While doing her rounds in the Scottish countryside, Doctor Caroline Lamar comes upon a hitchhiker, and offers him a lift. Young Danish backpacker Mike Hammershoi explains that he is looking... See full summary »
Anders W. Berthelsen,
A period drama set in the early years of the 20th century. Josef, a former construction worker who delighted in dancing on girders high above the city, who now sweeps up at the circus. Once... See full summary »
In the middle of Vienna stands an old tenement building, and time has left its mark both on the house and its inhabitants. Here, time passes at a strange pace. Floor by floor, the visitor ... See full summary »
After decades of laboring as a Glasgow shipbuilder, Frank Redmond, a no-nonsense 55-year-old working-class man, suddenly finds himself laid off. For the first time in his life, he is without a job or a sense of direction, and he's too proud to ask for guidance. His best mates - rascally Danny, timid Norman and cynical Eddie - are there for him, but Frank still feels desperately alone. An offhand remark from Danny inspires Frank to challenge himself. Already contemplating the state of his relationships with loving wife Joan and all-but-estranged son Rob, Frank is determined to shore up his own self-confidence. He will attempt the near impossible - swimming the English Channel. As Frank plunges headlong into his new daily life, his astonished friends are swept along with him. Prodded by stalwart fish-and-chips shop owner Chan, the men support Frank, train him - and keep their goal secret from his wife and son. Frank is unable to confide in those closest to him, but as the big day and ... Written by
The toy that Rob takes away from his son at school is Thunderbird 2, based on the television series Thunderbirds (1965). Ron Cook played Parker in the theatrical remake Thunderbirds (2004). See more »
In the pub scene with Danny and Rob, in one shot, Danny places the glass down, and the next shot, it is back in his hand. See more »
I just don't understand why he is doing this. Swimming The English Channel will NOT bring Stuart back.
[as she leaves the kitchen, she turns back to her son]
It's not Stuart he wants back, Rob.
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For he is a jolly good fellow
(traditional) See more »
Yet Another Bloke Changes His and His Family And Friends' Live with an Impossible Dream
"On a Clear Day" is another of a familiar genre of the plucky bloke who is retired (like "The World's Fastest Indian") and/or unemployed (like "The Full Monty") and/or grieving (like the "Rocket Man" mini-series shown in the U.S. on BBC America) and finds self-esteem by achieving an impossible-seeming, galvanizing goal.
Alex Rose's debut script tries hard in an over-long effort to find conflict, personal growth and resolution as inspired by a true story of a laid-off dock worker who decides to swim the English Channel, but it is ultimately not as moving as the best of these can be (David Lynch's atypical "The Straight Story").
The film does find a fresh angle in an exploration of masculinity, as Peter Mullan's typical working class guy, who of course takes an opportunity to tell off his boss, is contrasted with his son the house husband (nice to see ruggedly handsome, earnest Sean McGinley who I mostly know from TV series) with a too bland wife but with adorable twin sons. While it was also amusing that this is the second movie I've seen this year where a Scotsman is inexplicably held up as an example of the New Man, as in "Take My Eyes (Te doy mis ojos)", their estrangement seems trumped up over a not very big secret and too drawn out, as is everything in the film, and could just as well be about the difficulties of male-to-male communication, as it finally resolves in a lesson learned for both. There is a lovely small scene with Mullan watching a class of handicapped kids at a swim lesson, but unfortunately that's used for inspiration and not second career options.
The impacts his efforts have on his wife and the usual assortment of eccentric friends to be inspired to take parallel steps toward conquering their very personal fears are a heartwarming, if very predictable, side story, and I would have welcomed more of their lives and half-hour less of Mullan's comic training travails (though the funniest lines were already in the trailer). Brenda Blethyn in particular is wonderful as a mature, independently determined wife with a dream to become a bus driver, the opposite of her fluttery "Mrs. Bennett" in "Pride & Prejudice".
The cinematography makes great use of the Glasgow street scenes in sharp visual contrast with the white cliffs of Dover and the bluest Channel water I've ever seen in a British film.
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