| Photos (see all 129 | slideshow) | Videos (see all 5) |
| Terrence Howard | ... | Djay | |
| Anthony Anderson | ... | Key | |
| Taryn Manning | ... | Nola | |
| Taraji P. Henson | ... | Shug | |
| DJ Qualls | ... | Shelby (as D.J. Qualls) | |
| Ludacris | ... | Skinny Black | |
| Paula Jai Parker | ... | Lexus | |
| Elise Neal | ... | Yevette | |
| Isaac Hayes | ... | Arnel | |
| Jordan Houston | ... | Tigga (as Juicy J) | |
| William Engram | ... | Slobs (as William 'Poon' Engram) | |
| Bobby Sandimanie | ... | Yellow Jacket (as Bobby 'I-20' Sandimanie) | |
| Haystak | ... | Mickey | |
| Claude Phillips | ... | Harold | |
| Josey Scott | ... | Elroy | |
| John Still | ... | Shop Owner | |
| Jay Munn | ... | Prison Guard | |
| Michael Hooks | ... | Block Manager (as Michael Hooks Jr.) | |
| Jerome Toles | ... | Police Officer | |
| Paul Beauregard | ... | R.L. (as DJ Paul) | |
| Al Kapone | ... | Kateezy | |
| Jennifer Bynum Green | ... | Choir Lead Singer | |
| Kelvin Birrus | ... | Choir Singer #1 | |
| Tiran D. Boyland | ... | Choir Singer #2 | |
| H. Renee Cogar | ... | Choir Singer #3 | |
| Brandon Seiferth | ... | Choir Singer #4 | |
| Deborah Manning Thomas | ... | Choir Singer #5 | |
| Terrence Brown | ... | Piano Player | |
| T.C. Sharpe | ... | Arnel's Drunk | |
| Lindsey Roberts | ... | Harper | |
| Free Sol | ... | Bathroom Kid | |
| Clarence Mabon | ... | Police Officer #2 | |
| Mark Goodfellow | ... | Pawn Shop Owner | |
| Latasha Texas | ... | Stripper #1 | |
| Tracy Davis | ... | Stripper #2 | |
| Erica Miller | ... | God Bless America Girl | |
| Helen Bowman | ... | Defendant | |
| rest of cast listed alphabetically: | |||
| Jeff Pope | ... | Trick #1 | |
| Josh Driver | ... | Bar Tender (uncredited) | |
| Shariee Jones | ... | Skate Extra (uncredited) | |
| Dennis Phillippi | ... | Himself (voice) (uncredited) | |
Directed by | |||
| Craig Brewer | |||
Writing credits(WGA) | ||
| Craig Brewer | (written by) | |
Produced by | |||
| Stephanie Allain | .... | producer | |
| Preston L. Holmes | .... | associate producer (as Preston Holmes) | |
| John Singleton | .... | producer | |
| Dwight Williams | .... | executive producer | |
Original Music by | |||
| Scott Bomar | |||
Cinematography by | |||
| Amy Vincent | |||
Film Editing by | |||
| Billy Fox | |||
Casting by | |||
| Chris Gray | |||
| Kim Hardin | (as Kimberly R. Hardin) | ||
Production Design by | |||
| Keith Brian Burns | |||
Art Direction by | |||
| Alexa Marino | |||
Set Decoration by | |||
| Joni Wheeler | |||
Costume Design by | |||
| Paul Simmons | |||
Makeup Department | |||
| Bert Reo Anderson | .... | assistant hair stylist | |
| Camille Chambers | .... | makeup artist | |
| Ted Long | .... | key hair stylist (as Theodore Long) | |
| Kellie Robinson | .... | key makeup artist | |
| Linda Thompson | .... | assistant hair stylist | |
| Denise Tunnell | .... | key makeup artist (as Denise Tunnel) | |
Production Management | |||
| Terra Abroms | .... | post-production supervisor | |
Art Department | |||
| Darian Corley | .... | property master | |
| Frank Gray III | .... | assistant property master | |
| Spencer Pharr | .... | set dresser | |
Special Effects by | |||
| Jim Eikner | .... | special effects assistant (as Jim Eichner) | |
| Stephen Hall | .... | special effects assistant | |
| Ben Ishmael | .... | special effects assistant | |
| Jesse Moorefield | .... | special effects assistant | |
| Jason Thomas | .... | special effects foreman | |
| Steve Wolf | .... | special effects supervisor | |
Visual Effects by | |||
| David Booth | .... | scanning & recording | |
| John Daro | .... | digital intermediate editor | |
| Rick Lopez | .... | digital film technician: Fotokem Film & Video | |
| David Rosenthal | .... | digital film I/O supervisor: Fotokem Film & Video | |
Stunts | |||
| Max Maxwell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Tony Arnaud | .... | best boy grip | |
| Peter Budd | .... | grip | |
| Alisa M. Colley | .... | second assistant camera | |
| David A. Cook | .... | gaffer: Los Angeles | |
| Dan Cornwall | .... | gaffer | |
| Rusty Edmonson | .... | lighting technician | |
| Tracy Facelli | .... | film loader | |
| Chris Friebus | .... | second assistant camera | |
| Richard C. Kerekes | .... | dolly grip (as Rick Kerekes) | |
| Tommy Maddox-Upshaw | .... | electrician: Los Angeles (as Tommy Upshaw) | |
| Jonathan Stoll | .... | grip | |
| Tom Weston | .... | camera operator | |
| Matt Zschoche | .... | best boy electric: Los Angeles | |
Casting Department | |||
| Michelle Adams | .... | casting associate | |
| Cameron Deaver | .... | casting associate | |
| Benjamin Gerry | .... | casting associate | |
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Meriwether Nichols | .... | key costumer | |
| Christy Hebert Crouch | .... | seamstress (uncredited) | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Thanadoul Khunngam | .... | post-production intern | |
| John Nicolard | .... | digital intermediate producer | |
| David Rosenblatt | .... | assistant editor | |
| Bill Schultz | .... | digital intermediate executive | |
| Walter Volpatto | .... | digital intermediate artist | |
| Walter Volpatto | .... | digital intermediate colorist | |
| Charise E. Angone | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Scott Bomar | .... | music arranger | |
| Marc Franklin | .... | music arranger | |
| Christiaan Gordon | .... | music clearances | |
| Marvin R. Morris | .... | music editor | |
| Shie Rozow | .... | music editor | |
| Julie Sessing | .... | music clearance | |
| Paul Stewart | .... | music supervisor | |
| Mary Unobsky | .... | music consultant | |
Transportation Department | |||
| Nalla Black | .... | driver: cast | |
Thanks | |||
| Jennifer Kuwabara | .... | special thanks | |
| Sam Phillips | .... | dedicatee | |
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| Madame Satã | Gone with the Wind | Songcatcher | De battre mon coeur s'est arrêté | Buffalo '66 |
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As a member of the Hollywood community, I was blown away by this film... By the tight screenplay, the professional direction, and the phenomenal acting. In my opinion, I think this is one of the best films of the year so far.
With that said, it is not a film for children. It is not a film meant to portray ideal role models for children. It IS a film meant to realistically depict the lives of people who live at the very bottom of America's socioeconomic ladder.
If you find yourself unable to reserve judgment against people born into a life so vastly different than your own, you will probably not like this film. In order to appreciate it, you have to be able to see past the moral and ethical ambiguities of these characters.
So if anyone feels unsure whether they can handle the ugliness of this type of world, but still feels curious enough to see it, take a cue from the Anthropologists...
When studying a culture vastly different than your own, make sure to leave the rights and wrongs of your society at home. Because once you impose the moral judgment and ethical standards of your world upon another's, you've sacrificed your objectivity. And by doing so, miss the very point of empathy.