Donal is a 14-year old who develops a passion for greyhound racing. He works in a kennel, which is owned by Good Joe. Good Joe promises Donal ownership of Donal's favorite greyhound, The ... See full summary »

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Cast

Credited cast:
...
Good Joe
Tyrone McKenna ...
Donal
...
Kate
...
Ronan
...
I'm A Cripple
...
O
Bernard Manning ...
Kid Joyrider
Mark McCavanagh ...
Dissident Republican 1
John Travers ...
Spacer
Alison Finnegan ...
Teenage Girl
Rest of cast listed alphabetically:
...
Girl Next Door (scenes deleted)
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Storyline

Donal is a 14-year old who develops a passion for greyhound racing. He works in a kennel, which is owned by Good Joe. Good Joe promises Donal ownership of Donal's favorite greyhound, The Mighty Celt, if the animal wins three races in a row. Meanwhile, Donal's mother, Kate, must adjust her life when O, a man from her past, returns. The political climate of Ireland serves as the backdrop of this story. Written by Marilyn

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ireland | greyhound racing | See All (2) »

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Life begins out of the traps.

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Drama

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Release Date:

26 August 2005 (Ireland)  »

Also Known As:

Waleczny Celt  »

Box Office

Budget:

€2,800,000 (estimated)
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User Reviews

 
Solid enough low budget movie
29 August 2005 | by (Ireland) – See all my reviews

Gillian Anderson as a single mother from Northern Ireland. Never in my days of salivating over her in the X-Files (though not in a 'Tooms'-like fashion) did I think that I'd see her playing such a role in such a movie as this. It's basically a down to earth, straightforward story of a boy growing up in a nation that itself is only beginning to grow after 30 years of 'the Troubles' (a local war with Nationalist and Unionist terrorists along the lines of modern day Iraq but not half as brutal and deadly). The boy in question has an interest in and love for greyhounds which race for money, much as in horse racing. His relationships with the greyhound trainer that he's known for years and a new male influence in his life, who returns to Northern Ireland after being on the run for years, inevitably leads to conflict which ultimately leads to a simple resolution which is just a bit too clean and rushed in the final reels. There are no alarms and no surprises and everyone acts well enough. Despite the lack of deep thought, complicated plots, astounding cinematography, explosive special effects, etc. it's not bad though and neither is Anderson's accent. A time filler for an 84 minute gap in your life that you have little else to do with.


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