casting | |
| William Davies | .... | casting associate: Gail Stevens Casting (as Will Davies) | |
| Juliette Robson | .... | additional casting | |
| Vanessa Baker | .... | adr voice casting (uncredited) | |
| Brendan Donnison | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Elisa Cunningham | .... | costume trainee | |
| Arnalie Harper Gow | .... | stand-by wardrobe (as Amelie Harper Gow) | |
| Anna Lau | .... | assistant costume designer | |
| Michael Weldon | .... | wardrobe master | |
Editorial Department | |||
| Jonathan Sales | .... | first assistant editor | |
| Cliff Thomas | .... | color grader | |
| Greg Barrett | .... | senior digital grade producer (uncredited) | |
| Michael Nollet | .... | first assistant editor (uncredited) | |
Music Department | |||
| Chris Barrett | .... | assistant scoring engineer | |
| James Bellamy | .... | auricle operator: The Music Department | |
| Becky Bentham | .... | music supervisor: Hothouse Music | |
| Paul Clarvis | .... | musician: percussion | |
| Steve Donnelly | .... | musician: guitar | |
| Martin France | .... | musician: drums | |
| Andrew Green | .... | music preparation | |
| Isobel Griffiths | .... | orchestra contractor | |
| Tim Harries | .... | musician: bass guitar | |
| Nick Ingman | .... | conductor | |
| Lewis Jones | .... | music mixer assistant | |
| John Parricelli | .... | musician: guitar | |
| Sonia Slany | .... | musician: fiddle | |
| James Stone | .... | assistant scoring engineer | |
| Stephen Warbeck | .... | musician: piano/accordion | |
| Stephen Warbeck | .... | orchestrator | |
| Steve Watts | .... | musician: bass guitar | |
| Rolf Wilson | .... | orchestra leader | |
| Nick Wollage | .... | scoring engineer | |
| Chris Dibble | .... | scoring mixer (uncredited) | |
| Andrew Glen | .... | music editor (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
Transportation Department | |||
| Malcolm Corlett | .... | unit driver: Isle of Man | |
| Paul Dunphy | .... | head unit driver: Glasgow | |
| Angus Finlayson | .... | unit driver: Glasgow | |
| Adrian Holland | .... | unit driver: Isle of Man | |
| Geoffrey Hook | .... | driver: costume truck, Movie Makers (as Geoff Hook) | |
| Sean Jones | .... | unit driver: Glasgow | |
| Mike Lewis | .... | transportation captain: Isle of Man | |
| Bill McKeller | .... | driver: generator and makeup truck, Movie Makers (as Bill McKellar) | |
| Ronnie Morrison | .... | action vehicle coordinator | |
| Chris Parker | .... | driver: support truck, Movie Makers | |
| Finn Parker | .... | driver: support truck, Movie Makers | |
| Fiona Singer | .... | unit driver: Isle of Man | |
| Clive Smith | .... | driver: camera truck, Movie Makers | |
Other crew | |||
| Ruth Atkinson | .... | script supervisor | |
| Sarah Bing | .... | legal advisor: SJ Berwin | |
| Lee Breasley | .... | representative: The Royal Bank of Scotland (as Lee Beasley) | |
| Mary Brehony | .... | representative: Scottish Screen | |
| Jennifer Brooks | .... | production runner | |
| Pauline Burt | .... | risk manager: The Royal Bank of Scotland | |
| Stephen Burt | .... | location manager: Glasgow | |
| Nick Cain | .... | representative: Isle of Man Film | |
| Neil Calder | .... | completion guarantor: Film Finances | |
| Michael Campbell | .... | assistant location manager: Glasgow | |
| Richard Carless | .... | crew: Dover | |
| Claire Chapman | .... | representative: Scottish Screen | |
| Dean Cooke | .... | boat crew: Isle of Man | |
| John 'Cookee' Cooke | .... | assistant marine coordinator | |
| Anita Cox | .... | representative: Scottish Screen | |
| Hannah Curtis | .... | floor runner | |
| Paul Curtis | .... | crew: Dover | |
| Lucie Day | .... | production assistant | |
| Paul Dix | .... | location manager: Dover | |
| Alex Downie | .... | representative: Isle of Man Film | |
| Hilary Dugdale | .... | representative: Isle of Man Film | |
| Dave Dunkley | .... | marine crew | |
| Yvonne Dunn | .... | representative: Glasgow Film Finance | |
| Graham Easton | .... | completion guarantor: Film Finances | |
| Jim Edge | .... | security: Isle of Man | |
| Cherry Fiddaman | .... | production accountant | |
| Richard Fiddaman | .... | assistant accountant | |
| Emily Field | .... | assistant to director | |
| Andrew Fingret | .... | legal advisor: Isle of Man Film, Cains Advocates | |
| Elaine Foster | .... | stand-in | |
| Stephen Foster | .... | representative: Glasgow Film Finance | |
| Jeremy Gawade | .... | representative: Glasgow Film Finance | |
| Barbara Gibson | .... | tutor | |
| Andy Greethan | .... | title designer (as Andy Greetham) | |
| Lee Groombridge | .... | production assistant | |
| Gwyneth Harrison | .... | unit nurse: Isle of Man | |
| Samar Ibrahim | .... | floor runner | |
| Faith Jenkinson | .... | health and safety officer | |
| Caroline Johnson | .... | international marketing: Icon International Entertainment | |
| Tim Johnson | .... | legal advisor: SJ Berwin | |
| Jessica Kantor | .... | assistant: Dorothy Berwin | |
| Mike Keegen | .... | boat crew: Isle of Man | |
| Tom Keegen | .... | boat crew: Isle of Man | |
| Alexandra Keen | .... | business affairs: Icon Entertainment International | |
| Mike Kingston | .... | marine crew | |
| Robbie Kirkpatrick | .... | floor runner (as Robby Kirkpatrick) | |
| Justin P. Lange | .... | assistant: Dorothy Berwin (as J.P. Lange) | |
| Justin P. Lange | .... | assistant: Dorothy Berwin (as Justin Lange) | |
| James Leitch | .... | swimming coach: Peter Mullan | |
| Richard Leyer | .... | representative: Glasgow Film Finance | |
| Emma Lightbody | .... | representative: Gasworks Media | |
| Anne MacLennan | .... | chaperone | |
| Ella Magee | .... | assistant to director (as Ella McGee) | |
| Sirish Malde | .... | auditor: Malde & Company | |
| Heather Mansfield | .... | risk manager: The Royal Bank ofg Scotland | |
| Anna McPherson | .... | production secretary | |
| Sharon Menzies | .... | business affairs: Bakjer Street Media Finance | |
| Christos Michaels | .... | business affairs: Icon Entertainment International | |
| Milo Miles | .... | crew: Dover | |
| Liz Miller | .... | unit publicist: McDonald + Rutter | |
| Richard Moore | .... | insurance broker: Media Insurance Brokers | |
| Richard Moxon | .... | legal advisor: Baker Street Media Finance | |
| Peter Naish | .... | international sales: Icon Entertainment International | |
| Ian Nicholls | .... | diver | |
| Tonia Pearson | .... | assistant: Sarah Curtis | |
| Burt Reynolds | .... | crew: Dover | |
| Dave Richards | .... | boat crew: Isle of Man | |
| Matthew Sanders | .... | unit publicist: McDonald + Rutter | |
| Roger Shannon | .... | representative: Scottish Screen | |
| Leonard Singer | .... | representative: Isle of Man Film | |
| Garry Smith | .... | crew: Dover | |
| Willie Spiers | .... | stand-in | |
| Kevin Stephens | .... | marine crew | |
| David Sutcliffe | .... | health and safety officer | |
| Sian Sutherland | .... | location manager: Isle of Man | |
| Paul Swann | .... | laboratory liaison: Technicolor | |
| Eve Swannell | .... | production coordinator | |
| Ron Taylor | .... | laboratory liaison: Technicolor | |
| George Tlatt | .... | boat crew: Isle of Man | |
| Tony Tucker | .... | marine coordinator | |
| Hamish Walker | .... | representative: Glasgow Film Office | |
| Andy Walton | .... | crew: Dover | |
| Suzanne Ward | .... | chaperone | |
| Hannah Wardale | .... | legal advisor: SJ Berwin | |
| Ross Waters | .... | diver | |
| Jenny Williams | .... | representative: Glasgow Film Office | |
| Brian Wilson | .... | stand-in | |
| Jackie Wylie | .... | location assistant: Glasgow | |
| William Butler Yeats | .... | poet: "To a child dancing in the wind" | |
| Tony Rolink | .... | location maintenance (uncredited) | |
Thanks | |||
| Jeremy Thomas | .... | thanks | |
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| I Am Love | Kings & Queen | Asylum | The Witnesses | Boy A |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
This movie has strengths and weaknesses. Some of the strengths are its attempt to tell a 'real' story, without recourse to shtick, cliché, or pop-star trickery so common on TV and in movies these days. It seems obvious that the writer and director had visions of something deep, meaningful, as well as entertaining. Another strength is the reliance on the humans, and their real-world behaviors, fears, and hopes (etc.) for the 'current' flow of the movie. The camera lingers, the dialogue is written to enlighten us about the emotions (pleasant as well as despairing) of the characters. It may be said this is a character driven movie, perhaps? And, all of the cast do a commendable job of providing us with the characters' humanity and depth.
Some of the weaknesses, however, are how all of the individual components of the writer and director's vision are executed. Many of the threads of the story simply go nowhere--- not that we necessarily need a big plot-ish conclusion to everything. But we do need some sense, anyway, of what various expositions mean. Sure, we could accept a bit of non-convention, and even artiness, but some of the elements of this story never were stitched together with any other parts of the movie. Worse, those orphaned parts were never really stitched up as themselves--- i.e., they never really completed themselves, nor made any real sense in and of themselves. Without discussing plot details, let me breezily mention the parts with Chan, the Chinese chippy guy, for example. These had neither a start, nor a finish--- we simply saw one brief middle, as it were.
Overall, this is a pleasant movie--- but it isn't a great one. I looked up the director and the writer online, and didn't find much. If they are young, or young-ish, this effort might bode well. That is, this movie resembled a good student-like product from young and promising film makers. Young, in their careers anyway, regardless of their actual calendar year age, but very talented. People to watch in the future.
'On A Clear Day' made me think of quilt makers. Imagine a master-to-be quilt maker; a quilt making artist whose work will be celebrated in the UK and America, and featured on PBS and BBC documentaries and featured in museums, etc. And then imagine this future master's last 'student' project, when she was 17 years old or so, before the magic clicked and she got great. This student work shows genius and promise, both undelivered as of now. That's what 'Clear Day' is like--- a quilt whose individual pieces are great, showing bright and future success, but not put together very well, showing immaturity and a student just beginning to blossom. Oh, the cast was great, and they obviously did everything they were asked to do, and they did it very well. The ill-fitting chunks weren't their fault--- they were just an artifact of the awkward and 'green' directorial efforts.
Go see it anyway--- support the growth of these folks! I gave this an encouraging 8 out of 10.