A fictionalized account of the first major successful sexual harassment case in the United States -- Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs.
After decades of laboring as a Glasgow shipbuilder, Frank Redmond, a no-nonsense 55-year-old working-class man, suddenly finds himself laid off. For the first time in his life, he is without a job or a sense of direction, and he's too proud to ask for guidance. His best mates - rascally Danny, timid Norman and cynical Eddie - are there for him, but Frank still feels desperately alone. An offhand remark from Danny inspires Frank to challenge himself. Already contemplating the state of his relationships with loving wife Joan and all-but-estranged son Rob, Frank is determined to shore up his own self-confidence. He will attempt the near impossible - swimming the English Channel. As Frank plunges headlong into his new daily life, his astonished friends are swept along with him. Prodded by stalwart fish-and-chips shop owner Chan, the men support Frank, train him - and keep their goal secret from his wife and son. Frank is unable to confide in those closest to him, but as the big day and ... Written by
I just saw this movie a few hours ago. I'm a university student in Utah and went up to the Sundance Film Festival in Park City. My friends and I thought that On a Clear Day sounded good so we stood in line and got in. It was a great movie. Peter Mullan captures his character (Frank) perfectly. He leaves you cheering for the underdog and hoping for the impossible. Billy Boyd is, as usual, hilarious and very believable in his role as Frank's friend and former co-worker. Gabby Dellal's direction was very impressive. Her use of angles gave the audience a clear perception and her use of time and flashbacks was also brilliantly used. Overall, the film was well worth the ten bucks, hour drive and long line. Plus, it's Sundance, how can you go wrong? I hope it does well at the Festival and also hope that many more people will have the opportunity to see it.
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